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Yanni is practically a force of nature. With global sales of over 20 million albums, 35 gold and platinum awards, and a fan base of untold millions in nearly every corner of the world, this self-taught musician and composer has achieved a cult-like following. The Washington Post has called Yanni's career 'a miracle, a lesson in pluck that could be taught in business school, preached from pulpits and woven into bedtime stories.' In this long-awaited memoir, Yanni offers an inside look at his fascinating journey, from his boyhood in Greece, where he taught himself to play piano at the age of six, to his current status as a musical star. His path to success was sometimes rocky. With unprecedented candor, Yanni describes his long struggle to separate himself from the 'New Age' label, his ongoing battles with a music industry bewildered by his work, and the depression that threatened to derail his career. With great affection, he also discusses his long relationship with Linda Evans and shares the lessons about love and truth that he's learned from his father along the way.
Grounded in decades of research, this book covers contemporary matters such as the entanglement of race and nationalism with archaeology.
The celebrated modern Greek poet Yannis Ritsos follows such distinguished predecessors as C. P. Cavafy and George Seferis in a dramatic and symbolic expression of a tragic sense of life. The shorter poems gathered in this volume present what Ritsos calls "simple things" that turn out not to be simple at all. Here we find a world of subtle nuances, in which everyday events hide much that is threatening, oppressive, and spiritually vacuous--but the poems also provide lyrical and idyllic interludes, along with cunning re-creations of Greek mythology and history. This collection of Ritsos's work--perhaps most of all those poems written while he was in forced exile under the dictatorship of the Colonels--testifies to his just place among the major European poets of this century. The distinguished translator of modern Greek poetry Edmund Keeley has chosen for this anthology selections from seven of Ritsos's volumes of shorter poems written between 1946 and 1975. Two of these volumes are represented here in English versions for the first time, two others have been translated only sporadically, and the remaining three were first published in a bilingual edition now out of print (Ritsos in Parentheses). The collection thus covers thirty years of a poetic career that is the most prolific, and among the most honored, in Greece's modern history.
How to analyze data settings rather than data sets, acknowledging the meaning-making power of the local. In our data-driven society, it is too easy to assume the transparency of data. Instead, Yanni Loukissas argues in All Data Are Local, we should approach data sets with an awareness that data are created by humans and their dutiful machines, at a time, in a place, with the instruments at hand, for audiences that are conditioned to receive them. The term data set implies something discrete, complete, and portable, but it is none of those things. Examining a series of data sources important for understanding the state of public life in the United States—Harvard's Arnold Arboretum, the Digital Public Library of America, UCLA's Television News Archive, and the real estate marketplace Zillow—Loukissas shows us how to analyze data settings rather than data sets. Loukissas sets out six principles: all data are local; data have complex attachments to place; data are collected from heterogeneous sources; data and algorithms are inextricably entangled; interfaces recontextualize data; and data are indexes to local knowledge. He then provides a set of practical guidelines to follow. To make his argument, Loukissas employs a combination of qualitative research on data cultures and exploratory data visualizations. Rebutting the “myth of digital universalism,” Loukissas reminds us of the meaning-making power of the local.
Just as we learn from, influence, and are influenced by others, our social interactions drive economic growth in cities, regions, and nations--determining where households live, how children learn, and what cities and firms produce. From Neighborhoods to Nations synthesizes the recent economics of social interactions for anyone seeking to understand the contributions of this important area. Integrating theory and empirics, Yannis Ioannides explores theoretical and empirical tools that economists use to investigate social interactions, and he shows how a familiarity with these tools is essential for interpreting findings. The book makes work in the economics of social interactions accessible to other social scientists, including sociologists, political scientists, and urban planning and policy researchers. Focusing on individual and household location decisions in the presence of interactions, Ioannides shows how research on cities and neighborhoods can explain communities' composition and spatial form, as well as changes in productivity, industrial specialization, urban expansion, and national growth. The author examines how researchers address the challenge of separating personal, social, and cultural forces from economic ones. Ioannides provides a toolkit for the next generation of inquiry, and he argues that quantifying the impact of social interactions in specific contexts is essential for grasping their scope and use in informing policy. Revealing how empirical work on social interactions enriches our understanding of cities as engines of innovation and economic growth, From Neighborhoods to Nations carries ramifications throughout the social sciences and beyond.
In this book the author tells the story of his friendship with Yannis, a farmer baker in the villages of Mount Dirfy on Evia island, the rituals of male friendship, joys and fights, old age, separation and death. A strange but real story that will bring tears to the eyes of men who were fortunate to live the experience of a strong, nonsexual bond with another male.
On Yannis Tsarouchis’s career: his thirteen-year exile in Paris, and his absorption and transformation of Greek folk traditions, ancient Greek and early Christian art, shadow theater, and modern art. Yannis Tsarouchis was a Greek painter whose multifarious practice spanned seven decades, from the 1920s to the 1980s. More than three decades after his death in 1989, the artist’s rich oeuvre remains relatively unknown outside of Greece, where he is recognized as one of the most important painters of the twentieth century. This catalogue is published on the occasion of the first major survey of his work outside of his home country, which is also the first exhibition in the United States devoted to his work. The show brings together over two hundred paintings, drawings, watercolors, stage designs, and photographs, including portraits of anonymous youths, homoerotically charged mise-en-scènes, and major allegorical paintings referencing religious iconography augmented with contemporary costumes and props. The foundation of Tsarouchis’s artistic sensibility involved negotiating the difference between the promise of modernization and the spell of tradition, as well as the gradual elaboration of this difference in his personal politics, which aimed at subverting the gender binary. Portraying solitary young men in interiors—daydreaming, gazing pensively, reclining, relaxing, and enjoying their own company—Tsarouchis formulated a unique artistic language. His works establish their own symbolic universe, mixing personal memory, loss, and desire, pointing to the negotiation and transgression of limits between art and the everyday that were central to his work and philosophy. Yannis Tsarouchis: Dancing in Real Life includes numerous works spanning the artist’s career, including his thirteen-year exile in Paris, showing how he absorbed and transformed such influences as Greek folk traditions; ancient Greek and early Christian art; Byzantine mosaics, frescoes, and icon painting; the Greek shadow theater of Karaghiozis; and even the new languages of modern art (cubism, fauvism, and surrealism). It features English translations of Tsarouchis’s writings and poetry, essays by Yannis Tsarouchis Foundation president Niki Gripari, art historian Evgenios D. Matthiopoulos, curator and writer Adam Szymczyk, and dramaturge and scholar Dorota Sajewska, and a project by artist and architect Andreas Angelidakis.