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A Citizen Journalism First Release By EduPreneur Services International™, Including More Than One Hundred Professional Images In Colour
A Citizen Journalism First Release By EduPreneur Services International(tm), Including More Than One Hundred Professional Images In Colour
Riis's images of the slums of New York have influenced every subsequent generation of photographers, while his insightful exploration of the problems of urban life continues to be educational for societies around the world.
With dramatic and exciting stories, Carlos Miller reveals the secrets behind successful citizen journalism. Whether you're planning a publicity blitz for your cause, you're interested in the down-and-dirty practices of the police, or just want to be prepared for the moment you're the first on the scene, this book has everything you'll need to know to take newsworthy pictures and get them in front of a wide audience. You don't need a DSLR camera - though they can be useful - what is essential for citizen journalism is a cool head, an eye for a great angle, and the initiative to capture the moment: let Carlos Miller show you how.
A visual portrait that delves into the people and processes behind self-recorded music, featuring some of the biggest names in music today. Everywhere you look, musicians are creating, recording, and selling their music without the help of big-name studios, producers, or labels. This book offers tangible--and visually stunning--proof that self-recording is a path to artistic freedom. Each chapter takes on a specific aspect of self-recording through original interviews with musicians and all new photography, revealing the joys and complications of recording music on one's own terms. You'll learn how some of your favorite musicians charted their path to self-recording and how they use emerging technologies to make exceptional music. The book features intimate shots of artists recording in living rooms, backyards, and garages--such as Eleanor Friedberger, Mac DeMarco, Vagabon, Tune-Yards, Yuka Honda, and more. The first book devoted entirely to the practice of self-recording, Mirror Sound charts a way forward for any musician who aspires to make their own music and those who just love to listen.
In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph’s addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay’s leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.
A major contribution to the history of photography in Germany, presenting a fine collection of little-known work by a major photographer and a most perceptive essay that is at once biographical, analytic and critical.
Photographs from the Riis family's private collection (later given to the Museum of the City of New York) on the immigrant slums of New York City. Captions come from Riis' own writings. Alland can be credited somewhat for reviving historical interest in Riis' photographs.
"My Moms was a good person. She cared, but she just couldn't hack us no more. She kept saying she gonna kill herself, too. The day she died, she told me that my father hit her, and I told her, That was good for you, for not cooking for him. And she left. I didn't know she took the pills, though. The next day, they told me she was dead."--Pistol This searing portrait of inner-city life takes us inside one of America's deadly urban battlefronts--the Puerto Rican neighborhood of Alphabet City on New York's Lower East Side. With unnerving clarity, Geoffrey Biddle shows us the people who live there, summoning their spirit against the brutalizing conditions of poverty, joblessness, drugs, crime, and violence. Capturing life in this ghetto on film and in words with rawness and compassion, he shows the human toll of impoverishment and neglect. In 1977 Geoffrey Biddle photographed the residents of Alphabet City for the first time. Ten years later, he returned to this same area and photographed many of the same people again, this time also interviewing them. Alphabet City is the result of those encounters. While the stories are unique, they coalesce into a single tale all the more jarring for the matter-of-fact tone in which it is told. There is Ariel, whose dreams of becoming a boxer were destroyed when he contracted AIDS. And Linda, raising three sons while sleeping in the street, hungry and drug-addicted. There are also tales of human resilience like Richard's, a defiant former gang member who now attends college. These stories belong not only to one New York neighborhood, but to urban ghettos across the United States. Framed by Miguel Algarn's compelling introduction and dramatized by the speakers' own testimony, Geoffrey Biddle's photographs are haunting portrayals of a ravaged community battling ineffectually against deprivation and betrayal. This book forces us to see faces and to hear voices that won't be easy to forget, and yet which in the end are not so different from our own. "My Moms was a good person. She cared, but she just couldn't hack us no more. She kept saying she gonna kill herself, too. The day she died, she told me that my father hit her, and I told her, That was good for you, for not cooking for him. And she left. I didn't know she took the pills, though. The next day, they told me she was dead."--Pistol This searing portrait of inner-city life takes us inside one of America's deadly urban battlefronts--the Puerto Rican neighborhood of Alphabet City on New York's Lower East Side. With unnerving clarity, Geoffrey Biddle shows us the people who live there, summoning their spirit against the brutalizing conditions of poverty, joblessness, drugs, crime, and violence. Capturing life in this ghetto on film and in words with rawness and compassion, he shows the human toll of impoverishment and neglect. In 1977 Geoffrey Biddle photographed the residents of Alphabet City for the first time. Ten years later, he returned to this same area and photographed many of the same people again, this time also interviewing them. Alphabet City is the result of those encounters. While the stories are unique, they coalesce into a single tale all the more jarring for the matter-of-fact tone in which it is told. There is Ariel, whose dreams of becoming a boxer were destroyed when he contracted AIDS. And Linda, raising three sons while sleeping in the street, hungry and drug-addicted. There are also tales of human resilience like Richard's, a defiant former gang member who now attends college. These stories belong not only to one New York neighborhood, but to urban ghettos across the United States. Framed by Miguel Algarn's compelling introduction and dramatized by the speakers' own testimony, Geoffrey Biddle's photographs are haunting portrayals of a ravaged community battling ineffectually against deprivation and betrayal. This book forces us to see faces and to hear voices that won't be easy to forget, and yet which in the end are not so different from our own.