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As for many of Dickens' novels, highlighting social injustices is at the heart of Little Dorrit. His father was imprisoned for debt, and Dickens' shines a spotlight on the fate of many who are unable to repay a debt when the ability to seek work is denied. Amy Dorrit is the youngest daughter of a man imprisoned for debt and is working as a seamstress for Mrs Clennam when Arthur Clennam crosses her path. Will the sweet natured Amy win Arthur's heart? And will they ever escape the shadow of debtors' prison?
Tells the story of Hattie Coram, who was abandoned as a baby at the London Foundling Hospital. She is trained as a domestic servant and becomes a maid in Charles Dickens' household where she is plagued by the nickname "Tattycoram" and eventually used by Dickens as a character in his novel, Little Dorrit.
A study of the historical origins of cultural criticism in the novel since the mid-19th century, using the critical theory of the Frankfurt School to declare the critical force of mass culture as crucial to the making of the modern novel. Discusses how mass audiences and politics presented problems to major novelists and how they responded in their writings and lives. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR
This work argues that Dickens's novels form a multifaceted canon with strong family resemblances (and differences) among its members. The book creates a dynamic model of the Dickensian universe by following three aspects of the canon: the dialectic between fancy and authority, the psychology of symbol and memory, and the relationship between narrator and reader. Illustrated.
Presents a collection of critical essays on Dickens and his works.
In Little Dorrit's Shadows, Brian Rosenberg explores the specific relations between Dickens's ambivalent or self-contradictory imagination and his creation of character, arguing that contradiction and uncertainty do not merely color Dickens's characterization but account in large part for its distinctiveness and success. Characters that seem initially to be thoroughly knowable prove in the end to be as present and absent, definite and indefinite as shadows. Rosenberg is fully familiar with Dickensian criticism and with commentary on the subject of characterization in general. He concentrates on Dickens's eleventh novel, Little Dorrit, in which doubts and conflicts combine to shape the fictional structure on virtually every level. And because Little Dorrit is founded on contradiction, the contradictory elements in the characterization are granted free rein. Working outward from close analyses of characterization in Little Dorrit to more general considerations of Dickens's other novels, Rosenberg does justice both to the achievement of Little Dorrit and to the ways it resembles and differs from Dickens's fourteen other substantial texts.
George Orwell once said of Dickensâe(tm) work: âeoeIt is not so much a series of books, it is more like a world.âe In this book, J. Hillis Miller attempts to identify this âeoeworld,âe to show how a single view of life pervades every novel that Dickens wrote, and to trace the development of this view throughout the chronological span of Dickensâe(tm) career. There are full critical analyses of six of the novelsâe"Pickwick Papers, Oliver Twist, Martin Chuzzlewit, Bleak House, Great Expectations, and Our Mutual Friendâe"and shorter discussions of many of the others. Each novel has been viewed as the transformation of the real world of Dickensâe(tm) experience into an imaginary world with certain special qualities of its own. Certain elements persist through all the novels, the most important of which are the general situation of the hero at the beginning of the story and the general nature of the world in which he lives. Each of Dickensâe(tm) heroes begins his life cut off from other people, in a world which seems menacing and unfriendly and, on the social side, composed of inexplicable rituals and mysterious conventions; each lives, like Paul Dombey, âeoewith an aching void in his young heart, and all outside so cold, and bare, and strange.âe The heroes then move through successive adventures in an attempt to understand the world, to integrate themselves into it, and thus to find their true identity. Initially creatures of poverty and indigence, those characters reach out for something which transcends the material world and the self, something other than human, which will support and maintain the self without engulfing it. Within the totality of Dickens' novels this problemâe"the search for selfhoodâe"is stated and restated, until, in the later novels, the answer is found to line in a rejections of the past, the given, and the exterior, and a reorientation toward the future and the free human spirit itself as the only true sources of value. With a real understating and sympathy for his subject, Miller manages to transport us into the midst of Dickensâe(tm) âeoeworldâe and to bring alive for us the whole strange and wonderful tribe that people his novels. This is an enlightening, well-written, enjoyable book for anyone who has ever had an interest in Dickens and his work.