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The megalomaniac Godmind is still planning to use all the minds in creation to make a vast 'lens', and if necessary it will burn out all life in the process. Back beside the river and literally born again, Yaleen represents to the guild of riverwomen the perfect proof of salvation, of life after death. In fact, she is desperately searching for a way to save the whole universe from imminent destruction.
Trapped by the evil Edrick in a locked room, Yaleen is cold-bloodedly murdered. But it is not the end of Yaleen's story, for she is given a second life - a reincarnation on Earth as a 'cherub'. Soon she encounters Godmind, the megalomaniac artificial deity which controls life on Earth - and maintains a brutal labour colony on the Moon for any who dare to rebel. Bit by bit, Yaleen comes to understand the horrifying project of the Godmind...
Certain works of fantasy are immediately recognizable as monuments, towering above the rest of the category. Authors of those works, such as George R.R. Martin, Robert Jordan, and Terry Goodkind, come immediately to mind. Add to that list David Farland, whose epic Runelords series continues now in Worldbinder. After the events of Sons of the Oak, Fallion and Jaz, the sons of the great Earth King Gaborn, are now living as fugitives in their own kingdom. Their former home has been invaded and secretly controlled by supernatural being of ultimate evil. The sons are biding their time until they can regain their rightful places in the land. Fallion seems destined to heal the world, and feels the calling to act. When he attempts to do so though, two entire worlds collapse into one, and nothing will ever be the same again. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The Saga of the Runelords is written in the finest tradition of Tolkien and other works that rise above the fantasy genre to special and individual heights. Now the epic story continues, in this follow-up to "Worldbinder."
The Shape of Fantasy is an in-depth look at Heroic Epic Fantasy. It depicts structural and narrative patterns with models stemming from science and philosophy. Although Fantasy Fiction is generally defined by its impossibility, Fantasy Fiction not an illogical form. It is, in fact, governed by a sense of rules and structure, one that reflects our current understanding of space-time and cosmology. These models are an integral part of the structure of Heroic Epic Fantasy itself. Thus, this book introduces new ways of perceiving current productions of the Fantasy genre. In doing so, it also explores how Fantasy Fiction exhibits a conscious awareness of its own form.
Elias Riley has only one duty—guiding ships to the Vulfardisian land mass and city-state from the safety of his glass orb. He lives a life of solitude, never questioning. But that solitude ends when a ship comes spiraling through the Cosmic Bridge and crashes into his sphere. The pilot is a battle priestess named Anya Solis, and the whirlwind of trouble that follows her is something Elias is not prepared to handle.
Future and Fantastic Worlds embodies an unusual approach to the field of bibliographic research, including over 700 annotations of every DAW book published through mid-1987, with indexes by author, artist, and title, providing a massive guide to modern SF writers and their works, with much background data. Interspersed throughout the book are numerous wry, irreverent, and amusing observations offered by the late and highly respected researcher in this extremely valuable genre tool.
Adult books are categorized by genre (i.e., fiction, mystery, science fiction, nonfiction). Along with bibliographic information, the expected date of publication and the names of literary agents for individual titles are provided. Starred reviews serve several functions: In the adult section, they mark potential bestsellers, major promotions, book club selections, and just very good books; in the children's section, they denote books of very high quality. The unsigned reviews manage to be discerning and sometimes quite critical.