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How xerography became a creative medium and political tool, arming artists and activists on the margins with an accessible means of making their messages public. This is the story of how the xerographic copier, or “Xerox machine,” became a creative medium for artists and activists during the last few decades of the twentieth century. Paper jams, mangled pages, and even fires made early versions of this clunky office machine a source of fear, rage, dread, and disappointment. But eventually, xerography democratized print culture by making it convenient and affordable for renegade publishers, zinesters, artists, punks, anarchists, queers, feminists, street activists, and others to publish their work and to get their messages out on the street. The xerographic copier adjusted the lived and imagined margins of society, Eichhorn argues, by supporting artistic and political expression and mobilizing subcultural movements. Eichhorn describes early efforts to use xerography to create art and the occasional scapegoating of urban copy shops and xerographic technologies following political panics, using the post-9/11 raid on a Toronto copy shop as her central example. She examines New York's downtown art and punk scenes of the 1970s to 1990s, arguing that xerography—including photocopied posters, mail art, and zines—changed what cities looked like and how we experienced them. And she looks at how a generation of activists and artists deployed the copy machine in AIDS and queer activism while simultaneously introducing the copy machine's gritty, DIY aesthetics into international art markets. Xerographic copy machines are now defunct. Office copiers are digital, and activists rely on social media more than photocopied posters. And yet, Eichhorn argues, even though we now live in a post-xerographic era, the grassroots aesthetics and political legacy of xerography persists.
Libraries eager to serve the underserved teen-to-twenty-year-old market can make the library a cool place to hang out. All it takes are zines, according to the author, young adult librarian Julie Bartel. Zines and alternative press materials provide a unique bridge to appeal to disenfranchised youth, alienated by current collections. For librarians unfamiliar with the territory, or anxious to broaden their collection, veteran zinester Bartel establishes the context, history, and philosophy of zines, then ushers readers through an easy, do-it-yourself guide to creating a zine collection, includ.
Xerography Debt might be best summarized as an obsession for all involved, none of which are likely to be as wealthy as the preserved zine king depicted on the cover. Billy da Bling Bunny Roberts recently said "It's the glue that holds the zine community together." Maintaining three issues per year, the 38th issue of Xerography Debt is still the same ol' charming personality, allowing a hand-picked cast of contributors to wax philosophical about the zines they love. In an age of blogs and tweets, Xerography Debt is a beautiful, earnest anachronism, a publication that seems to come from a different era, but is firmly entrenched in the now.
"Charley Ellis has written a magnificent portrait, capturing the indomitable spirit of Joe Wilson and his instinctive understanding of the need for and commercial usefulness of a transforming imaging technology. Joe Wilson and his extraordinary team, which I had the good fortune to first meet in 1960, epitomized the wonderful observation of George Bernard Shaw who said, 'Some look at things that are, and ask why? I dream of things that never were and ask why not?' Xerox and xerography are not only a part of our vocabulary, but part of our everyday life. Charley Ellis gives the reader a poignant understanding of just how this happened through the life, adventures, critical business decisions, and dreams of Joseph Wilson and a cadre of remarkable individuals. This book will surely join the library of memorable biographies that capture the building of America into a risk-tolerant, technologically sophisticated, idea-oriented society that thrives by understanding what Charles Darwin really said: 'Survival will be neither to the strongest of the species, nor to the most intelligent, but to those most adaptable to change.'" —Frederick Frank, Vice Chairman, Lehman Brothers Inc.
Scotland, 1540 Katrina McLeod fled an arranged marriage, decreed by King James of Scotland, to a man with a fearful reputation, only to find herself on trial for her life! Accused of witchcraft, her salvation lies in the hands of brooding nobleman Duncan Rothmore…. When Duncan saves Katrina from a grisly fate in exchange for warming his bed, he has no idea she is really an untouched, high-born lady. He knows only that she stirs something in his wounded heart and afflicted body that no other woman ever has. But if he wishes to make Katrina his bride, Duncan must betray his king.
Shannon's career as a film director is gainingmomentum and a new project offers the chanceof becoming an international success. But thefilm will need millions of dollars in funding, andthe only person Shannon knows with that kindof money is her estranged husband—millionaireDevin Keynes.Devin agrees to fund Shannon's movie on onecondition—that she give their marriage anotherchance. She reluctantly accepts his offer. But thisis just the start of Devin's plan: after briberycomes seduction!
Around the world and for hundreds of years, men and women have refused to be drafted into bearing arms for their nations' wars. These conscientious objectors to the draft are the subject of Peter Brock's latest collection, Against the Draft. Brock, the world's leading historian on pacifism, has assembled twenty-five of his essays on conscientious objection to the draft from the beginning of the Radical Reformation in 1525 to the end of the Second World War. Included in the collection are essays on little known facets of the anti-draft movement including the Anabaptist-Mennonite tradition of military exemption that started with the outset of the Radical Reformation in 1525 and has continued, with variations, until the present. Further articles deal with the Quakers in a number of countries, Civil-war America, Leo Tolstoy (who became a convinced pacifist in the later part of his life), British conscientious objectors in the Non-Combatant Corps, the emergence of conscientious objection in Japan, and the fate of conscientious objectors in the psychiatric clinics of Germany and in interwar Poland. Essays on the Central European Nazerenes and on Jehovah's Witnesses in Nazi Germany highlight the exceptionally harsh treatment meted out to conscientious objectors belonging to these two sects, and their steadfast resistance to the state's demand to bear arms. Against the Draft makes an important contribution to the growing study of pacifism and conscientious objection, and represents a key work in the career of the field's foremost scholar.
Dial R for Revenge… Forgiveness is a foreign concept to wealthy investment trader Jonas Deveson. Someone has been stealing from him. He's got a good idea who it is and she's going to pay…. Seeing the harsh lines that bitterness has carved into Jonas's handsome features, Ravenna Ruggiero knows he'll never see the shades of gray in her actions. Jonas blackmails Ravenna into working as his housekeeper to pay off her debt, but living under the same roof leads to unexpected yet forbidden temptation, and Jonas is no longer sure who is being punished!
Reflections on Big Spring is a thoughtfully researched, highly readable celebration of the rich heritage of the Genesee River Valley, Pittsford, NY and the Big Spring that drew generations of Americans to the area. The Seneca Tribe who lived in the Genesee River Valley for five centuries were the fighting elite of the Iroquois Confederacy. The author chronicles the series of seminal decisions that led to the gradual displacement and ultimate downfall of these proud indigenous people. New Englanders immigrated to the great frontier of western New York State in the early 19thcentury seeking the well-publicized agricultural el dorado. These pioneers were of hearty stock and by nature, strong-willed risk-takers. From both of these sturdy gene pools came generations of brave war heroes, inspirational politicians, compassionate humanitarians, civil rights leaders, creative inventors, and revolutionary entrepreneurs. Their influence has been substantial not just locally but throughout the state, the country and the world. Follow the lives of resident humanitarians Frederick Douglas and Susan B. Anthony as their inspired civil rights efforts make history. Consider the courage displayed by lesser-known local heroes who farmed, taught school or ran stores during the day and became conductors on the area's Underground Railroad after dark. Oral histories of secret passages, tunnels, caverns and hidden rooms take readers on the last 100 miles to freedom ride. Seamlessly woven throughout the text are fascinating facts that define the uniqueness of the Genesee River Valley. While closely tied to its agricultural roots, the area is home to several of the world's most prestigious business enterprises and was the birthplace of a wide variety of revolutionary technologies, business strategies and labor-management practices. Discover how Genesee Valley residents shared amateur photography, xerography, the UPC label, self-service groceries, white hots and cream style mustard with the world.
The first book-length exploration of the quirky feminist booklets With names like The East Village Inky, Mend My Dress, Dear Stepdad, and I’m So Fucking Beautiful, zines created by girls and women over the past two decades make feminism’s third wave visible. These messy, photocopied do-it-yourself documents cover every imaginable subject matter and are loaded with handwriting, collage art, stickers, and glitter. Though they all reflect the personal style of the creators, they are also sites for constructing narratives, identities, and communities. Girl Zines is the first book-length exploration of this exciting movement. Alison Piepmeier argues that these quirky, personalized booklets are tangible examples of the ways that girls and women ‘do’ feminism today. The idiosyncratic, surprising, and savvy arguments and issues showcased in the forty-six images reproduced in the book provide a complex window into feminism’s future, where zinesters persistently and stubbornly carve out new spaces for what it means to be a revolutionary and a girl. Girl Zines takes zines seriously, asking what they can tell us about the inner lives of girls and women over the last twenty years.