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Yesterday's Hopes, book two in O'Brien's newest series, A Slip in Time, continues with Dora trying to find her sister. As she becomes aware of the possibility of time travel, she begins to explore how she, too, can do the same in order to find Fran. Dora suspects her sister is in the 1880s due to some clues she left behind, so she tries to imitate the way she believes Francine has traveled using their grandmother's precious quilts, which have been passed down through generations. When Dora suddenly finds herself standing on the boardwalk at the train depot in Twin Lake, she is thrilled to discover that she has done it. Now she must find her sister, and bring her back home. The problem arises when Dora meets a handsome man with a crooked grin who has his eye set on her. He won't give up until he makes her his own. Once Dora begins to fall for him, she loses all focus of going back to the 21st century. Now the two sisters must decided if they want to live in this pioneer setting with the men they love or return to a more comfortable lifestyle. The decision is agony but it must be made.
Finding the worthwhile nuances within a complex life. Self expression taking the form of choice words. Ultimate destiny being up to the individual.
Yesterday's Dreams, Book Three in O'Brien's series called A Slip in Time, continues with our favorite characters, Francine, Luke, Dora, and Wade. The two sisters each love a Grainger brother, but one love has been fulfilled, while the other love is torn apart by two different centuries. Fran and Luke begin to make a wonderful life for themselves while living in her family's cottage. Many ups and downs keep this couple close to our hearts, as they struggle with decisions that will affect their future, with fear of being discovered, and with illness that threatens the loss of life. Dora has returned to her own century with a broken heart. She leaves the love of her life behind to sort out his problems with his family. Knowing she can never go back again, she tries to forge a new life while still keeping in touch with her sister in the 1880s through messages left in the trunk. As time passes we see Dora struggle to forget Wade, but illusive dreams continue to visit her in the night, tempting her to return to a crooked smile and loving arms.
Fran Clark's grandmother has passed away, and she is assigned the task of going through her Gram's personal items, deciding what to keep and what to discard. As she is going through desks and drawers, she comes across a key that opens Gram's trunk, which is filled with quilts made by generations of Clark women. The key was one she had always loved as a child. Filled with nostalgia, Fran spreads the quilts across the room, and while shedding tears for the loss of her grandmother, she suddenly finds herself transported to 1875, and she is not even sure how she got there. Scared and alone, she must find a way to fit into this new world. As Fran struggles to find her way back to her own time period, she learns of a new way of living in the post Civil War era, one of hard work with very little time for relaxation, and lacking any modern amenities, but as she begins to adjust, she discovers a different side to herself. She finds strength and a self-confidence she did not know she had, and she learns that two different men find her beautiful, something she had never thought about herself before.When the time has come to make a decision to stay or leave, she is torn. If she stays she will have a contented and fulfilled life, but she will be living a lie, and she risks hurting those she has grown to love and who love her. And if she goes, even though she will once again be back with her family, she will have to deal with all of the pressures of a modern life, and she will be facing it alone, with no one to love.Can Fran find a way back to her own time? Does she want to? Travel back in time with Fran and decide for yourself what you would do.Yesterday's Tears is the first book of a new series by Jane O'Brien called A Slip in Time.
In Yesterday's Self, Andreea Ritivoi explores the philosophical and historical dimensions of nostalgia in the lives of immigrants, forging a connection between current trends in the philosophy of identity and intercultural studies. The book considers such questions as, Does attachment to one's native culture preclude or merely influence adaptation into a new culture? Do we fashion our identity in interdependence with others, or do we shape it in a non-contingent frame? Is it possible to assimilate in an unfamiliar world without risking self-alienation? Ritivoi's response: nostalgia is both the poison and the cure in such situations.
From the now iconic Barack Obama 'Hope' poster of the 2008 presidential campaign to the pit-head 'Camp Hope' of the families of the trapped Chilean miners, the language of hope can be hugely powerful as it draws on resources that are uniquely human and universal. We are beings who hope. But what does that say about us? What is hope and what role does it play in our lives? In his fascinating and thought-provoking investigation into the meaning of hope, Stan van Hooft shows that hope is a fundamental structure of the way we live our lives. For Aristotle being hopeful was part of a well-lived life, a virtue. For Aquinas it was a fundamentally theological virtue and for Kant a basic moral motivation. It shapes how we view ourselves and the world in which we live. Whether we hope for a life after death or for good weather tomorrow - whether our hopes are grand or humble - hoping is part of our outlook on life. What we hope for defines who we are. Drawing on everyday examples as well as more detailed discussion of hope in the arenas of medicine, politics and religion, van Hooft shows how hopefulness in not the same as hope and offers a convincing and powerful defense of the need for realism. There are few contemporary philosophical discussions of hope and Stan van Hooft's book offers an accessible and insightful discussion of the topic that shows the relevance of philosophical thinking and distinctions to this important aspect of human life.
2012 was a year of financial crises and ecological disasters, of endings and forebodings. The world did not end on December 21st as the Mayan calendar predicted, but became the stage for new beginnings, utopian communities, protest groups and solidarity movements. The essays in this book form an intertextual space for negotiating meaningful facts and fictions with an aim to understanding the present. Discussions focus on utopia and dystopia from literature and film, not only within the framework of science fiction but also critical theory, gender politics and social sciences. The authors of these essays are international academics whose interest lies in utopian studies and who attended the 13th International Conference of Utopian Studies, “The Shape of Things to Come”, held in Tarragona, Spain, in 2012.
Fourteen essays by experienced political leaders, researchers and scholars examine the political economy and international relations of the Caribbean. Strategies for sustainable development include proposals to link productive structures among private sectors and increase institutional flexibility.
The volatility of Muslim and Middle Eastern politics has made these interrelated topics an overriding preoccupation of world and especially U.S. politics. Perhaps no region of the world has ever so dominated the American public discourse as the Middle East does today. As Daniel Pipes shows, this results mainly, but not exclusively, from the attacks of September 11, 2001 and the ensuing war on terrorism. Other sources of trouble include militant Islam, Muslims in the West, the Arab-Israeli conflict, the Iraq situation, relations with Saudi Arabia, the price of oil and gas, and U.S. policy toward all these issues. These are the central themes of the roughly one hundred essays in Daniel Pipes' Miniatures: Views of Islamic and Middle Eastern Politics.As Pipes notes, the Islamist war against America preceded the events of 9/11. Nevertheless, response to the earlier attacks had been inconsistent and somewhat nonchalant. Pipes shows how the State Department's annual report on Patterns of Global Terrorism veers into unreliability and even falsehood. He explains the problem in George W. Bush trying to decide what is true Islam and what not, in U.S. academics hiding the true meaning of the word "jihad," and in seventh-grade textbooks proselytizing for Islam. Pipes demonstrates that many seemingly devout Islamists are in fact impious frauds. When it comes to the Arab-Israeli conflict, Pipes indicates how the failure of the Oslo process could be discerned as early as 1994 and he shows how Yasir Arafat speaks one way to Arabs and another way to Israelis.This important collection, by one of the foremost experts in the field, presents original insights, accessibly written for Middle East specialists, political scientists, policymakers, journalists, and the interested public.
Lawson’s second poetry collection mixes the humorous with the grotesque in a bizarre collection of new and previously published poetry. This volume showcases his more story-like poems, many of which are favorites at his readings. Appearances by Pee Wee Herman, the hook hand of urban legend, and the Egyptian god Anubis will have you laughing despite yourself. This second edition contains over 30 pages of bonus material featuring Lawson at his most bizarre and irreverent. "Collected poetry from previous publications, The Horrible gives you tiny tastes of the horrific dementia and wonderfully imagined regurgitations of Lawson's own nightmare bucket. He leaves you with images that will remain long after you've finished reading — something akin to shadows in the aftermath of an A-Bomb." -Kelli Owen for HorrorWeb