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Internationally renowned, Muzaffar Ali has donned many hats in his lifetime. The scion of the princely house of Kotwara, the boy Muzaffar was shaped by the changing post-Partition India. Having studied science at Aligarh University, he started his career in an advertisement agency in Calcutta, worked with the nascent Air India and then ventured on a journey that produced cinematic masterpieces like Umrao Jaan. Along the way, his path collided with many-from Satyajit Ray to Faiz Ahmad Faiz-and he has cultivated many a passion, whether for cars or couture. His autobiography is a peek into this wealth of experience-a close look at Ali, prince, poet, philosopher, film-maker, automobile aficionado and artist. Zikr is also a rich interior portrait of an artist, as Ali takes us behind the scenes of films like Anjuman and Gaman, speaking of the sensibilities that shaped them and the influences on his work. Above all, this is a book that resounds with a deep love for life. Whether you're looking for inspiration, seeking to venture off the beaten track of Bollywood or wishing to bite into a slice of erstwhile Awadhi culture, Zikr has something to offer all.
To be resolute in faith – in God, in oneself – in times of grief and disappointment. To unapologetically assert one’s woman- and personhood in a society that attempts to devalue both. To seek hidden parts of yourself, both new and forgotten, through the memories and words of other people. In Zikr’s beguilingly measured and covertly powerful poems, Saaleha Idrees Bamjee achieves these often difficult tasks. In doing so, Bamjee introduces new idioms and understandings of Muslim identity to South African poetry – yet not through manifesto, nor outright polemic. This is a collection of fine metaphors, concrete turns of phrase, and a refreshing specificity of image, place, and self.
(Ruh) Dear Soul, Do not despair as you enter the city of catastrophe. A Sufi is grateful for his blessings, and steadfast in his trials. “Zikr” is a collection of long and short verses. It is a poetic invocation of the beloved, the central muse. The muse, in the poet’s perspective, is the human experience. It exists, therefore, as much in the dew of rain as in a lover’s gaze. Every verse tells its own story, a deep love of life, longing and melancholia. It draws indomitable inspiration from the human condition.
Zikr-i-Miris a rare autobiographical narrative, originally in Persian, written by Muhammad Taqui Mir, considered by many to be the pre-eminent ghazal poet in Urdu.
This biannual conference in Pahang, Malaysia, is a clearing house for many of the latest research findings in a highly multidisciplinary field. The contributions span a host of academic disciplines which are themselves rapidly evolving, making this collection of 90 selected papers an invaluable snapshot of an arena of pure and applied science that produces many versatile innovations. The book covers a multitude of topics ranging from the sciences (pure and applied) to technology (computing and engineering), and on to social science disciplines such as business, education, and linguistics. The papers have been carefully chosen to represent the leading edge of the current research effort, and come from individuals and teams working right around the globe. They are a trusted point of reference for academicians and students intending to pursue higher-order research projects in relevant fields, and form a major contribution to the international exchange of ideas and strategies in the various technological and social science disciplines. It is the sheer scope of this volume that ensures its relevance in a scientific climate with a marked trend towards disciplinary synthesis.
The Music of Central Asia surveys the rich and diverse musical life of a region that was once at the center of the trans-Eurasian Silk Road trade and that has now reemerged as a crucial arena of global geopolitics. This beautiful and informative volume offers a resource for Central Asians to learn about the musical heritage of their region and a detailed introduction to this heritage for readers and listeners worldwide. The Music of Central Asia balances "insider" and "outsider" perspectives with contributions by 27 authors from 14 countries. A companion website provides access to some 175 audio and video examples, listening guides and study questions, and transliterations and translations of the performed texts. The generously illustrated text is supplemented with boxes and side bars, musician profiles, and an illustrated glossary of musical instruments. The Music of Central Asia targets a broad, non-specialist readership, while specialists will find it an indispensable resource. The book is divided into four parts: an overview of the region's music and musical instruments; sections on "The Nomadic World" and "The World of Sedentary-Dwellers," which explore music and musical life in the context of Central Asia's two great axes of civilization; and "Central Asia in the Age of Globalization," whose focus is the future of the past, or how musical heritage is being revitalized and reimagined in the contested cultural landscape of contemporary Central Asia. The Music of Central Asia can be read systematically to build comprehensive knowledge about interlinked topics—or used as a handy reference on specific musical styles, repertoires, and traditions. For instructors, the book's 35 chapters offer ample material for a semester-long course, while groups of chapters can serve as a module in courses devoted to broader topics in music, history, and culture.
Expert writers present the major traditions of North Africa, the Middle East, and Central Asia, together with personal accounts of performers, composers, teachers, and ceremonies. A special feature of this volume is the inclusion of dozens of brief snap-shot essays that offer "lifestories" of typical musicmakers and their art, as well as first-person descriptions of specific music performances and events. Also includes maps and music examples.
"Bashir weaves a rich history of Sufi Islam around the depiction of bodily actions in Sufi literature and miniature paintings produced circa 1300-1500 CE. Focusing on the Persianate societies of Iran and Central Asia, he explores medieval Sufis' conception of the human body as the primary shuttle between interior (batin) and exterior (zahir) realities with particular attention to three arenas: religious activity in the form of rituals, rules of etiquette, asceticism, and a universal hierarchy of saints; the deep imprint of Persian poetic paradigms on the articulation of love, desire, and gender; and the reputation of Sufi masters for working miracles, which empowered them in all domains of social activity. Bashir ultimately offers a new methodology for extracting historical information from religious narratives"--Cover p. [4].
Despite its pervasive reputation as a place of religious extremes and war, Afghanistan has a complex and varied religious landscape where elements from a broad spectrum of religious belief vie for a place in society. It is also one of the birthplaces of a widely practiced variant of Islam: Sufism. Contemporary analysts suggest that Sufism is on the decline due to war and the ideological hardening that results from societies in conflict. However, in Sufi Civilities, Annika Schmeding argues that this is far from a truthful depiction. Members of Sufi communities have worked as resistance fighters, aid workers, business people, actors, professors, and daily workers in creative and ingenious ways to keep and renew their networks of community support. Based on long-term ethnographic field research among multiple Sufi communities in different urban areas of Afghanistan, the book examines navigational strategies employed by Sufi leaders over the past four decades to weather periods of instability and persecution, showing how they adapted to changing conditions in novel ways that crafted Sufism as a force in the civil sphere. This book offers a rare on-the-ground view into how Sufi leaders react to moments of transition within a highly insecure environment, and how humanity shines through the darkness during times of turmoil.