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The Life and Work of Joan Riviere traces her journey from dressmaker’s apprentice, and member of the Society for Psychical Research, to Sigmund Freud’s patient and his favourite translator. Marion Bower examines Riviere’s important legacy and contribution to the early development of psychoanalysis. Riviere was also a close friend and colleague of Melanie Klein and wrote her own highly original and influential papers on female sexuality and other topics, in particular Womanliness as a Masquerade (1929). Her position in the British Psychoanalytic Society was unusual as a direct link between Freud and Klein. Her own papers were extraordinarily prescient of developments in psychoanalysis, as well as the social climate of the time. Riviere’s experience as a dressmaker gave her an interest in female sexuality, and she proceeded to significantly challenge Freud’s views. She also defended Klein from ferocious attacks by Melitta Schmideberg (Klein's daughter) and Anna Freud. The Life and Work of Joan Riviere will appeal to anyone interested in the history of psychoanalysis as well as Riviere’s highly original perspectives involving feminist thought and female sexuality.
Two eminent psychoanalysts discuss the instinctual sources of emotion in normal adults.
(Dover thrift editions).
In Fair Sex, Savage Dreams Jean Walton examines the work of early feminist psychoanalytic writing to decipher in it the unacknowledged yet foundational role of race. Focusing on the 1920s and 1930s, a time when white women were actively refashioning Freud’s problematic accounts of sexual subjectivity, Walton rereads in particular the writing of British analysts Joan Riviere and Melanie Klein, modernist poet H.D., the eccentric French analyst Marie Bonaparte, and anthropologist Margaret Mead. Charting the fantasies of racial difference in these women’s writings, Walton establishes that race—particularly during this period—was inseparable from accounts of gender and sexuality. While arguing that these women remained notably oblivious to the racial meanings embedded in their own attempts to rearticulate feminine sexuality, Walton uses these very blindspots to understand how race and sex are deeply imbricated in the constitution of subjectivity. Challenging the notion that subjects acquire gender identities in isolation from racial ones, she thus demonstrates how white-centered psychoanalytic theories have formed the basis for more contemporary feminist and queer explorations of fantasy, desire, power, and subjectivity. Fair Sex, Savage Dreams will appeal to scholars of psychoanalysis, literary and cinematic modernism, race studies, queer theory, feminist theory, and anthropology.
Hannah Arendt was famously resistant to both psychoanalysis and feminism. Nonetheless, psychoanalytic feminist theory can offer a new interpretive strategy for deconstructing her equally famous opposition between the social and the political. Supplementing critical readings of Arendt's most significant texts (including The Human Condition, On Revolution, Rahel Varnhagen, The Origins of Totalitarianism, Eichmann in Jerusalem, and The Life of the Mind) with the insights of contemporary psychoanalytic, feminist, and social theorists, Norma Claire Moruzzi reconstitutes the relationship in Arendt's texts between constructed social identity and political agency. Moruzzi uses Julia Kristeva's writings on abjection to clarify the textual dynamic in Arendt's work that constructs the social as a natural threat; Joan Riviere's and Mary Ann Doane's work on feminine masquerade amplify the theoretical possibilities implicit in Arendt's own discussion of the public, political mask. In a bold interdisciplinary synthesis, Moruzzi develops the social applications of a concept (the mask) Arendt had described as limited to the strictly political realm: a new conception of (political) agency as (social) masquerade, traced through the marginal but emblematic textual figures who themselves enact the politics of social identity.
This bold and witty, yet scholarly biography is the first to trace the full life and work of this highly influential and brilliant pediatrician-turned-analyst. This insightful story probes the roots in Winnicott's personal life of his influential concepts, such as the "holding environment" so crucial to psychotherapy and the "transitional object" known to every parent as the "security blanket." His astonishing career involved many of the great figures in psychoanalysis and psychology, not just Melanie Klein and Anna Freud, but the whole eccentric Bloomsbury scene including the Stracheys, R. D. Laing, and the controversial Pakistani prince and analyst, Masud Khan. For anyone interested not only in psychology and psychoanalysis but also in human nature and the great figures who have explored it, this book will be passionately absorbing.
Ernest Jones’s three-volume The Life and Work of Sigmund Freud was first published in the mid-1950s. This edited and abridged volume omits the portions of the trilogy that dealt principally with the technical aspects of Freud’s work and is designed for the lay reader. Jones portrays Freud’s childhood and adolescence; the excitement and trials of his four-year engagement to Martha Bernays; his early experiments with hypnotism and cocaine; the slow rise of his reputation and constant battles against distortion and slander; the painful defections of close associates; the years of international eminence; the onset of cancer and his stoicism in the face of an agonizing death. “One of the outstanding biographies of the age... It gives us an unmatched — and unretouched — portrait of Freud as a human being.” — The New York Times “The definitive life of Freud and one of the great biographies of our time... Charged with intellectual excitement, it is a chronicle of heroic struggle and adventurous discovery.” — The Atlantic “A landmark of literature, a remarkable appreciation of one of the remarkable spirits of the modern age.” — Scientific American “Superb drama... Dr. Jones has managed to illuminate some obscure corners of Freud’s first years with a thoroughness that would have astonished, and might well have dismayed, the reticent and august Freud.” — The New Yorker “A masterpiece of contemporary biography... The letters are also a fascinating guide to the man. From them emerges suddenly a tough, jealous, ferocious figure.” — Time
The authors explore the influence of Freud's thinking on twentieth-century intellectual and scientific life within Cambridge and beyond.
Performance Anxieties looks at the on-going debates over the value of psychoanalysis for feminist theory and politics--specifically concerning the social and psychical meanings of racialization. Beginning with an historicized return to Freud and the meaning of Jewishness in Freud's day, Ann Pellegrini indicates how "race" and racialization are not incidental features of psychoanalysis or of modern subjectivity, but are among the generative conditions of both. Performance Anxieties stages a series of playful encounters between elite and popular performance texts--Freud meets Sarah Bernhardt meets Sandra Bernhard; Joan Riviere's masquerading women are refigured in relation to the hard female bodies in the film Pumping Iron II: The Women; and the Terminator and Alien films. In re-reading psychoanalysis alongside other performance texts, Pellegrini unsettles relations between popular and elite, performance and performative.
Although best known as a disseminator of Freudian and Kleinian ideas, the author also contributed important and original material to the body of psychoanalytic literature. This volume presents some of this material and highlights the importance of the author's contribution.