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Detailing the mythology behind the Greek god Zeus, this volume also includes information about the Statue of Zeus at Olympia, one of the Seven Wonders of the Ancient World.?Sculpted in 432 BC by Greek artist Phidias, the Statue of Zeus at Olympia is one of the most recognized Ancient Wonders. Nearly 40 feet (12 meters) tall, the statue occupied half of the width of the temple where it sat. Ancient Greek geographer Strabo once noted in the first century BC that "if Zeus were to stand up, he would unroof the temple."?Made of ivory and gold-plated bronze, the statue sat in an intricate throne of cedar inlaid with ivory, gold, ebony and precious gems. In Zeus??right hand, he held a small statue of the goddess of victory, Nike. In his left hand, there was a scepter with an eagle perched on top.?It is believed that the Roman Emperor Caligula was the cause of the statue?s destruction. According to Roman historian Suetonius, Caligula gave orders that statues of gods that were especially famous, including that of Zeus at Olympia, were to be brought from Greece in order to have their heads removed and a marble head of Caligula put in their place. According to legend, just as workers were moving stones to disassemble the Statue of Zeus, there was a loud moment of laughter, followed by the collapsing of scaffolding and the structure, killing some workers and leaving others to flee for their lives.?Until recently, historians and archaeologists debated the time period in which the statue was built. The recent discovery of Phidias??workshop in the 1950s confirms that the temple was completed around the third quarter of the fifth century BC. Today, archaeologists continue to study the techniques Phidias used to construct the temple and the statue, and admirers of Ancient Greece admire the statue?s place on the Ancient Wonders list.
Excerpt from Zeus, a Study in Ancient Religion, Vol. 1: Zeus, God of the Bright Sky Chrysostomos in a memorable sentence declared Zeus to be 'the giver of all good things, the Father, the Saviour, the Keeper of mankind.' On the lower levels and slopes of this splendid spiritual ascent the Greeks found themselves at one with the. Beliefs of many surrounding peoples, so that a fusion of the Hellenic Zeus with this or that barbaric counterpart often came about. On the higher ground of philosophy and poetry they joined hands with a later age and pressed on towards our own conceptions of Deity. I have therefore felt bound to take into account not only the numerous adaptations of Levantine syncretism but also sundry points of contact between Hellenism and Christianity. It is obvious that the limits of such an enquiry are to a certain extent arbitrary. I shall expect to be told by some that I have gone too far afield, by others that I have failed to note many side-lights from adjacent regions. Very possibly both criticisms are true. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Hardcover reprint of the original 1914 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. All foldouts have been masterfully reprinted in their original form. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Cook, Arthur Bernard. Zeus: A Study In Ancient Religion, Volume 2. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Cook, Arthur Bernard. Zeus: A Study In Ancient Religion, Volume 2. Cambridge Eng. The University Press, 1914. Subject: Zeus Greek Deity
The first book to capture a complete picture of the most important of Greek gods in one reliable volume for almost seventy years, this masterly and comprehensive study brings a new-millennium examination of the fascinating god Zeus. Broad in scope, the book looks at myth, art, cult, philosophy, drama, theology and European painting amongst much more, and allows us to take seriously what it was to worship and respect the greatest of Greek gods, and to live through the aftershock of the Middle Ages and modern times. Showing the evidence along the way, Zeus is student-friendly and includes: a range of illustrations and maps translated passages from ancient authors a chronology and excellent indexing. Looking at the ancient Greeks their predecessor and their successors – the Romans and beyond – the book is engagingly written and speaks to a modern audience: this is Zeus from our remote ancestors to Wagner, and into the computer age.
Creation myths around the world reveal an intricate network of recurrent motifs. Many of these are counterintuitive and not widely known, describing a time when the sky was low, the stars did not yet shine, multiple suns appeared, the moon was brighter than the sun, no land existed, deities and mortals maintained frequent contact, a 'world axis' in the form of a tree, ladder or giant man connected the earth with the sky, a devastating flood or fire ended the old order, and so forth. The present work, in multiple volumes, aims to find an origin for this cross-culturally and internally consistent body of traditions in a series of extraordinary natural events relating especially to the earth's transition from the last glacial period to the Holocene. This first volume sets the stage for the interdisciplinary hypothesis. Essential lines of research receive a historical introduction: comparative mythology, catastrophism and the study of the mythical world axis in relation to the earth's rotation. Various astronomical and meteorological interpretations that are not strictly catastrophist are explored for several types of myths about the sun, the moon and the world axis, but leave many of the most intriguing traditions unexplained. It is argued that a structural core of the worldwide mythology of 'creation and destruction', in which the cosmic axis takes pride of place, points to a specific period of dramatic natural circumstances in real prehistoric time. A new synopsis is provided of this universal mythological substrate. It emerges that the mythical world axis cannot have been based on a single object seen or imagined at one of the poles, as has usually been supposed. This surprising conclusion paves the way for the innovative geomagnetic theory proposed in volume 2.
Early Christian apocryphal and conical documents present us with grotesque images of the human body, often combining the playful and humorous with the repulsive, and fearful. First to third century Christian literature was shaped by the discourse around and imagery of the human body. This study analyses how the iconography of bodily cruelty and visceral morality was produced and refined from the very start of Christian history. The sources range across Greek comedy, Roman and Jewish demonology, and metamorphosis traditions. The study reveals how these images originated, were adopted, and were shaped to the service of a doctrinally and psychologically persuasive Christian message.
Long ago the ancestors of the Greeks, Romans, and Hindus were one people living on the Eurasian steppes. At the core of their religion was the "shamanic trance," a natural state but one in which consciousness achieves a profound level of inner awareness. Over the course of millennia, the Indo-Europeans divided and migrated into Europe and the Indian subcontinent. The knowledge of shamanic trance retreated from everyday awareness and was carried on in the form of myths and distilled into spiritual practices--most notably in the Indian tradition of yoga. J. Nigro Sansonese compares the myths of Greece as well as those of the Judeo-Christian tradition with the yogic practices of India and concludes that myths are esoteric descriptions of what occurs within the human body, especially the human nervous system, during trance. In this light, the myths provide a detailed map of the shamanic state of consciousness that is our natural heritage. This book carries on from the works of Carl Jung and Joseph Campbell to show how the portrayal of consciousness embodied in myth can be extended to a reappraisal of the laws of physics; before they are descriptions of the world, these laws--like myths--are descriptions of the human nervous system.
RES 65/66 includes Francesco Pellizzi, “Editorial: RES at 35”; Remo Bodei, “A constellation of words”; Mary Weismantel, “Encounters with dragons”; Z. S. Strother, “A terrifying mimesis”; Wyatt MacGaffey, “Franchising minkisi in Loango”; Karen Overbey, “Seeing through stone”; Noam Andrews, “The space of knowledge”; and other papers.
Human animals are despoiling nature and causing a sixth extinction on Earth. Our natural environment is being compromised, and birds and other animals are disappearing at an alarming rate. Flight from Grace does not so much reveal the extent of the damage as ask and answer the perplexing question: why? This book traces human reverence for birds from the Stone Age and the New Stone Age, through the cultures of Mesopotamia, Egypt, Peru, and Greece and through biblical traditions, up to its vestiges in the present. Richard Pope takes a hard look at Judaeo-Christian and ancient Greek thought to demonstrate how the emergence of anthropocentrism and belittling of nature led to our present-day ecological dilemma. Striking images of cultural artifacts -- many little-known -- together with extensive discussion of art, music, literature, and religion illustrate the paradox in our contemporary relationship to the natural world. Humanity, in moving from its paleolithic origins to modern times, has simultaneously distanced itself from and disenchanted nature. Suggesting that the replacement of an animistic worldview with a mechanistic one has led humans to deny their animality, Flight from Grace calls on readers to appreciate how our past relationship with birds might help transform our current relationship with nature.