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Contemporary thought has been profoundly shaped by the early-twentieth-century turn toward synchronic models of explanation, which analyze phenomena as they appear at a single moment, rather than diachronically as they develop through time. But the relationship between time and system remains unexplained by the standard account of this shift. Through a new history of systematic thinking across the humanities and sciences, The Writing of Spirit argues that nineteenth-century historicism wasn’t simply replaced by a more modern synchronic perspective. The structuralist revolution consisted rather in a turn toward time’s absolutely minimal conditions, and thus also toward a new theory of diachrony. Pourciau arrives at this surprising and powerful conclusion through an analysis of language-scientific theories over the course of two centuries, associated with thinkers from Jacob Grimm and Richard Wagner to the Russian Futurists, in domains as disparate as historical linguistics, phonology, acoustics, opera theory, philosophy, poetics, and psychology. The result is a novel contribution to a pressing contemporary question—namely, what role history should play in the interpretation of the present.
With more than 184 Christian writer's groups and 155 conferences, thousands of writers are looking for encouragement and insight. Yet, every Christian who writes faces the same issue: finding daily inspiration and creativity. Designed to be both encouraging and practical, "Writers in the Spirit" guides writers from the novice stage to becoming dedicated authors, something that Carol Rottman achieved when she put aside all other "paying work" to write full time. Included in these pages are insight and practical tips on such topics as: Writing Realism: "Take yet another scroll, and write on it all the former words that were on the first scroll ..." (Jeremiah 36:27). Popular media have romanticized writers' lives to be devoted entirely to making beautiful stories. Writers in the Spirit explains the practical issues that writers face and shows how it is possible to overcome dry spells, endless revisions and even self-doubt. Writing with Fervor: Much of the Apostle Paul's writing was done in prison. Paul's passion to win people to Christ overcame any obstacle. While many new writers feel restrained, Writers in the Spirit shows how to find the passion that fuels the writing process. Writing in the Spirit: "This is what we speak, not words taught by human wisdom, but in words taught by the Spirit ..." (1 Corinthians 2:13). Rottman shows that a personal relationship with God is the best source of inspiration. Mediating on God's word will yield creativity from the Creator. "Many of us are called as witnesses to the life-experiences God has entrusted to us. If your witness takes the form of the written word, this book will go with you as a trusted companion traveling the same path." - Former President Jimmy CarterAuthor, Statesman, and Thirty-ninth President of the United States "'Writers in the Spirit' helps connect me to God while reminding me that writing is a gift from Him and a calling to be both treasured and nurtured."- Sally Stuart, Editor, Christian Writers' Market Guide
Lynn V. Andrews takes the reader with her as she goes on inward journeys with the help of the Sisterhood of the Shields, and relates the stories of others. Join her as she is initiated into the Sisterhood and creates her own shield, which will show her the nature of her spiritual path (Spirit Woman). Follow her to the Yucatan, where the medicine wheel leads her, and she is faced with the terrifying reality of the butterfly tree (Jaguar Woman). Enter the Dreamtime with her, where she emerges in medieval England as Catherine, and encounters the Grandmother, who offers to show Andrews how to make her life one of goodness, power, adventure, and love (The Woman of Wyrrd). Not all these stories describe the author's own spiritual experiences. Meet Sin Corazón, an initiate into the Sisterhood, whose husband abandons her. She nearly succumbs to her inner dark power and unleashes her rage on men and the Sisterhood (Dark Sister). Andrews also writes about the elder women of the Sisterhood: their loves, their lives, their losses (Tree of Dreams). Andrews shows us how to channel our own spiritual and intellectual energy and balance the need for love with the desire for power (Love and Power). She takes the reader on numerous spiritual journeys that inevitably uplift.
This spiritual self-help book is an friendly guide for readers of all faiths seeking a more satisfying and spiritually rich life. Whether you're a seasoned writer or just write an occasional journal entry, Stirring the Waters will enrich your life. With a poet's insight and deft touch, author Janell Moon leads you along a path that helps you to know yourself and thrive spiritually. She provides nine weeks of exercises that will guide you to answer the essential but sometimes impenetrable questions, "Who am I, and what am I doing here?" Moon's innovative methods will encourage you to develop a new perspective. "Streaming," one of the many exercises included in Stirring the Waters, involves brainstorming, even doodling, across the page. Another exercise, "clustering," shows you how to discover the hidden ideas related to a theme. Moon also introduces other unique thought-provoking techniques such as "gazing into the waters" and "dialoguing" to help you develop a wise new spirit. As you read and write you way through the exercises of Stirring the Waters, you will discover a clarified vision of yourself, and find the way to the you you you were meant to be.
"A journalist/novelist debunks many of the myths associated with the creative process and shows how to access our natural perceptions and hidden resources to attain clarity of mind, body and spirit. Includes interviews and examples of 'creators from the spirit'"--Provided by publisher.
Collaborative Spirit-Writing and Performance in Everyday Black Lives is about the interconnectedness between collaboration, spirit, and writing. It is also about a dialogic engagement that draws upon shared lived experiences, hopes, and fears of two Black persons: male/female, straight/gay. This book is structured around a series of textual performances, poems, plays, dialogues, calls and responses, and mediations that serve as claim, ground, warrant, qualifier, rebuttal, and backing in an argument about collaborative spirit-writing for social justice. Each entry provides evidence of encounters of possibility, collated between the authors, for ourselves, for readers, and society from a standpoint of individual and collective struggle. The entries in this Black performance diary are at times independent and interdependent, interspliced and interrogative, interanimating and interstitial. They build arguments about collaboration but always emanate from a place of discontent in a caste system, designed through slavery and maintained until today, that positions Black people in relation to white superiority, terror, and perpetual struggle. With particular emphasis on the confluence of Race, Racism, Antiracism, Black Lives Matter, the Trump administration, and the Coronavirus pandemic, this book will appeal to students and scholars in Race studies, performance studies, and those who practice qualitative methods as a new way of seeking Black social justice.
Writing and the Spirit is a trove of reflections on the attitudes, habits, and practices that lead to inspiration. Learn to: Be Ridiculous, Loathe B.S., Love Like Whitman, Get Free, Pursue Beauty, Become Who You Are, and Behold the Secret of Art. “The themes of Ken Kuhlken’s vignettes kept drawing me in: being humble in writing, being generous with giving yourself away, getting quiet in order to write, and how to create a masterpiece that will change someone’s life.” Philip Yancey, award-winning author of over 20 books, including Where Is God When It Hurts? and What’s So Amazing about Grace? philipyancey.com “Writing and the Spirit is a handbook of writerly wisdom that anyone who hopes to change the world must read. Ken Kuhlken speaks with all the ease of a friend on your couch. An ingenius, multiple-PhD-holding, wise-man sort of friend, in case you have one of those. The pages are rich with observations from the world about us, writers in history and his own experience (failures and triumphs). He examines the (inner and outer) confrontations all writers must engage with in order to produce meaningful work. Among them are the nature of inspiration, imagination, and how not to be a hack. He also covers the downright nitty-gritty of the thing – the practical conditions that we all strive for and against in order to produce our art."Anastasia Campos, writer and photographer. anastasiacampos.com
Collaborative Spirit-Writing and Performance in Everyday Black Lives is about the interconnectedness between collaboration, spirit, and writing. It is also about a dialogic engagement that draws upon shared lived experiences, hopes, and fears of two Black persons: male/female, straight/gay. This book is structured around a series of textual performances, poems, plays, dialogues, calls and responses, and mediations that serve as claim, ground, warrant, qualifier, rebuttal, and backing in an argument about collaborative spirit-writing for social justice. Each entry provides evidence of encounters of possibility, collated between the authors, for ourselves, for readers, and society from a standpoint of individual and collective struggle. The entries in this Black performance diary are at times independent and interdependent, interspliced and interrogative, interanimating and interstitial. They build arguments about collaboration but always emanate from a place of discontent in a caste system, designed through slavery and maintained until today, that positions Black people in relation to white superiority, terror, and perpetual struggle. With particular emphasis on the confluence of Race, Racism, Antiracism, Black Lives Matter, the Trump administration, and the Coronavirus pandemic, this book will appeal to students and scholars in Race studies, performance studies, and those who practice qualitative methods as a new way of seeking Black social justice.
Reproduction of the original.