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A working-class radical revolutionary's tale—penned by a prominent union leader—now available in English. Written in 1944 by Ben Gold, the president of the Furriers Union, this working-class, coming-of-age novel traces the family origin, immigration, and radicalization of an everyman named Avreml Broide. Mirroring Gold's own life, Avreml's story begins entangled in a complex intergenerational social and criminal community in Bessarabia just after the turn of the twentieth century. Personal dramas drive a young Avreml to New York City in his young adult years, where he finds a job in the fur industry and devotes himself entirely to his union, party, and the fight against fascism, often to the detriment of his personal life and relationships. Through strikes, dissidence, and finally on the front lines of the Spanish Civil War, Avreml's journey presents the fascinating ambiguity of subsuming the self in service to party discipline. With bold and stimulating illustrations by William Gropper, Annie Sommer Kaufman's translation brings Gold's emotionally rich narrative forward to reveal some of the most dramatic conflicts in America's suppressed Communist history. This novel offers a powerful counternarrative to histories and narratives of Jewish immigration that emphasize materialist American dreams and upward class mobility. Your Comrade, Avreml Broide offers an enticing mix of fact and fiction to demonstrate the personal risks, revolutionary dreams, and heartaches of Yiddish-speaking American Communists.
José Maria Eça de Queirós (1845-1900) was a Portuguese author in the realist style, whose work has been translated into 20 languages. The Count of Abranhos was published posthumously, and this is the first time it has been translated into English. Alípio Severo Abranhos, born to poor parents in a small town in the north of Portugal, goes off to spend his boyhood and adolescence with an aunt whose material well-being constitutes, for him, the lap of luxury. And he likes and becomes accustomed to luxury. As he follows a course of study for his bacharel at the University of Coimbra, certain negative character traits come to the fore, and upon completion of his degree he leaves behind a pregnant maid to take up residence in Lisbon. In the capital, he calculates—as a young man with neither position, nor fortune, nor social standing—how to get ahead in life. And the path is through marriage to a young woman of social status and promise of a sizable dowry, both of which can facilitate his rise in politics and government. Alípio’s weapons, his means, are various modes of hypocrisy—social hypocrisy, religious hypocrisy, filial hypocrisy, and political hypocrisy, with dishonesty, cowardice, and a farcical duel thrown in for good measure. Eça, like all accomplished novelists, does not tell us what Alípio becomes, rather he lets us see what he becomes, for with his unerring sense of satire, of character portrayal, and plot movement he lets the Count of Abranhos, with his steps and missteps, inform us himself of what he becomes. And with his actions, Alípio Severo Abranhos emerges as the personification, the very epitome, of the grim state of politics in nineteenth-century Portugal, a state engendered by the dogged pursuit of power. And through the obsequious eyes of Alípio’s biographer and the sycophantic hangers-on who wish to glory in his orbit, readers have a clear picture of the “great” man—a type who exhibits universal characteristics not confined to Eça de Queirós’s native country, nor to his time.
An analysis of how Caribbean leftist organizations have shifted gradually to the right.
Explores how North American Jews have envisioned Israel From the late 19th century to the present.
Christopher Johnson chronicles the life of Maurice Sugar, from his roots in Michigan's Upper Peninsula, through his resistance with Eugene V Debs to World War I, and on to the struggles of the early 1930s to bring the union message to Detroit. It was Maurice Sugar, labor activist and lawyer for the United Auto Workers, who played a key role in guiding the newly-formed union through the treacherous legal terrain obstructing its development in the 1930s. He orchestrated the injunction hearings on the Dodge Main strike and defended the legality of the sit-down tactic. As the UAW's General Council, he wrote the union's constitution in 1939, a model of democratic thinking. Sugar worked with George Addes, UAW Secretary-Treasurer, to nurture rank-and-file power. A founder of the National Lawyers' Guild, Sugar also served as a member of Detroit's Common Council at the head of a UAW "labor" ticket. By 1947, Sugar was embroiled in a struggle within the UAW that he feared would destroy the open structures he had helped to build. He found himself in opposition to Walter Reuther's bid to run the union. A long-time socialist, Sugar fell victim to mounting Cold War hysteria. When Reuther assumed control of the UAW, Sugar was summarily dismissed. Christopher Johnson chronicles the life of Maurice Sugar, from his roots in Michigan's Upper Peninsula, through his resistance with Eugene V. Debs to World War I, and on to the struggles of the early 1930s to bring the union message to Detroit. Firmly grounded on the historiography of the UAW, Johnson shows the importance of Sugar and the Left in laying the foundation for unionizing the auto industry in the pre-UAW days. He documents the work of the Left in building a Black-labor coalition in Detroit, the importance of anti-Communism in Reuther's rise to power, and the diminution of union democracy in the UAW brought about by the Cold War. Maurice Sugar represents a force in American life that bears recalling in these barren years of plant closings.
Lively and engaging new view of London’s Jewish East End through translated stories of its Yiddish writers. In London Yiddishtown: East End Jewish Life in Yiddish Sketch and Story, 1930–1950, Vivi Lachs presents a selection of previously un-translated short stories and sketches by Katie Brown, A. M. Kaizer, and I. A. Lisky, for the general reader and academic alike. These intriguing and entertaining tales build a picture of a lively East-End community of the 30s and 40s struggling with political, religious, and community concerns. Lachs includes a new history of the Yiddish literary milieu and biographies of the writers, with information gleaned from articles, reviews, and obituaries published in London's Yiddish daily newspapers and periodicals. Lisky's impassioned stories concern the East End's clashing ideologies of communism, Zionism, fascism, and Jewish class difference. He shows anti-fascist activism, political debate in a kosher café, East-End extras on a film set, and a hunger march by the unemployed. Kaizer's witty and satirical tales explore philanthropy, upward mobility, synagogue politics, and competition between Zionist organizations. They expose the character and foibles of the community and make fun of foolish and hypocritical behavior. Brown's often hilarious sketches address episodes of daily life, which highlight family shenanigans and generational misunderstandings, and point out how the different attachments to Jewish identity of the immigrant generation and their children created unresolvable fractures. Each section begins with a biography of the writer, before launching into the translated stories with contextual notes. London Yiddishtown offers a significant addition to the literature about London, about the East End, about Jewish history, and about Yiddish. The East End has parallels with New York's Lower East Side, yet London's comparatively small enclave, and the particular experience of London in the 1930s and the bombing of the East End during the Blitz make this history unique. It is a captivating read that will entice literary and history buffs of all backgrounds. A Yiddish Book Center Translation.
The story of a doctor's family torn apart by Soviet politics, persecution, and the Jewish struggle for freedom during the Cold War.
The struggles and victories of the UAW form an important chapter in the story of American democracy. American Vanguard is the first and only history of the union available for both general and academic audiences. In this thorough and engaging narrative, John Barnard not only records the controversial issues tackled by the UAW, but also lends them immediacy through details about the workers and their environments, the leaders and the challenges that they faced outside and inside the organization, and the vision that guided many of these activists. Throughout, Barnard traces the UAW's two-fold goal: to create an industrial democracy in the workplace and to pursue a social-democratic agenda in the interest of the public at large. Part one explores the obstacles to the UAW's organization, including tensions between militant reformers and workers who feared for their jobs; ideological differences; racial and ethnic issues; and public attitudes toward unions. By the outbreak of World War II, however, the union had succeeded in redistributing power on the shop floor in its members' favor. Part two follows the union during Walter P. Reuther's presidency (1946-1970). During this time, pioneering contracts brought a new standard of living and income security to the workers, while an effort was made to move America toward a social democracy-which met with mixed results during the civil rights decade. Throughout, Barnard presents balanced interpretations grounded in evidence, while setting the UAW within the context of the history of the U.S. auto industry and national politics.
Madder, matter, mater--a weed, a state of mind, a material, a meaning, a mother. Poet and horticulturist Marco Wilkinson searches for the roots of myths and memories among plant families and family trees. "My life, these weeds." Marco Wilkinson's intimate vignettes of intergenerational migration, queer sexuality, and willful forgetting use the language of plants as both structure and metaphor--particularly weeds: invisible yet ubiquitous, unwanted yet abundant, out-of-place yet flourishing. Madder combines meditations on nature with memories of Wilkinson's Rhode Island childhood and glimpses of his maternal family's life in Uruguay. The son of a fierce immigrant mother who tried to erase his absent father from their lives, Wilkinson investigates his heritage with a mixture of anger and empathy as he wrestles with the ambiguity of the past. Using a verdant iconography rich with wordplay and symbolism, Wilkinsonoffers a mesmerizing portrait of finding belonging in an uprooted world.