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A “groundbreaking reinterpretation of the Gospels” that “shines a new light on the profound teachings of Jesus,” recasting him as a spiritual visionary with a radical vision for humanity (Deepak Chopra) This highly original take on the Gospels offers a fresh, new way of imagining human life and society. It presents Jesus not as the founder of a religion but as a world reformer offering a spiritual path to everyone, from every background. It offers a personal spirituality fit for the twenty-first century, where the individual bears responsibility for meaning and for a creative, convivial way of life. In his examination of the original Greek texts, author Thomas Moore dismisses the cautionary voice of tradition and explores the deeper significance of language, stressing the origins of words and the many levels of meaning in stories and imagery. Through his study, Moore shows that the teachings of Jesus are challenging in a far different way than the moralism often associated with them. Based on being open to life, deepening your understanding, and giving up all defensiveness around your convictions, the Gospels can be the source of a new kind of certainty and stability that cannot be codified and enshrined in a list of rules. Writing in the Sand presents the essence of Jesus’ teachings and offers a way of understanding them intelligently and devotedly in the twenty-first century.
The epic story of legendary band Yothu Yindi and 'Treaty', the song that gave voice to a movement WITH INTRODUCTIONS BY YALMAY YUNUPINGU & WITIYANA MARIKA Sometimes a musical revolution can erupt from the most unlikely of places. Long before they were ARIA Hall of Fame inductees, Yothu Yindi were a bunch of Yolngu (Aboriginal people of East Arnhem Land) and balanda (non-Indigenous) mates rocking out in the remote Top End. Soon they were creating some of the coolest new music in the country, splicing traditional sounds with electric, and spreading a message of unity. Then, after singer Mandawuy Yunupiu penned the hit song 'Treaty' with Paul Kelly and Peter Garrett, and a remix dropped in 1991, Yothu Yindi shot out of Arnhem Land and into the hearts of music lovers across Australia and the world. Writing in the Sand, by Yothu Yindi's authorised biographer, Matt Garrick, is the epic story of one of Australia's most original bands and how 'Treaty' gave voice to Indigenous Australia's hard-fought struggle for recognition. Featuring photos from the band's archives never previously published, the book is based on extensive interviews with current and former band members, including mainstays Witiyana Marika, Stu Kellaway and Jodie Cockatoo, as well as family members such as Yalmay Yunupiu, Mandawuy's widow, and collaborators and fellow artists like Garrett, Kelly, Neil Finn, Joy McKean, Bart Willoughby and Andrew Farriss. Funny, poetic, heartfelt and steeped in the sights, smells and unique rhythms of East Arnhem Land, Writing in the Sand is a must-read for anyone who cares about Australian music, and Aboriginal culture and recognition, all of which were brilliantly woven together by one of the most exciting bands of our time.
Examines the original Greek texts of the Gospels to offer an reinterpretation of Jesus' teachings.
Offers a collection of poems, stories, and drawings on war and peace, assembled in response to the war in Iraq but inspired by a variety of conflicts throughout history.
Sixteen-year-old Amy is used to keeping secrets: Mum's illness, her runaway sister, her ex-boyfriend. But she has one secret that can't be kept. Now she has two choices: tell the truth about the abandoned baby left on her doorstep, or keep quiet - for ever.
The San/Bushmen are one of the most studied people in anthropology, subjects of research going back one hundred years, of documentaries, and even of popular movies (The Gods Must Be Crazy). This intriguing new work on the San is a team-based ethnography, collaborative (one of the writers is married to a member of the community), reflexive (the authors become characters in the book themselves), and literary (with poetry, dialogue, interviews, photography, and first person accounts, as well as traditional ethnographic description). In this book, South Africans are studying other South Africans, in a new environment in which many San are no longer hunter gatherers, but are activist and engaged in cultural tourism. It will be an exciting counterpoint to traditional ethnographies and stories about the San people, for anthropologists and Africanists.
Why does poetry appeal to music? Can music be said to communicate, as language does? What, between music and poetry, is it possible to translate? These fundamental questions have remained obstinately difficult, despite the recent burgeoning of word and music studies. Peter Dayan contends that the reasons for this difficulty were worked out with extraordinary rigour and consistency in a French literary tradition, echoed by composers such as Berlioz and Debussy, which stretches from Sand to Derrida. Their writing shows how it is both necessary and futile to look for music in poetry, or for poetry in music.
The romantic and rebellious novelist George Sand, born in 1804 as Amantine Lucile Aurore Dupin, remains one of France’s most infamous and beloved literary figures. Thanks to a peerless translation by Gretchen van Slyke, Martine Reid’s acclaimed biography of Sand is now available in English. Drawing on recent French and English biographies of Sand as well as her novels, plays, autobiographical texts, and correspondence, Reid creates the most complete portrait possible of a writer who was both celebrated and vilified. Reid contextualizes Sand within the literature of the nineteenth century, unfolds the meaning and importance of her chosen pen name, and pays careful attention to Sand’s political, artistic, and scientific expressions and interests. The result is a candid, even-handed, and illuminating representation of a remarkable woman in remarkable times. With its clear, flowing language and impeccable scholarship, this Ernest Montusès Award–winning biography of the author of La Petite Fadette and A Winter in Majorca will be of great interest to those specializing in Sand and nineteenth-century literature—and to readers everywhere.
The lonely life of a writer need not be. There are ways to break that isolation and find encouragement and support within groups of like-minded people. Sections in Writing Alone, Writing Together include Writing Practice Groups, Creating Writing Prompts, Group Leadership, and even What to Do with the Bores, Whiners, Control Junkies, and Thugs. Whether the group is oriented toward writing the great American novel or a family memory book, this useful book offers an array of effective techniques to help writers achieve their goals.
First published a decade ago, A Writer's Book of Days has become the ideal writing coach for thousands of writers. Newly revised, with new prompts, up-to-date Web resources, and more useful information than ever, this invaluable guide offers something for everyone looking to put pen to paper — a treasure trove of practical suggestions, expert advice, and powerful inspiration. Judy Reeves meets you wherever you may be on a given day with: • get-going prompts and exercises • insight into writing blocks • tips and techniques for finding time and creating space • ways to find images and inspiration • advice on working in writing groups • suggestions, quips, and trivia from accomplished practitioners Reeves's holistic approach addresses every aspect of what makes creativity possible (and joyful) — the physical, emotional, and spiritual. And like a smart, empathetic inner mentor, she will help you make every day a writing day.