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Brian K. Vaughn's classic 60-issue post-apocalyptic series is now available in this new omnibus. WINNER OF THREE EISNER AWARDS. A WORLD WITHOUT MEN... In 2002, the world changes forever. Every man, every boy, every mammal with a Y chromosome everywhere on Earth suddenly collapses and dies. With the loss of nearly half the planet's population, the gears of society grind to a halt, and a world of women are left to pick up the pieces and try to keep civilization from collapsing entirely. The "gendercide," however, is not absolutely complete. For some unknown reason, one young man named Yorick Brown and his pet male monkey, Ampersand, are spared. Overnight, this anonymous twentysomething becomes the most important person on the planet--the key, it is hoped, to unlocking the secret of the mysterious sex-specific plague. For Yorick himself, the most important person on the planet is 10,000 miles away--and he will stop at nothing to find her. In setting off across the post-male landscape, however, man and monkey are about to learn just how valuable they are--both as a prize and as a target. Collected for the first time in a single, comprehensive omnibus, writer Brian K. Vaughan and artist Pia Guerra's Eisner Award-winning Vertigo series Y: The Last Man brings to vivid life the age-old speculation: What would really happen to the last man on Earth? Collects Y: The Last Man #1-60 and a sketchbook featuring behind-the-scenes art by Pia Guerra.
Y: THE LAST MAN, winner of three Eisner Awards and one of the most critically acclaimed, best-selling comic books series of the last decade, is that rare example of a page-turner that is at once humorous, socially relevant and endlessly surprising. Written by Brian K. Vaughan (Lost, PRIDE OF BAGHDAD, EX MACHINA) and with art by Pia Guerra, this is the saga of Yorick Brown-the only human survivor of a planet-wide plague that instantly kills every mammal possessing a Y chromosome. Accompanied by a mysterious government agent, a brilliant young geneticist and his pet monkey, Ampersand, Yorick travels the world in search of his lost love and the answer to why he's the last man on earth. Collects issues #1-5.
The continuation of Brian K. Vaughan and artist Pia Guerra’s acclaimed VERTIGO series Y: THE LAST MAN brings to vivid life the age-old speculation: What would really happen to the last man on Earth? dIn 2002, the world changes forever. Every man, every boy, every mammal with a Y chromosome everywhere on Earth suddenly collapses and dies. With the loss of nearly half the planet’s population, the gears of society grind to a halt, and a world of women are left to pick up the pieces and try to keep civilization from collapsing entirely. The “gendercide,” however, is not absolutely complete. For some unknown reason, one young man named Yorick Brown and his pet male monkey, Ampersand, are spared. Overnight, this anonymous twenty-something becomes the most important person on the planet-the key, it is hoped, to unlocking the secret of the mysterious sex-specific plague. For Yorick himself, the most important person on the planet has been agonizingly out of reach. But now, after three long years and 10,000 arduous miles, the last man is closing in on the truth about his lost fiancée-and the shocking facts behind his own survival. Collects Y: THE LAST MAN #37-48
Yorick Brown, the last man on Earth, finally makes it to San Francisco where his unbalanced sister, Hero, finds him seemingly succumbing to the male-killing plague after losing his still-unused engagement ring to the burqa-clad agents of the Setauket Ring. But is the ring really the key to his survival? And what does it have to do with the mysterious Amulet of Helene, which the Setauket leader is determined to take from Agent 355 by any means necessary. Collects issues #24-31 of the runaway hit Vertigo series by Brian K. Vaughan (EX-MACHINA, ASTONISHING X-MEN, RUNAWAYS) and Pia Guerra.
And women shall inherit the Earth. It’s summer 2002 and a mysterious plague has swept across the planet, killing every grown mammal and embryo possessing a Y chromosome—except for one man. For some reason, amateur escape artist Yorick Brown is the only human male to survive the androcide that has wiped out almost half of the global population. Accompanied by his pet monkey, Ampersand—who is also immune to the pandemic—and aided by his politician mother and the enigmatic Agent 355, Yorick must struggle to survive in a world where he is now the most endangered species. Y: The Last Man Compendium One collects issues #1-31 of the critically acclaimed series created by the award-winning team of writer BRIAN K. VAUGHAN (Ex Machina, Runaways) and artist PIA GUERRA (Black Canary, Spider-Man Unlimited).
Y: THE LAST MAN, winner of three Eisner Awards and one of the most critically acclaimed, best-selling comic books series of the last decade, is that rare example of a page-turner that is at once humorous, socially relevant and endlessly surprising. Written by Brian K. Vaughan (LOST, PRIDE OF BAGHDAD, EX MACHINA) and with art by Pia Guerra, this is the saga of Yorick Brown—the only human survivor of a planet-wide plague that instantly kills every mammal possessing a Y chromosome. Accompanied by a mysterious government agent, a brilliant young geneticist and his pet monkey, Ampersand, Yorick travels the world in search of his lost love and the answer to why he's the last man on earth. Collects Y THE LAST MAN #1-10.
"Originally published in single magazine form as Y: The Last Man 1-20"--Title page verso.
Don't miss the thrilling conclusion to Y: The Last Man Compendium One! Picking up where Y: The Last Man Compendium One leaves off, Yorick is the only human survivor of a planet-wide plague that instantly kills every mammal with a Y chromosome—but just when Dr. Mann discovers the answer to how Yorick and Ampersand survived the mysterious plague, an unforeseen adversary swoops in and steals a major key to the possible cure. Yorick Brown's long journey through an Earth populated only by women comes to a dramatic, unexpected conclusion in this thrilling compendium edition collecting Y: The Last Man #32-60!
This catalog has been specifically built to help guide new comics readers to the most accessible entry points in DC Universe, then moves them on to spotlights and reading order for some of the worldÕs most recognizable characters. DC Entertainment has long been the home of the genreÕs most seminal graphic novels, from such groundbreaking titles as WATCHMEN, BATMAN: THE KILLING JOKE and THE SANDMAN to present-day masterworks BATMAN: EARTH ONE and INJUSTICE: GODS AMONG US VOL. 1. The DC Essential Graphic Novels catalog has revised its expansive look into our rich library for 2016, with updated reading lists featuring graphic novels starring Batman, Superman, Wonder Woman and the Justice League, as well as the best collections from Vertigo and MAD. In addition to these iconic stars, weÕve also rounded up which books will get you more of the superheroes you love from TV hits like The Flash, Arrow and Gotham.
From their inception, 'low culture' comics have intersected with the 'high culture' of Shakespeare. This is the first book-length collection dedicated entirely to the exploration of this collision. Its chapters illuminate the ways in which different texts, time periods, politics, authors, media, approaches and forms interact. Ranging from Classic Comics to Marvel, from tebeo to manga, from independent to mainstream comics, texts explored include Y: The Last Man, Neil Gaiman and Charles Vess's 'A Midsummer Night's Dream' (The Sandman #19), The League of Extraordinary Gentlemen, I Am Alfonso Jones, Marvel 1602, Doom 2099, and manga adaptations of The Tempest and Macbeth, among many others. As comic books and their big-screen progeny dominate mainstream popular culture, the association of Shakespeare with comics offers creators and critics tools with which to interrogate the place of Shakespeare within the English and global literary and cultural traditions. Shakespeare and Comics argues that, at a moment when the reassessment and reimagining of literary canons has become more urgent than ever, thinking about Shakespeare through the lens of comics invites us to imagine a literary and cultural landscape in which so-called 'great works' exist alongside and in equal conversation with marginalized writers, topics and forms.