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Gold Nautilus Book Award Winner Leading African American Buddhist teachers offer lessons on racism, resilience, spiritual freedom, and the possibility of a truly representative American Buddhism. With contributions by Acharya Gaylon Ferguson, Cheryl A. Giles, Gyōzan Royce Andrew Johnson, Ruth King, Kamilah Majied, Lama Rod Owens, Lama Dawa Tarchin Phillips, Sebene Selassie, and Pamela Ayo Yetunde. What does it mean to be Black and Buddhist? In this powerful collection of writings, African American teachers from all the major Buddhist traditions tell their stories of how race and Buddhist practice have intersected in their lives. The resulting explorations display not only the promise of Buddhist teachings to empower those facing racial discrimination but also the way that Black Buddhist voices are enriching the Dharma for all practitioners. As the first anthology comprised solely of writings by African-descended Buddhist practitioners, this book is an important contribution to the development of the Dharma in the West.
Specially written by an experienced teacher for self-study or class use, this easy to use and up to date course provides a step-by-step approach to written and spoken Yoruba with no prior knowledge of the language required. Colloquial Yoruba is:interactive - with lots of exercises for regular practiceclear - providing concise grammar notespractical - with useful vocabulary and pronunciation guidescomplete - including answer key and reference section. By the end of this course you will be able to communicate confidently and effectively in Yoruba in a broad range of everyday situations. Accompany.
Yetunde is a series of stories that follows the every day life of 6 month old Yetunde as she's narrated African folktales by her mom Iya Yetunde whilst growing up in London. Iya Yetunde also tries to improve her Yoruba speaking ability, so we see a nice mish mash of Yoruba and English. The folktales are of West African origin. The book has been written in such a way that it can be enjoyed by both adults and children alike. Adults can read the book for their own enjoyment or as bedtime stories for kids ages 3-8 (even younger). Older children can read the book by themselves as it is also a suitable kids books ages 9-12. Each story has a moral lesson with colourful illustrations for early readers
Jude shares practical hair-care tips and economical hair-care "recipes" that she created with all-natural ingredients easily found in at the local grocery store. The book targets African-American women who are looking for simple and economical solutions for healthy hair.
A bold play collection representing Lesbian, Gay, Bisexual, Trans, Intersex and Queer (LGBTIQ+) experiences, from Black British perspectives, this anthology contains seven radical plays by Black writers that change the face of theatre in Britain. With an international reach connecting Africa, the Caribbean and the Diaspora, these plays address themes including same-sex love, sex, homophobia, apartheid, migration and space travel. The collection captures the historical scope and range of Black British LGBTIQ+ theatre, from the 1980s to 2021. Including a range of forms, from monologue to musicals, realist drama to club-performance, readers will journey through the development of Black Queer theatre in Britain. Through a helpful critical introduction, this book provides important socio-political and historical context, highlighting and illuminating key themes in the plays. Each play is preceded by an intergenerational 'in-conversation' piece between two Black British LGBTIQ+ artists and writers who will talk about their own work in relation to the play, looking back at the history and on into the future. Through these rare conversations with highly acclaimed award-winning practitioners, readers will also gain an insight into the theatre industry, funding, producing, venues as well as the politics of identity, the diversity of LGBTIQ+ lives and the richness of Black British cultures.
Yetunde: An Ode to My Mother This is a heart-warming story about the power of a mother's love; truly an ode to women and mothers all over the world. It is a captivating and emotional story that talks about love and loss! Follow baby Yetunde as she narrates her mother's ode to her grandmother. It is the Yoruba praise poetry for a mother known as the Oriki Iya. Yetunde is also thrilled and delighted by the ancient Yoruba tale passed down to her by her mother about Labake, a young maiden who was kidnapped to be forced to marry a warrior chief. Will Iya Labake save her child in time? Is Iya Labake just a simple defenceless mother? Or . . .? This is a short story dedicated to past, present and future mothers, a perfect Mother's day present! This book is mostly in English and all Yoruba words are translated, so everyone can enjoy the book fully.
Winner of Best Writer at The Stage Debut Awards 2020 That's actually what me and Leah came here to talk to you about. Look- there's no easy way of saying this, but... Leah and I are getting married. The dresses are chosen, the venue's been booked and the RSVPs are flooding in. But with her wedding to Leah drawing nearer, Tara's future is thrown into jeopardy when her Nigerian parents refuse to attend. This kind of love is unheard of, they say. It's not African. High above London, suspended between the stars, three of Tara's ancestors are jolted from their eternal rest. Stubborn and opinionated, they keep watch as family secrets are spilled and the rift widens between Tara and her parents. Can these representatives of generations passed keep the family together? And will Tara's decision ever get their blessing? An epic family drama played out between the heavens and earth, The High Table is the hilarious and heart-breaking debut play from Temi Wilkey.
Chilling psychological suspense with “exceptional punch” from the Edgar Award–winning author of The Dark Room (Kirkus Reviews, starred review). It seems like a respectable British home, occupied by the Songolis, an upstanding family of African immigrants. But hidden within the cellar is Muna—a teenage girl who cooks for them, cleans for them, endures brutal abuse from them . . . and is powerless to escape. Then one day, the Songolis’ ten-year-old son fails to come home from school, and Scotland Yard arrives at the house to investigate. While they look into the boy’s disappearance, Muna must play the role of beloved daughter. She suddenly has a real bedroom, with sunlight, and real clothing to wear. But she must continue to keep quiet—and hide the fact that she has learned how to speak English. Even as the police are watching, her secret life of enslavement goes on. But Muna is hatching a plan—and her acts of rebellion and revenge will be more terrifying than this family could have imagined—in this dark, twisting tale that represents “contemporary crime writing at its absolute peak” (Val McDermid).
Osaru returns to Nigeria after a near disastrous sojourn to America, determined to salvage some damaged relationships and a clean break from others. He soon discovers that his past is steadfastly interwoven with his present and future. “Nothing Now Remains” is a compelling narrative of how Osaru reconciles and finds his place within a complex family life and the evolving social, economic, and political reality he inhabits as a returnee.