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Whether a side-street skirmish or an all-out war, fight scenes bring action to the pages of every kind of fiction. But a poorly done or unbelievable fight scene can ruin a great book in an instant. In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls. • In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. • Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). • Round 3 explores different fighting styles that are appropriate for different situations: How would a character fight from a prone position versus being attacked in the street? What is the vocabulary used to describe these styles? • Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. • In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further. By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.
“For anyone who appreciates superior heroic fantasy, David Gemmell’s offerings are mandatory.”—Time Out London The blood-drenched lands of the Drenai are protected by a man who has been hated and feared as much as he has been loved: the living legend known as Druss, Captain of the Ax. But this is also the land of Skilgannon, a man who is armed with the mythic Swords of Night and Day, and perhaps Druss’s equal on the field of battle. Brought together by a brutal attack, the two lone warriors form an unlikely alliance. But as Druss and Skilgannon face the supernatural threat of the Joinings—monstrous werebeasts with unholy strength and more than animal savagery—respect and trust will grow. Their alliance will become a friendship destined to change both men—and the lands of the Drenai—forever. “[Gemmell’s] fiction has always carried the genuine flair ofthe classic sword and sorcery pieces of the 1930s and ’40s. This installment is no exception.”—Starlog “A multitude of good battle scenes! . . . Readers will be carried along by the nonstop action and heroic characters.”—Booklist
Mira Corpora is the debut novel from acclaimed playwright Jeff Jackson, an inspired, dreamlike adventure by a distinctive new talent.
Explores the representations of violence in colonial Nuevo Mexico as seen in history and fiction literature of the period.
While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.
Can we understand violence not as evidence of cultural rupture but as a form of cultural expression itself? Ten prominent scholars engage this question across geographies as diverse at their theoretical positions, in cases drawn from fieldwork in Indonesia, Cambodia, Mozambique, Rwanda, Sierra Leone, South Africa, South America, Sri Lanka, Spain, and the United States. This research makes clear that within specific cultures, violent acts are expressions of cultural codes imbued with great meaning for both perpetrator and victim. "Unless the perpetrator's view is part of our own understanding," editor Neil L. Whitehead observes, "how to address the sources of violence will escape us." Covering wide-ranging regimes of violence, these essays examine various aspects of state violence, legitimate and illegitimate forms of violence, the impact of anticipatory violence on daily life, and its effects long after the events themselves have passed. In the marginal spaces of global ethnoscapes, violence becomes a form of cultural affirmation and expression in the face of a loss of "tradition" and dislocations of ethnic communities. This book is dedicated to the memory of Begoña Aretxaga.
Recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the nation’s conscience, a writer comparable to Shakespeare or Tolstoy. Gloria Davies’s vivid portrait gives readers a better sense of this influential author by situating the man Mao Zedong hailed as “the sage of modern China” in his turbulent time and place.
Reporting on violence is one of the most problematic features of journalistic practice-the area most frequently criticized by the public and those on the receiving end of that coverage. Now in its second edition, Covering Violence remains a crucial guide for becoming a sensitive and responsible reporter. Discussing such topics as rape and the ethics of interviewing children, the book gives students and journalists a detailed understanding of what is happening "on the scene" of a violent event, including where a reporter can go safely and legally, how to obtain the most useful information, and how best to interview and photograph victims and witnesses. This second edition takes our turbulent postmillennium history into account and emphasizes the consequences of frequent exposure to traumatic events. It offers new chapters on 9/11 and terrorism, the Columbine school shootings, and the photographing of violent events, as well as additional profiles of Vietnamese American, Native American, and African American journalists. More essential than ever, Covering Violence connects journalistic practices to the rapidly expanding body of literature on trauma, post-traumatic stress disorder, and secondary traumatic stress, and pays close attention to current medical and political debates concerning victims' rights.
This may not be a prison, and it may not purgatory, but it's sure as hell not a paradise either...Imagine a place populated by criminals - people plucked from their lives, with their memories altered, who've been granted new identities and a second chance. Welcome to The Blinds, a dusty town in rural Texas populated by misfits who don't know if they've perpetrated a crime or just witnessed one. All they do know is that they opted into the programme and that if they try to leave, they will end up dead.For eight years, Sheriff Calvin Cooper has kept an uneasy peace - but after a suicide and a murder in quick succession, the town's residents revolt. Cooper has his own secrets to protect, so when his new deputy starts digging, he needs to keep one step ahead of her - and the mysterious outsiders who threaten to tear the whole place down. The more he learns, the more the hard truth is revealed: The Blinds is no sleepy hideaway, it's simmering with violence and deception, heartbreak and betrayal, and it's fit to burst.
From USA Today bestselling author Carter Wilson comes a psychological thriller about forgotten strangers, dark pasts, and a secret so big it just might destroy everything. They meet on a plane, but nothing about this situation is coincidental... This flight will take them somewhere they never expected to go Jack Buchannan knows the woman sitting next to him on his business flight to Denver—he just can't figure out how he knows her. Clara Stowe isn't in Jake's line of work and didn't go to college with him. They have nearly nothing in common apart from a deep and shared certainty that they've met before. As their airplane conversation deepens, both struggle to figure out what circumstances could have possibly brought them together. Then, in a revelation that sends Jake reeling, Clara admits she's traveling to the Colorado mountains to kill herself, and she disappears into the crowded airport immediately after landing. Though Clara is gone, Jake is determined to track the girl in the city and figure out their connection. The Dead Girl in 2A is the story of what happens to Jake and Clara after they get off that plane, and the manipulative figure, a two-dimensional man who has brought them together decades after they first met. Intensely creepy, beautifully written, and full of Carter Wilson's signature whom-can-you-trust paranoia, this is a psychological thriller unlike any you've read before. When two strangers discover they're connected in ways they could never have imagined, what ensues is a mind-bending race to the truth. This taut, riveting psychological thriller from the award-winning and bestselling author Carter Wilson will leave you reeling. Named one of the best mysteries and thrillers of 2018, The Dead Girl in 2A is: Perfect for fans of Ruth Ware and AJ Finn For readers who enjoy who-can-you-trust mysteries and psychological thrillers