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In the first half of the twentieth century, many writers and artists turnedto the art and received example of the Elizabethans as a means ofarticulating an emphatic (and anti-Victorian) modernity. By the middleof that century, this cultural neo-Elizabethanism had become absorbedwithin a broader mainstream discourse of national identity, heritage andcultural performance. Taking strength from the Coronation of a new, youngQueen named Elizabeth, the New Elizabethanism of the 1950s heralded anation that would now see its 'modern', televised monarch preside over animminently glorious and artistic age.This book provides the first in-depth investigation of New Elizabethanismand its legacy. With contributions from leading cultural practitioners andscholars, its essays explore New Elizabethanism as variously manifestin ballet and opera, the Coronation broadcast and festivities, nationalhistoriography and myth, the idea of the 'Young Elizabethan', celebrations ofair travel and new technologies, and the New Shakespeareanism of theatreand television. As these essays expose, New Elizabethanism was muchmore than a brief moment of optimistic hyperbole. Indeed, from moderndrama and film to the reinternment of Richard III, from the London Olympicsto the funeral of Margaret Thatcher, it continues to pervade contemporaryartistic expression, politics, and key moments of national pageantry.
We can hardly imagine a Britain without Elizabeth II on the throne. It seems to be the job she was born for. And yet for much of her early life the young princess did not know the role that her future would hold. She was our accidental Queen.Elizabeth's determination to share in the struggles of her people marked her out from a young age. Her father initially refused to let her volunteer as a nurse during the Blitz, but relented when she was 18 and allowed her to work as a mechanic and truck driver for the Women's Auxiliary Territorial Service. It was her forward-thinking approach that ensured that her coronation was televised, against the advice of politicians at the time.Kate Williams reveals how the 25-year-old young queen carved out a lasting role for herself amid the changes of the 20th century. Her monarchy would be a very different one to that of her parents and grandparents, and its continuing popularity in the 21st century owes much to the intelligence and elusive personality of this remarkable woman.
The first definitive biography of the young Elizabeth I in over twenty years—drawing on a rich variety of primary sources—tracing her tumultuous path to the crown. Queen Elizabeth I is renowned for her hugely successful reign that makes her, perhaps, the most celebrated monarch in English history. But what of the trials she faced in her challenging early life? Her status as a princess didn’t last long—when she was less than three years old, her mother—the infamous Anne Boleyn—was brutally beheaded and Elizabeth was relegated to the title of bastard. After losing several stepmothers, she then faced predatory attentions and illicit flirtations from her stepfather, Thomas Seymour, which ultimately forced Elizabeth to leave her home. But these were only the beginning of Elizabeth’s problems. Later, she became implicated in a plot to overthrow her half-sister, Mary, and faced interrogation and imprisonment in the very tower in which her mother died. Adamantly protesting her innocence, Elizabeth endured the interrogation and was eventually released. Her popularity as a royal increased from that point on, and she finally became queen at the age of twenty-five. Expert historian Nicola Tallis draws on a variety of primary sources—from the queen herself as well as those closest to her—to provide an extensive and thorough study of the Virgin Queen’s perilous journey to the crown. Looking at Elizabeth as a human being rather than a political chess piece, her narrative explores the dangers and tragedies that plagued Elizabeth's early life, revealing the queen to be a young women who drew strength from her various plights as she navigated one of the most thrilling paths to the throne in the history of the monarchy.
In the first half of the twentieth century, many writers and artists turnedto the art and received example of the Elizabethans as a means ofarticulating an emphatic (and anti-Victorian) modernity. By the middleof that century, this cultural neo-Elizabethanism had become absorbedwithin a broader mainstream discourse of national identity, heritage andcultural performance. Taking strength from the Coronation of a new, youngQueen named Elizabeth, the New Elizabethanism of the 1950s heralded anation that would now see its 'modern', televised monarch preside over animminently glorious and artistic age.This book provides the first in-depth investigation of New Elizabethanismand its legacy. With contributions from leading cultural practitioners andscholars, its essays explore New Elizabethanism as variously manifestin ballet and opera, the Coronation broadcast and festivities, nationalhistoriography and myth, the idea of the 'Young Elizabethan', celebrations ofair travel and new technologies, and the New Shakespeareanism of theatreand television. As these essays expose, New Elizabethanism was muchmore than a brief moment of optimistic hyperbole. Indeed, from moderndrama and film to the reinternment of Richard III, from the London Olympicsto the funeral of Margaret Thatcher, it continues to pervade contemporaryartistic expression, politics, and key moments of national pageantry.
Some of the most innovative and spell-binding literature has been written for young people, but only recently has academic study embraced its range and complexity. This Companion offers a state-of-the-subject survey of English-language children's literature from the seventeenth century to the present. With discussions ranging from eighteenth-century moral tales to modern fantasies by J. K. Rowling and Philip Pullman, the Companion illuminates acknowledged classics and many more neglected works. Its unique structure means that equal consideration can be given to both texts and contexts. Some chapters analyse key themes and major genres, including humour, poetry, school stories, and picture books. Others explore the sociological dimensions of children's literature and the impact of publishing practices. Written by leading scholars from around the world, this Companion will be essential reading for all students and scholars of children's literature, offering original readings and new research that reflects the latest developments in the field.
1956: a defining year that heralded the modern era.Britain and France occupied Suez, and the Soviet Union tanks rolled into Hungary. Nikita Khrushchev's 'secret speech' exposed the crimes of Stalin, and the Royal Court Theatre unveiled John Osborne's Look Back in Anger. Rock 'n' roll music was replacing the gentle pop songs of Mum and Dad's generation, and it was the first full year of independent television.As post-war assumptions were shattered, the upper middle class was shaken and the communist left was shocked, radical new ideas about sex, skiffle and socialism emerged, and attitudes shifted on an unprecedented scale - precipitated by the decline of Attlee's Britain and the first intimations of Thatcher's.From politics and conflict to sport and entertainment, this extraordinary book transports us back in time on a whirlwind journey through the history, headlines and happenings of this most momentous of years, vividly capturing the revolutionary spirit of 1956 - the year that changed Britain.
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of the previous year's textual and critical studies and of major British performances. The books are illustrated with a variety of Shakespearean images and production photographs. The current editor of Survey is Peter Holland. The first eighteen volumes were edited by Allardyce Nicoll, numbers 19-33 by Kenneth Muir and numbers 34-52 by Stanley Wells. The virtues of accessible scholarship and a keen interest in performance, from Shakespeare's time to our own, have characterised the journal from the start. For the first time, numbers 1-50 are being reissued in paperback, available separately and as a set.
Kaye Webb, a journalist with no publishing experience, burst into the world of children's books in 1961 and changed the face of children's publishing forever. Her child-like enthusiasm and shrewd business mind led her to become Puffin's most successful editor and the genius behind the Puffin Club, which opened up the exciting world of authors and books to children across Britain. But whilst Kaye's professional life had worked out beautifully, her private life had been the reverse. Kaye had two husbands before her marriage to the artist Ronald Searle, and the torment of his sudden and shocking departure never left her. Yet to the outside world Kaye Webb remained passionate and unstoppable. This is the unknown story of the woman who brought the joy of books to children everywhere whilst battling the emotional pain that plagued her private life.