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In 1987, Michael Daluz, a black U.S. Army veteran and college student with a 3.6 GPA, is nearly beaten to death by a mob of white men as he and his friends leave a local off-campus bar. His act of self-defense, and the arrest and imprisonment that follow, will change his life forever. Harboring a hate, Daluz enters prison in 1988. During his incarceration, he witnesses a miracle and experiences an inner transformation. But his misfortunes are not behind him, and his faith in God prepares him for life-altering battles. A near-fatal, work-related accident leaves him severely injured. Daluz challenges his employer in a civil lawsuit while he fights for custody of his young daughter, Bella, and he doggedly pursues his doctorial education. During a time in his life, Daluz had done it all. He lived the champagne-popping lifestyle, visited fancy night clubs, owned a nice house, and drove expensive cars. But during his twenty-year journey, he realizes what is important. Based on true events, You Gotta Dance is one mans story of spiritual awakening in the face of crushing hardship.
A New York Times Notable Book of the Year, Wicked Women brings together twenty tales that lay bare the minds and hearts of men, women, and children Victims, liberators, blackmailers, healers, and ghosts—they’re just a few of the fascinating men and women you’ll meet in this stellar, boundary-defying anthology. From a heartless lover to a therapist who’s exposed for being a child hater, Weldon’s characters search for meaning, betray their vows, take pleasure in others’ misfortunes, or get pushed out of the family manse by their grasping offspring. Whether she’s depicting a child’s reaction to the chaotic lives of her parents, or envisioning a terrifying futuristic society, Fay Weldon wields her prolific pen like a sword. In a pre-apocalyptic world where nothing is sacred, Wicked Women reveals the infinite ability of men and women to wound, to grieve, and to love.
MUSTAPHA'S BRIDE and MEDICINE SHOW may seem an unlikely pairing, but these short plays are companion pieces. One dark; one light; they explore what happens when you tumble down the rabbit hole, and find yourself in a world that's upside-down. The old rules don't apply, and your future may depend on how fast you learn the new ones. Each play has a theatre festival pedigree, and were signature pieces for Sokoloff's late performance group, the Aggravated Assault Ensemble.
The authors have produced the first "on the ground" study (not just clinical or chemical) of MDMA (3, 4-methylenedioxymethamphetamine), or "ecstasy" as it is frequently designated. A psychoactive substance related to both the amphetamines and mescaline, MDMA has become popular in recent years as one of the new "designer" drugs. First used in therapeutic treatment, its recreational or street use has increased in recent years. The authors track the efforts (with psychiatrists and researchers in opposition) of the DEA to ban the drug.
"Papa?ll work her till she drops in the field!" The backbreaking labor of German-Russian immigrants in the sugarbeet fields of Colorado is described with acute perception inøHope Sykes's Second Hoeing. First published in 1935, the novel was greeted in all quarters as an impressive and authoritative evocation of these recent immigrants and their struggle to realize the promise of their chosen country.
On many Sundays, Black New Orleanians dance through city streets in Second Lines. These processions invite would-be spectators to join in, grooving to an ambulatory brass band for several hours. Though an increasingly popular attraction for tourists, parading provides the second liners themselves with a potent public expression of Black resistance. Rachel Carrico examines the parading bodies in motion as a form of negotiating and understanding power. Seeing pleasure as a bodily experience, Carrico reveals how second liners’ moves link joy and liberation, self and communal identities, play and dissent, and reclamations of place. As she shows, dancers’ choices allow them to access the pleasure of reclaiming self and city through motion and rhythm while expanding a sense of the possible in the present and for the future. In-depth and empathetic, Dancing the Politics of Pleasure at the New Orleans Second Line blends analysis with a chorus of Black voices to reveal an indelible facet of Black culture in the Crescent City.
Adorable dogs + a sprinkle of magic + a celebration of social emotional learning! Yip! Yip! Hooray! A little magic can save the day! Noodles is so excited for her cousin Curlicue to visit! But when duty calls, the pups have to put their fun plans on hold to help Magnolia. Her two moms are so busy taking care of Magnolia’s new baby brother that she feels forgotten. Can Curlicue and the Love Puppies find a way to make sure Magnolia feels loved and included in her family again? With a little bit of magic and a whole lot of kindness, the Love Puppies are here to help kids overcome some tough social situations. Because with the power of love, anything is paw-sible!
Dolores came from El Salvador with her aunt that didn't love her. Finally she was adopted by a kind American woman. Just as she was ready to graduate and start college in the fall, her mother (whom she'd never met) decides to visit. This was the worst thing that could happen to her. What will her summer of dolores bring her?
Losing a child is a mother’s worst nightmare, but when you lose two children – your innocent sons – at the hands of the man they should have trusted the most, it’s almost unimaginable. For Denise Williams this was her reality – her very real nightmare. In her harrowing yet inspiring memoir, she tells her personal story of falling under the spell of her control-freak husband, suffering a decade of domestic violence, finding the strength to leave and then his despicable act of revenge. Denise endured agonising grief and heavy guilt, but she has slowly rebuilt her life without her beautiful boys – learning to live, love and trust again. This is her heartbreaking memoir.
A collection of sixteen stories portraying the constricted and confused lives of the rootless twenty-somethings who inhabit them.