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Everyone's favorite zombie kid is back with more surprises! So keep your eyes peeled and socks on, because an adventure with Zombie Boy isn't one you'd want to miss!
Here comes Zombie Boy! Zombie Boy isn't your average kid, and while being a zombie may not seem like an ideal lifestyle at first, you'd be amazed by what this little guy is capable of. A laugh-out-loud comedy sure to have boys and girls alike rocking in their chairs!
He’s better at eating brains than using them! Zombie Boy’s back in school, and while he behaves himself most of the time, staying in one piece is still a struggle! When a new transfer student even creepier and more unpredictable than the cute little corpse shows up, Zombie Boy soon realizes he’s going to need all the spare limbs he can get!
The bullies from season one of hit Netflix series try to uncover the mystery of Eleven's psychic powers in this scary all-ages comic! Troy has been having nightmares about El ever since she embarrassed him in front of the school and broke his arm in season one. Powerless and anxious, Troy is determined to prove that what happened between him and El is only some form of trickery. That is until he and James encounter demodogs! Written by best-selling author Greg Pak (Mech Cadet Yu, The Incredible Hulk, Star Wars: Age of Rebellion) and drawn by Valeria Favoccia (Assassin Creed: Reflections, Doctor Who: The Tenth Doctor).
Once escort to the stars, turned zombie, Janey Belle wanders the highways trying to maintain the balance between her former humanity and the monster that is... Zombie Tramp! Equipped with the Necronomicon, Janey sets out to learn dark magic while encountering even darker and stranger characters on the road.
Zombie Movies is an essential purchase for all those who love (or fear) horror cinema’s most popular and terrifying creation. This thorough and authoritative yet uproarious guide • reviews and rates nearly 300 zombie films—from Bela Lugosi’s White Zombie (1932) to George A. Romero’s Diary of the Dead (2008) • traces the evolution of the zombie over the decades, from voodoo slave to brain-eating undead to raging infected • lays out what makes a zombie a zombie, as opposed to a ghost, ghoul, vampire, mummy, pod person, rabid sicko, or Frankenstein’s monster • includes a detailed and chilling journal from the filming of Land of the Dead • lists the oddest and most gruesome things ever seen in undead cinema • covers not only mainstream American movies but also small independent productions, Spanish and Italian exploitation pictures, and bizarre offerings from Japan and Hong Kong • provides a detailed rundown of the 25 greatest zombie films ever made • features in-depth interviews with actors, directors, makeup effects wizards, and other zombie experts For serious fans and casual moviegoers alike, Zombie Movies will provide plenty of informative and entertaining brain food.
Friedrich Kittler’s lecture series provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. He begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organised. Kittler also discusses the development of various mechanical devices, like the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counterreformation. After examining this history, Kittler then addresses the ways in which images were first stored and made to move through the development of photography and film. Kittler discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or “picture-frame” stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations. In short, these lectures provide a comprehensive introduction to the history of image production, which is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.
It all started like a typical old-school boys’ love plotline—bad-boy senior meets adorably awkward underclassman, one of them falls in love, and so on and so forth. But although Miyano is a self-proclaimed boys’ love expert, he hasn’t quite realized…he’s in one himself. Which means it’s up to Sasaki to make sure their story has a happily ever after…!
This book provides a long-overdue account of online technology and its impact on the work and lifestyles of professional employees. It moves between the offices and homes of workers in the knew "knowledge" economy to provide intimate insight into the personal, family, and wider social tensions emerging in today’s rapidly changing work environment. Drawing on her extensive research, Gregg shows that new media technologies encourage and exacerbate an older tendency among salaried professionals to put work at the heart of daily concerns, often at the expense of other sources of intimacy and fulfillment. New media technologies from mobile phones to laptops and tablet computers, have been marketed as devices that give us the freedom to work where we want, when we want, but little attention has been paid to the consequences of this shift, which has seen work move out of the office and into cafés, trains, living rooms, dining rooms, and bedrooms. This professional "presence bleed" leads to work concerns impinging on the personal lives of employees in new and unforseen ways. This groundbreaking book explores how aspiring and established professionals each try to cope with the unprecedented intimacy of technologically-mediated work, and how its seductions seem poised to triumph over the few remaining relationships that may stand in its way.
When hungry aliens begin their 'rain' of terror, break out the umbrellas--the aliens can't eat you with an umbrella shoved in their huge mouths. Looking for yummy human tenders, Admiral Nact-bauk invades the local school. Zack and Zoey lead the counterattack armed with rulers, protractors, and dodge balls. They might have a chance, if Nact-bauk didn't gulp down the only teacher brave enough to stand up to him. Even worse, he forces Zoey onboard the alien vessel for dinner--along with a bucket of honey-mustard sauce. Zack will do just about anything to save her. If Principal Blathers won't help, Zack sees no choice but to 'borrow' the principal's car. Chasing the alien saucers, he meets up with a wrinkly WWII hero who thinks he knows the alien's weakness: electric toothbrushes. Wielding only umbrellas and battery-powered dental weapons, things look grim. Even if the pair manage to rescue Zoey, there's the small matter of escaping a spacecraft flying at over two hundred miles an hour. Can you say, Jetpacks? Zack & Zoey's Alien Apocalypse is approximately 17,000 words (similar in length to Diary of a Wimpy Kid) and contains no cursing or strong language.