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The Quechan people live along the lower part of the Colorado River in the United States. According to tradition, the Quechan and other Yuman people were created at the beginning of time, and their Creation myth explains how they came into existence, the origin of their environment, and the significance of their oldest traditions. The Creation myth forms the backdrop against which much of the tribe’s extensive oral literature may be understood. At one time there were almost as many different versions of the Quechan creation story as there were Quechan families. Now few people remember them. This volume, presented in the Quechan language with facing-column translation, provides three views of the origins of the Quechan people. One synthesizes narrator George Bryant’s childhood memories and later research. The second is based upon J. P. Harrington’s A Yuma Account of Origins (1908). The third provides a modern view of the origins of the Quechan, beginning with the migration from Asia to the New World and ending with the settlement of the Yuman tribes at their present locations. Publication of this book is made possible by the Institute of Museum and Library Services Native American / Native Hawaiian Museum Services Program grant number MN-00-13-0025-13. This collection is for the Quechan people and will also interest linguists, anthropologists, oral literature specialists, and anyone curious about Native American culture. This book is part of our World Oral Literature Series in conjunction with the World Oral Literature Project.
Teaching American Indian Students is the most comprehensive resource book available for educators of American Indians. The promise of this book is that Indian students can improve their academic performance through educational approaches that do not force students to choose between the culture of their home and the culture of their school. This multidisciplinary volume summarizes the latest research on Indian education, provides practical suggestions for teachers, and offers a vast selection of resources available to teachers of Indian students. Included are chapters on bilingual and multicultural education; the history of U.S. Indian education; teacher-parent relationships; language and literacy development, with particular discussion of English as a second language and American Indian literature; and teaching in the content areas of social science, science, mathematics, and physical education.
Concerned with the relatively primitive tribes south of the Pueblo Indians, this is a basic work in the ethnography of the North American Indian. 15 photographs.
Among the vanishing cultures of the world, the Ainu of north-east Asia stand out for the startling richness of their oral literature. These thirteen beautiful Ainu chants were collected by Chiri Yukie in 1922 -- the first Ainu literature to be written down by an Ainu. This book presents new English translations of Chiri's remarkable work. Originally written in "yukar" form, a type of chant used by female storytellers among the Ainu villages of Hokkaido, these stories tell of the relationship between mankind and the world of spirits. Each "yukar" is narrated by a spirit -- fox, whale, frog, or even shellfish. Most important is the owl god, Kotankor Kamui, whose two long songs describe the covenant between humans and the spirits who provide them with food. Other tales focus on the balance of nature, on the respect due between animal spirits and people, and on the strength of Okikirmui, the human hero. The Ainu oral tradition was in danger of dying in the early 20th century, when the teenaged Chiri Yukie resolved to begin writing down these chants. Descended from a line of female storytellers, she devised a way of representing Ainu language in the Roman alphabet, and made Japanese translations of the most important tales. Although she died at 19, the thirteen tales she had written down went on to become a sensation. Her clear and beautiful yet intricate and emotive Japanese translations brought Ainu culture to a wide audience in Japan and created a movement to record and preserve Ainu belief in a living state. In many ways, the idea of trying to learn from and preserve tribal wisdom goes back to Chiri's book. Chiri's work includes the best-known passages of Ainu literature: Chiri's original introduction, an elegy to the vanishing Ainu way of life, and the tale 'Silver drops fall around, golden drops fall around'. This translation tries to preserve the rich texture of Chiri's versions in English, while remaining absolutely true to the details of the original. A clear introduction to Chiri, her book, and its language is provided, giving the reader a vivid insight into this startlingly sophisticated spiritual tradition.
The series builds an extensive collection of high quality descriptions of languages around the world. Each volume offers a comprehensive grammatical description of a single language together with fully analyzed sample texts and, if appropriate, a word list and other relevant information which is available on the language in question. There are no restrictions as to language family or area, and although special attention is paid to hitherto undescribed languages, new and valuable treatments of better known languages are also included. No theoretical model is imposed on the authors; the only criterion is a high standard of scientific quality.
Story of the Quechan (Yuma) Indians who lived along the Colorado River and Nevada-Great Basin area; their beginnings, war with Mexico and conquest by the U.S.
You've seen me on the street. You've walked past my house, and pointed, and wondered. The cat lady. All on my own, with only my five cats to keep me company. Did no-one ever tell you that you can't judge a book by its cover? Everyone in town knows Nancy Jones. She loves her cats. She loves her tumbledown house by the sea. She loves her job in the local school where she tries to help the children who need help the most. Nancy tries hard not to think about her past loves and where those led her... Nancy never shares her secrets - because some doors are better kept locked. But one day she accepts a cat-sitting request from a local woman, and at the woman's house, Nancy sees a photograph, in a bright-red frame. A photograph that opens the door to her painful past... Soon Nancy doesn't know what frightens her the most: letting her story out, or letting the rest of the world in. It's impossible to find companionship without the risk of losing it. But can Nancy take that risk again? A heart-wrenching and heart-warming story of love lost and found, and of second chances, They Call Me The Cat Lady is perfect for fans of A Man Called Ove and Eleanor Oliphant is Completely Fine. Readers love Amy Miller! 'Wonderful... I loved every minute of it and I didn't want it to end ... A heartfelt and truly wonderful read. A story that you will easily lose yourself in' By the Letter Book Reviews, 5 stars 'A truly fantastic, emotional and heartwarming story... If I could give this book more than 5 stars I would. It deserves the entire constellation that's for sure!' The Writing Garnet, 5 stars 'I absolutely loved every minute of it! A truly heart-warming and uplifting story and I honestly can't wait to read more.' Goodreads reviewer, 5 stars
"These poems brim with keen metaphors and spotlight observations. Intimate descriptions are conveyed like speaking to a friend, and with a humor that animates wide-ranging experiences from lovers to laundromats, even grief. Amy writes with tenderness while wielding metaphors like signal flags."-Allan Peterson, author, Fragile Acts