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The Taiwan writer Zhou Mengdie (1921) is one of the greatest living Chinese-language poets. His poems are full of Buddhist allusions which have earned him the nickname poet-monk, but as Lloyd Haft shows in this in-depth study, Zhou's remarkably cosmopolitan poems can be read equally well in the light of Freudian dream analysis, Husserl's phenomenology, and the theory of the palindrome and related literary forms. Zhou's true focus is not limited to 'Oriental' philosophy or 'Taiwanese' settings. It is on the very nature of consciousness. In Zhou's poetry, traditional Chinese terms and images, rather than imposing cultural boundaries, are re-framed in a sophisticated modern context which brings out their significance for worldwide readers. All poems discussed (including many in full or extensive translation) are presented both in English and in the Chinese original. This book will reveal new perspectives to readers interested in modern Taiwan literature, comparative literature, Chinese poetry and poetry in general, and the interfaces of poetry with philosophy, psychology, and the search for identity.
The Netherlands have a long and proud history in Chinese studies. This volume collects not only articles that trace the historical development of Chinese studies in the Netherlands from the middle of the nineteenth century to the present and beyond, but also studies that deal with Dutch research in specific disciplines within Chinese studies. Chinese studies in the Netherlands originated from the needs of the Dutch colonial administration in the Dutch East Indies, but developed a strong philological emphasis in the first part of the twentieth century, to turn increasingly towards disciplinary research on modern and contemporary China in the last few decades. Contributors include Leonard Blussé, Maghiel van Crevel, Barend ter Haar, Albert Hoffstädt, Wilt Idema, Mark Leenhouts, Oliver Moore, Frank Pieke and Rint Sybesma.
This volume sets out to examine how Christian scriptures have been read within a Chinese reading tradition, and to assess what questions such readings pose for both theologians and Chinese studies specialists. The absence to date of publications on the topic, and the scattered nature of such research and of scholars in the field makes this an important contribution to debate. The volume gathers essays from Biblical studies experts together with theologians and Chinese text scholars to discuss the interdisciplinary questions raised. Essays from mainland, Taiwanese and diasporic Chinese scholars ensure that a range of opinions (including those reflecting fault lines between 'academic' and 'confessional' positions) are presented. Within the four sections of the volume, several papers discuss and correct the current lineage of historical readings, while others study the historical impact of the Bible in Chinese society. Four essays give contextual or cross-cultural readings, with a focus on individual exegetes, mainly from the early twentieth century. The power of performance is raised in two essays, one comparative paper on Christian and Buddhist scriptures from the Qing dynasty and one on the singing of psalms in modern day Taiwan and Macao. Moral questions preoccupy others, including the challenges that early Chinese converts found in Biblical laws or Christian guidance on concubinage, and extrincisist readings of the Sermon on the Mount.
Aus dem Inhalt (47 Beitrage): Bekenntnisse und GestandnisseW. Kubin, Von Muttern, Vatern und Lehrern: Nachdenken uber liebgewordene Bilder Geist und MachtTh. Frohlich, Vom Zugang zu Machthabern: Macht und Autoritat im politischen Denken Chinas Konfuzius und die FolgenW. G. Boltz, Between Two Pillars: The Death-dream of ConfuciusSprache und DenkenH. Roetz, Worte als Namen: Anmerkungen zu Xunzi und Dong Zhongshu Arbeit am TextM. Richter, Der Alte und das Wasser: Lesarten von Laozi 8 im uberlieferten Text und in den Manuskripten von Mawangdui Freude an FragmentenM. Fruhauf, Vom Stichwort suanni in der han-zeitlichen Synonymik Erya: Zur Frage der Existenz von Lowen im archaischen und antiken China Form und SinnH. Sonnichsen, Zur Prosodie der "Neunzehn Alten Gedichte" Die Guten und die BosenR. Th. Kolb, "Ubeltater, Racher und Rebellen", Die han-zeitlichen "Jungen Manner" (shaonian) Graber und GelehrteH.-J. Rollicke, Die "Als-ob"-Struktur der Riten: Ein Beitrag zur Ritualhermeneutik der Zhanguo- und Han-Zeit
Public discourse on cultural identity was not possible on the island of Taiwan until martial law was lifted there in 1987. While until then culture had mainly been an arena for the suppressed political discourse, the demise of the oneparty reign of the Guomindang (KMT) at the end of the 20th century signified not only the transformation from an autocratic to a democratic system but also the end of the cultural hegemony of the mainlanders on the island. The transformation process paved the way for further cultural innovation, the keywords here being education reform, language debate, establishment of new academic disciplines, historiographic reconstruction etc. It has also led to a widespread discussion of a specifically Taiwanese cultural identity which is reflected in literature, language, art, theatre and film. The international workshop "Transformation! - Innovation? Taiwan in her Cultural Dimensions", held at Ruhr University in Bochum from March 7th-9th 2001, set out to shed new light on these issues and generated an intensive discussion of potential new interdisciplinary approaches to cultural and literary research in the field of Taiwan studies.
This monograph takes an interdisciplinary and cross-cultural approach to 20th and 21st -century Canadian Daoist poetry, fiction and criticism in comparative, innovative and engaging ways. Of particular interest are the authors’ refreshing insights into such holistic and topical issues as the globalization of concepts of the Dao, the Yin/Yang, the Heaven-Earth-Humanity triad, the Four Greats, Five Phases, Non-action and so on, as expressed in Canadian literature and criticism – which produces Canadian-constructed Daoist poetics, ethics and aesthetics. Readers will come to understand and appreciate the social and ecological significance of, formal innovations, moral sensitivity, aesthetic principles and ideological complexity in Canadian-Daoist works.
"... an important contribution to the study of recent Chinese literature." -- Choice "This fine, scholarly survey of Chinese literature since 1949... discusses such trends as modernism, nativism, realism, root-seeking and 'scar' literature, 'misty' poets, and political, feminist, and societal issues in modern Chinese literature." -- Library Journal This volume is a survey of modern Chinese literature in the second half of the twentieth century. It has three goals: (1) to introduce figures, works, movements, and debates that constitute the dynamics of Chinese literature from 1949 to the end of the century; (2) to depict the enunciative endeavors, ranging from ideological treatises to avant-garde experiments, that inform the polyphonic discourse of Chinese cultural politics; (3) to observe the historical factors that enacted the interplay of literary (post)modernities across the Chinese communities in the Mainland, Taiwan, Hong Kong, and overseas.