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A Cape Town cop takes on the media-frenzied murder of a young woman in this “hard-hitting procedural, which won France’s Grand Prix for Best Crime Novel” (Publishers Weekly). As a child, Ali Neuman ran away from home to escape the Inkatha, a militant political party at war with the then-underground African National Congress. He and his mother are the only members of his family who survived the carnage of those years. Today, Neuman is chief of the homicide branch of the Cape Town police, a job in which he must do battle with South Africa’s two scourges: widespread violence and AIDS. When the mutilated corpse of a young white woman is found in the city’s botanical gardens, Neuman finds himself chasing one false lead after another. Then a second corpse is found—another white woman. This time, the body bears signs of a Zulu ritual. Worse, an unknown narcotic has been found in the blood of both victims. The investigation will take Neuman back to his homeland, where he will discover that the once bloody killing fields have become a refuge for unscrupulous multinationals, and that the apparatchiks of apartheid still lurk in the shadows of a society struggling toward reconciliation.
In Dust of the Zulu Louise Meintjes traces the political and aesthetic significance of ngoma, a competitive form of dance and music that emerged out of the legacies of colonialism and apartheid in South Africa. Contextualizing ngoma within South Africa's history of violence, migrant labor, the HIV epidemic, and the world music market, Meintjes follows a community ngoma team and its professional subgroup during the twenty years after apartheid's end. She intricately ties aesthetics to politics, embodiment to the voice, and masculine anger to eloquence and virtuosity, relating the visceral experience of ngoma performances as they embody the expanse of South African history. Meintjes also shows how ngoma helps build community, cultivate responsible manhood, and provide its participants with a means to reconcile South Africa's past with its postapartheid future. Dust of the Zulu includes over one hundred photographs of ngoma performances, the majority taken by award-winning photojournalist TJ Lemon.
Publisher Description
What does it mean to be Zulu today? Does being Zulu today differ from what it meant in the past? "Zulu Identities" wrestles with these and many other related questions to show how the characteristic traditions of a pre-industrial people have evolved into different cultural expressions of "Zulu-ness" in modern South Africa. This authoritative and specially commissioned volume, which contains more collected expertise on the Zulus than is available from any other source, examines the legacies of Shaka, the intrigues of Zulu royalty, gender and generational struggles, cultural and symbolic projections, and spirituality. It highlights the debates in contemporary South Africa over the manipulation of Zulu heritage, whether deployed for party political purposes or exploited to promote eco- and battlefield-tourism. And finally the book contemplates the future of Zulu identity in a unitary South Africa seeking to embrace the forces of globalization.
"The Anglo-Zulu War, the most famous of Britain's lte ninetweenth-century campaigns of colonial conquest, was not fought in isolation. Along with the two Anglo-Pedi wars, the Ninth Cape Frontier War and the Northern Border War, it was one in a brutal series of interconnected and overlapping wars which the British waged between 1877-1879 to crush and disarm the remaining independent black states of South Africa. [Fusing] the widely differing African and European perspectives on events, [the author] probes the fateful decisions taken by statesmen and military commandrs, analyses military operations and their destructive impact on combatants and civilians alike, and explores why so many Africans chose to fight as auxiliaries and levies alongside the Bruitish instead of against them. ..."--Jacket.
Celebrating the culture of South Africa's indigenous Zulu population, this craft book showcases 25 stunning projects using dozens of previously unpublished beadwork techniques. The projects include netted diamond earrings, a zigzag chain, a netted triangle and swag bracelet, and a Zulu wedding necklace and are illustrated with easy-to-follow diagrams and helpful hints. Along with novel techniques for netting, wrapping, fringing, and braiding, the history of the Zulu people is also presented, accompanied by gorgeous full-color photography of the region.
A detailed history explaining how and why, in the late nineteenth century and early twentieth, Africans from the British colony of Natal transformed their ethnic self-identification, constructing and claiming a new Zulu identity.
The film Zulu holds legendary status and is often claimed to be Britains favourite war film. Author Sheldon Hall takes us behind the scenes and reveals for the first time the true story of the making of Zulu and includes: First-hand accounts of shooting the film, many
The Great Farini would stride on to the stage and announce, ‘Ladies and gentlemen, and now for the highlight of the day, the ferocious Zulus.’ The impresario Farini introduced Em-Pee and his troupe to his kind of show business, and now they must earn their bread. In 1885 in a bustling New York City, they are the performers who know the true Zulu dances, while all around them fraudsters perform silly jigs. Reports on the Anglo-Zulu War portrayed King Cetshwayo as infamous, and audiences in London and New York flock to see his kin. What the gawking spectators don’t know is that Em-Pee once carried nothing but his spear and shield, when he had to flee his king. But amid the city’s squalid vaudeville acts appears a vision that leaves Em-Pee breathless: in a cage in Madison Square Park is Acol, a Dinka princess on display. For Em-Pee, it is love at first sight, though Acol is not free to love anyone back.