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This volume, meant to reflect the lively and eclectic spirit of the show, is a gathering of variously challenging, erudite, and amusing essays by scholars, critics, and writers.
This exhibition examines Freud's life, his work, and its impact upon the twentieth century.
(Dover thrift editions).
Exhibit features vintage photographs, prints, manuscripts and first editions. Also displayed are home movies of Freud and objects from his study and consulting room--including materials from his desk, the chair in which he sat when listening to patients, a model of his consulting couch, and pieces from his own collection of antiquities. Selected film and television clips, and materials from newspapers, magazines and comic books are interwoven throughout the exhibition.
Offers information on the exhibit "Sigmund Freud: Conflict and Culture" at the U.S. Library of Congress from October 15, 1998 to January 16, 1999. The exhibition features vintage photographs, prints, manuscripts and first editions, as well as home movies of Freud (1856-1939) and objects from his study and consulting room. Offers ordering information for the printed companion to the exhibition. Describes public programs and includes a schedule for the exhibition's traveling edition. Links to information on other Library of Congress exhibitions and the organization's home page.
Sigmund Freud and His Impact on the Modern World, volume 29 of The Annual of Psychoanalysis, is a comprehensive reassessment of the influence of Sigmund Freud. Intended as an unofficial companion volume to the Library of Congress's exhibit, "Sigmund Freud: Conflict and Culture," it ponders Freud's influence in the context of contemporary scientific, psychotherapeutic, and academic landscapes. Beginning with James Anderson's biographical remarks, which are geared specifically to the objects on display in the Library of Congress exhibit, and Roy Grinker Jr.'s more personal view of Freud, the volume branches out in various directions in an effort to comprehend the multidimensional and multidisciplinary richness of Freud's contribution. In section II, we find authoritative summaries of Freud's scientific contributions, of his continuing impact as a thinker, of his notion of symbolization in the context of recent neuroscientific findings, and of his status as a "cultural subversive". In section III, contributors hone in on more specific aspects of Freud's legacy, such as an experimental method to review how Freud's idea of childhood sexuality has fared and a look at the women who became analysts in the United States. In the concluding section of the volume, contributors turn to Freud's influence in various humanistic disciplines: literature, drama, religious studies, the human sciences, the visual arts, and cinema. With this scholarly yet highly accessible compilation, the Chicago Institute provides another service to its own community and to the wider reading public. Sure to enhance the experience of all those attending "Sigmund Freud: Conflict and Culture," Sigmund Freud and His Impact on the Modern World will appeal to anyone desirous of an up-to-date overview of the man whose work shaped the psychological sensibility of the century just past and promises to reverberate throughout the century just born.
In Freud: Conflict and Culture, Michael S. Roth presents eithgteen essays on the man who has become, in W.H. Auden's phrase, "a whole climate of opinion." This fascinating collections explores Freud's work, the absorption of his theories into mainstream culture, and his hotly contested legacy. Oliver Sacks demonstrates how Freud's early studies anticipated contemporary neuropsychology. Scholar Muriel Dimen reveals a paradoxical liaison between psychoanalysis and feminism. Art Spiegelman (Maus) provides a comic strip that explores Freud's ideas about humor. And Peter Kramer (Listening to Prozac) projects how future generations may look upon the man who, along with Marx, Darwin, and Einstein, shaped an era. By turns moving, contentious, and amusing, Freud: Conflict and Culture boasts a body of work as eclectic and engaging as the revolutionary genius himself.
Based on a self-published typographic notebook first produced in 1959; this reproduction includes thoughts by influential designers such as George Lois and April Greiman on the lasting impact of this type primer.
An account of the final two years in the life of Sigmund Freud and their legacy describes how, in 1938, the elderly, ailing, Jewish Freud was rescued from Nazi-occupied Vienna and brought to London, where he finally found acclaim for his achievements, battled terminal cancer, and wrote his most provocative book, Moses and Monotheism.
From the master of Freud debunkers, the book that definitively puts an end to the myth of psychoanalysis and its creator Since the 1970s, Sigmund Freud’s scientific reputation has been in an accelerating tailspin—but nonetheless the idea persists that some of his contributions were visionary discoveries of lasting value. Now, drawing on rarely consulted archives, Frederick Crews has assembled a great volume of evidence that reveals a surprising new Freud: a man who blundered tragicomically in his dealings with patients, who in fact never cured anyone, who promoted cocaine as a miracle drug capable of curing a wide range of diseases, and who advanced his career through falsifying case histories and betraying the mentors who had helped him to rise. The legend has persisted, Crews shows, thanks to Freud’s fictive self-invention as a master detective of the psyche, and later through a campaign of censorship and falsification conducted by his followers. A monumental biographical study and a slashing critique, Freud: The Making of an Illusion will stand as the last word on one of the most significant and contested figures of the twentieth century.