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Chronicles the author's teen years in the Tampa area during the 1930s and 1940s
Retrace the history of Ybor City from its beginnings in the Cigar Industry to the colorful Latin community it is today. In 1885, Vicente Martínez Ybor purchased 40 acres of land northeast of Tampa, and there he began the cigar industry that would soon draw thousands of immigrants to Ybor City. The diverse population of the area, known as Tampa's "Latin Quarter," came from Cuba, Spain, Italy, Germany, and Eastern Europe. Some residents worked in the various stages of cigar manufacturing, from picking tobacco to constructing cigar boxes, while others operated the local shops and businesses. A unique culture grew from the intermingling of the various traditions and languages found in Ybor City, and residents proudly proclaimed themselves Los Tampaños (or Tampanian). A strong sense of community has been an ever-present part of Ybor City, through the politically charged years of Cuba's fight for independence as well as the comfortable days of social clubs and dinners.
The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida's long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists' sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.
In 1885, Vincent Martinez Ybor, a Spanish entrepreneur, purchased forty acres east of Tampa and built a company town of tall red-brick factories and small wood-frame houses for the workers. Over the next forty years, this community of cigar-makers from Cuba, Spain, and Italy grew into a thriving industry that made Tampa the Cigar Capital of the World. The urban renewal of the 1960s, however, struck a deathblow to Ybor City; thousands of cigar-makers homes and businesses were leveled by bulldozers, and an interstate highway stormed through the dying neighborhood. The narratives, reflecting a coming-of-age in this colorful community that no longer exists, speak of a kidnapping, a hold-up, a shark attack, a deadly duel, and a murder. A teenager comes to grips with his sexual identity, an activist mother resists Jim Crow laws, and an unexpected baby changes everyones life. In Cigar City Stories, author Emilio Gonzalez-Llanes presents a collection of short stories that provides a snapshot of this lost island in time. Julian stood on that raised platform in the middle of the factory floor, reading to the workers: Anna Karenina, War and Peace, Les Miserables, writings of Cervantes, newspapers, and the poems of Jos Marti. He didnt just read the words; he took on the voice and mannerisms of the characters in the novels, like an actor in the theater. Good performances were followed by the sustained thumping roar of two hundred chavetas, or tobacco knives, repeatedly striking the workers tobacco-cutting boards. from El Lector
Decades before Miami became Havana USA, a wave of leftist, radical, working-class women and men from prerevolutionary Cuba crossed the Florida Straits, made Ybor City the global capital of the Cuban cigar industry, and established the foundation of latinidad in the Sunshine State. Located on the eastern edge of Tampa, Ybor City was a neighborhood of cigar workers and Caribbean revolutionaries who sought refuge against the shifting tides of international political turmoil during the early half of the twentieth century. Historian Sarah McNamara tells the story of immigrant and U.S.-born Latinas/os who organized strikes, marched against fascism, and criticized U.S. foreign policy. While many members of the immigrant generation maintained their dedication to progressive ideals for years to come, those who came of age in the wake of World War II distanced themselves from leftist politics amidst the Red Scare and the wrecking ball of urban renewal. This portrait of the political shifts that defined Ybor City highlights the underexplored role of women's leadership within movements for social and economic justice as it illustrates how people, places, and politics become who and what they are.
The year is 1958; the place, Ybor City, Florida. Mina, Clemencia, and Dolores, three aging sisters, look forward to seeing their children, in-laws, and grandchildren come for a pleasant visit to this quiet, blue-collar neighborhood that all three call home. But the calm surface of the streets hides a darker, more dangerous side. Old family rivalries, sexual intrigues, class envy, political antagonism, and even borderline criminal activity threaten the peace. No one has realized it yet, but this proud Cuban-American clan stands on the brink of a terrible fall. Originally published in 1963, this is the 35th anniversary edition of the classic that brought the authorÍs name to national prominence. With an introduction by the authorÍs son, Rafael Yglesias, this highly autobiographical novel recounts three days in the life of a Cuban-American family in 1958 as they are confronted by a series of crises.
"Complete with a profile index of each known Trafficante family member, Cigar City Mafia shows readers the local factories, bolita gambling houses, and the Hillsborough River. There a new body floated to the surface practically every other day."--Jacket
The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida’s long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists’ sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.
Cigar City: Tales From a 1980s Creative Ghetto, is a collection of linked short stories about the young artists, writers, poets, musicians and actors who inhabited Tampa's Ybor City in the 1980s. Drawn by urban authenticity and cheap rents, they created a surreal, chaotic arts scene set against the backdrop of the empty cigar factories and shotgun shacks of Tampa's immigrant past. Ybor drew international artists like James Rosenquist, Jim Dine and dozens more, and mirrored what was happening in New York's Alphabet City.The stories are fictional but they capture the spirit of the district during the 1980s. The collection is illustrated with photos from the era by Bud Lee and David Audet.
An extraordinarily beautiful mixed-race woman travels through the 1930s from the Prohibition era to the dawn of World War II, moving from domestic servant to mistress of a wealthy industrialist and on to a loving relationship with maestro George Gershwin while he completes the operatic masterpiece Porgy and Bess. Filled with the history of Tampas exotic Ybor City, the home of Cuban culture in America, readers are introduced to the place and the people that produced legendary handmade clear Havana cigars for a half century. The novel also provides a perspective on the awakening of Americas sexuality, glamorous old Havana, the post-Prohibition rise of organized crime and the historic uncertainties of Cuban-American relations.