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Wyndham Lewis (1882-1957), the self-styled 'Enemy', was arguably the most significant British artist-writer of the twentieth century. As well as creating a unique oeuvre of paintings and drawings, he wrote short stories, novels, essays and books on philosophy, literature, politics and cultural criticism. A draughtsman of exceptional skill and verve, he also pioneered cutting-edge modernism in Britain before the First World War, leading the Vorticist movement and editing its typographically startling journal Blast. Lewis, along wth figures including and sculptor Gaudier-Brzeska and poet Ezra Pound, turned London into an international 'vortex' of creative activity. His cultural revolution was brought to a halt by the First World War, in which he served as an artillery officer and as a major official war artist.
Wyndham Lewis was equally talented as a writer and a painter. Providing an overview of the visual, literary and philosophical dimensions of Lewis's work, Edwards also considers them as an integrated whole. He also discusses Lewis's fascist sympathies.
This title focuses exclusively on the unique talents of iconoclastic artist-writer Wyndham Lewis (1882-1957) as a portraitist.
Self Condemned, originally published in 1954, tells the story of Professor Renarding and his wife, Essie, as they find themselves in Momaco, a fictionalized version of Toronto, following Ren resignation as an academic in London, England. Reduced to a position at the second-rate University of Momaco, Rennd Essie suffer through a bleak and oppressive isolation in a dreary and alien city. The novel, a devastating, disturbing satire of life in wartime Canada, explores the difficulty individuals face as they struggle to adapt to new surroundings while preserving their sense of wholeness, as well as the bond that develops between people during a shared experience of isolation. .
Making a strong case for a revaluation of Wyndham Lewis, this collection argues that significant aspects of Lewis's writing, painting and thinking have not yet received the attention they deserve. Lewis's contributions to the production and circulation of modernism and the links between Lewis's writing and painting are explored in the context of other key figures of the twentieth century.
Excerpt from Wyndham Lewis: A Portrait of the Artist as the Enemy The most fascinating personality of our time was T. S. Eliot's description of Wyndham Lewis in The E goist for September 1918, an opinion recently reinforced in the Winter 1955 issue of The Hudson Review where he called Lewis the most distinguished living English novelist. Speaking on the bbc. Just after the last war, Geoffrey Grigson said: If we could have a collected edition of Wyndham Lewis - a collecting of novels, stories, criticism, treatises, essays which have never been collected - we should understand, as perhaps we don't, his immense unity. V. S. Pritchett, on the other hand, denies this unity to Lewis' work; if one looks at the first and last sentences of any of his paragraphs, Pritchett asserts, the two will rarely be found to have any logical connection. The present study attempts to discover that logical connection. It is divided into four parts, roughly on the basis of the interest Lewis has shown in each field. All his writings are covered to date, al though perhaps one point should be mentioned: I have not asked my printer to follow the atomic typography of Blast. The checklist which concludes this work, while it is perhaps the most thorough of its kind to be attempted, does not pretend to be definitive; I know from letters of Lewis I have examined that there is at least one item outstanding. The chronology of this list is only threatened, I believe, when I have been unable to trace month of publication in the usual way and the work in question has been relegated to the end of its year. The secondary sources simply gather a fairly arbitrary selection of works with divergent views on Lewis that seem worth preserving. In this listing the ordinary contemporary review is not included, al though reference to such may be found in the text. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.