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This study connects the idiosyncratic modernism of Wyndham Lewis, co-founder of the Vorticist art movement, with works of several artists from the British art rock tradition, among them Bryan Ferry, David Bowie, art-punk pioneers Wire and electronic pop musician John Foxx. By taking a transdisciplinary and intermedial approach to texts from two fields normally studied in isolation and staking out the elements of a shared modernist ethos, the book presents a new perspective on both fields relevant to scholars of literature, popular culture, and the visual arts alike. While the book rests on sound research from the fields of literary criticism, art history, and pop theory, the structure and writing of the book is fundamentally designed to be accessible and comprehensible to non-scholarly readers.
Dieser Band präsentiert Beiträge namhafter Autor:innen zur translatorischen Theorie und Praxis. Die Themen reichen von der Ausgestaltung der Disziplin, unter anderem mit Blick auf zentrale Grundfragen des Übersetzens, Aspekte von Multimodalität und soziokognitive Translationsprozesse, bis hin zu Studien aus dem Feld der (Literary) Translator Studies, in denen Übersetzer:innen als Gestalter:innen im Zentrum stehen. Weitere Abschnitte widmen sich dem weiten Feld der literarischen Übersetzung, mit Fallstudien zu Übersetzungen aus verschiedenen Genres (Belletristik, Lyrik, Theatertexte, Operntexte, Jugendliteratur, Comics), sowie dem Wirken von fiktionalen Translator:innen in Film und Literatur. Ein persönlicher Nachklang mit Fokus auf dem Operntext als Übersetzungsphänomen runden den Sammelband ab. Der Band richtet sich an Forscher:innen aus der Translationswissenschaft und verwandten Disziplinen. Er liefert einen Einblick in rezente zentrale Entwicklungen des Fachs und spiegelt die facettenreiche Themenvielfalt aktuellen translationswissenschaftlichen Schaffens.
The aim of this book is to investigate the delicate relationship between female sanctity and madness, in a time-frame extending from medieval until contemporary times. Constellated by visions, ecstatic raptures, morbid rituals, stigmata and obsessions, the complex phenomenology of female mysticism appears in fact to be articulated and polymorphous, traversed by 'representations' that it seems possible to link to the wide spectrum of mental disorders, as well to the hagiographic stereotypes and anthropological implications. Male and female scholars from different disciplines (from history to philology, from anthropology to art history, from theology to literary criticism, from psychiatry to psychoanalysis) try to outline a thematic and problematic itinerary, intended to examine, step by step, potential pathological aspects and contexts of reference for the purpose of attempting to reconstruct the complex evolutionary trajectory of female mystical language.
The first exhibition in Italy dedicated to Vorticism, Britain's contribution to the visual avant-gardes that flourished in Europe at the beginning of the 20th century. Its distinctive figurative abstraction was a London-based Anglo-American response to Cubism and Futurism. Led by poet Ezra Pound and by artist and writer Wyndham Lewis Vorticism flared up between 1913 and 1918.
Celebrating the 80th birthday of Winfried Fluck, this volume of REAL gathers leading US-American and European literary scholars from English and American Studies to engage some of his classic essays, covering topics that range from the aesthetics of early American literature to the history of our digital present and from the Americanization of literary studies to the search for American democratic culture. Each of the volume's twelve dialogues consists of a republished essay by Fluck and a response by one his interlocutors, written specifically for this occasion. Contributors include field-defining scholars, long-time companions, and colleagues whose intellectual trajectory has been impacted by Fluck's incisive metacriticism and his reception-oriented approach to literary and cultural history. The twelve dialogues reassess debates that have shaped literary studies in the late twentieth century and they inquire into the paradigmatic shifts that are currently reorganizing the field.
In the early decades of the twentieth century, British art was enlivened by a wide variety of imaginative attempts to take painting and sculpture outside the boundaries of the gallery. Some of the works were commissioned by architects as integral parts of new buildings.
Andrew Graham-Dixon unveils the long-kept secret of Britain's rich and vital visual culture.
'The nearest the general run get to art is Action: sex is their form of art: the battle for existence is their picture.' Tarr tells the blackly comic story of the lives and loves of two artists, played out against the backdrop of Paris before the start of the First World War - the English enfant terrible Frederick Tarr, and the middle-aged German Otto Kreisler, a failed painter who finds himself in a widening spiral of militaristic self-destruction. When both become interested in the same two women - Bertha Lunken, a conventional German, and Anastasya Vasek, the ultra-modern international devotee of 'swagger sex' - Wyndham Lewis sets the stage for a scathing satire of national and social pretensions, the fraught relationship between men and women, and the incompatibilities of art and life. In his introduction and notes Scott W. Klein explores Lewis's stylistic experimentation within the context of avant-garde movements in painting, and offers new insights into Tarr as a work of mordent wit and enduringly ferocious irony. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
This title was first published in 2000. Founded in 1914 by Wyndham Lewis and christened by Ezra Pound, the Vorticism movement was a sustained act of aggression against the moribund Victorianism seen as stifling to artistic energies. Inspired by the example of F.T.Marinetti and the Futurists, the Vorticists were nevertheless harshly critical of the Futurists' naive enthusiasm for modernity. They created their own style of geometric abstraction to celebrate the new consciousness of humanity in a mechanized urban environment. But their splintered and discordant style also measured the cost of the psychic disruption that modernity caused. This illustrated guide to the movement covers topics including sculpture, painting, literary Vorticism, women in Vorticism and Vorticist aesthetics.
Includes paintings and sculpture which have shaped the course of art in the 20th century.