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Do you want to write fiction, but don’t understand how to begin the process? Are you intimidated by ‘real writers’ who already have books on the market? No matter what experience you have (or lack), Write the Perfect Read will take you through each step of story creation and break it down into easy-to-understand instructions with fun examples from both the book and the film industries. Are you ready to take the next step in your career and write a novel? This comprehensive, succinct guide to writing fiction will teach you to employ the two triangles of writing in less than two hours. In this book you will learn: -How to create a compelling and relatable character -The foolproof formula for plot -Never to underestimate the power of setting -What writers are made of and how they can improve their skills and methods -How to fully engage the reader based on brain science, product expectations, and emotional connection -How to navigate through the intimidating world of book services (developmental editing, copyediting, proofreading, and formatting) -The options you have for publishing, and the pros and cons of each type It’s time to write the book that’s been in your heart. Download a sample or purchase your copy now and get writing.
Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."
When you Read Like a Writer (RLW) you work to identify some of the choices the author made so that you can better understand how such choices might arise in your own writing. The idea is to carefully examine the things you read, looking at the writerly techniques in the text in order to decide if you might want to adopt similar (or the same) techniques in your writing. You are reading to learn about writing. Instead of reading for content or to better understand the ideas in the writing (which you will automatically do to some degree anyway), you are trying to understand how the piece of writing was put together by the author and what you can learn about writing by reading a particular text. As you read in this way, you think about how the choices the author made and the techniques that he/she used are influencing your own responses as a reader. What is it about the way this text is written that makes you feel and respond the way you do?
Capture the minds, hearts, and imaginations of 21st century readers! Whether you're a commercial storyteller or a literary novelist, whether your goal is to write a best-selling novel or captivate readers with a satisfying, beautifully written story, the key to success is the same: high-impact fiction. Writing 21st Century Fiction will help you write a novel for today's readers and market, filled with rich characters, compelling plots, and resonant themes. Author and literary agent Donald Maass shows you how to: • Create fiction that transcends genre, conjures characters who look and feel more "real" than real people, and shows readers the work around them in new ways. • Infuse every page with an electric current of emotional appeal and micro-tension. • Harness the power of parallels, symbols, metaphors, and more to illuminate your novel in a lasting way. • Develop a personalized method of writing that works for you. With an arsenal of thought-provoking prompts and questions, plus plenty of examples from best-selling titles, Writing 21st Century Fiction will strip away your preconceived notions about writing in today's world and give you the essential tools you need to create fiction that will leave both readers and critics in awe.
In a village, surrounded by mountains, forest and a river, humans survived by following a simple rule: WORK AT NIGHT. SLEEP AT DAY. NEVER STEP OUT IN THE SUNLIGHT. IF YOU DO, YOU'LL DIE! 23 years ago, the villagers tried to kill Maverick when he was a baby. Maverick's mother sacrificed herself so that her son could live. Now, after twenty three years, Maverick Ciekawy is 'dead'. In Tenebro, under the rule of Jurisbard Huubrihaught, children were admitted in the hospitals for treatment, people who crossed forty years lost their memories, senior citizens were forcefully admitted in the Asylum and most importantly, no one is allowed to go out during the day. A year ago, before Maverick Ciekawy ‘died’ he experienced five strange dreams. When Maverick believed his dreams could help the people of Tenebro, he ‘died’. Half the population of Tenebro believes Maverick Ciekawy is still alive and his final words were true. But the other half still supports their elderly chief, Jurisbard Huubrihaught. You might be wondering.. Why humans should never step out in sunlight? Why the villagers tried to kill Maverick when he was a baby? Why Maverick 'died' after 23 years? What were Maverick's final words? Is Maverick Ciekawy still alive? Welcome to the first book in the EA-R-TH trilogy. Pull up your hoodie, light a fire torch, step into the cold nights of Tenebro and say bye-bye to the 21st century. Get into an epic story where you must decide WHO'S THE HERO, WHO'S THE VILLAIN!
What makes a good story or a screenplay great? The vast majority of writers begin the storytelling process with only a partial understanding where to begin. Some labor their entire lives without ever learning that successful stories are as dependent upon good engineering as they are artistry. But the truth is, unless you are master of the form, function and criteria of successful storytelling, sitting down and pounding out a first draft without planning is an ineffective way to begin. Story Engineering starts with the criteria and the architecture of storytelling, the engineering and design of a story--and uses it as the basis for narrative. The greatest potential of any story is found in the way six specific aspects of storytelling combine and empower each other on the page. When rendered artfully, they become a sum in excess of their parts. You'll learn to wrap your head around the big pictures of storytelling at a professional level through a new approach that shows how to combine these six core competencies which include: • Four elemental competencies of concept, character, theme, and story structure (plot) • Two executional competencies of scene construction and writing voice The true magic of storytelling happens when these six core competencies work together in perfect harmony. And the best part? Anyone can do it!
“[Eisenberg] reminds us in every line of certain saving virtues: wit, wild intelligence, great heart, the beauty of the inquiring human voice. If our culture can produce a writer this wonderful, there must be something beautiful about us yet.” — George Saunders Instead of forcing her characters’ stories into neat, arbitrary, preordained shapes, [Eisenberg] allows them to grow organically into oddly shaped, asymmetrical narratives—narratives that possess all the surprising twists and dismaying turns of real life.” — New York Times “Deborah Eisenberg, one of America’s finest writers, offers new ways of seeing and feeling, as if something were being perfected at the core.” — San Francisco Chronicle “Reading [Eisenberg] makes you wish, as you study the family in front of you in the grocery line, that you could see their thoughts rendered as one of Eisenberg’s stunning inner monologues.” — Los Angeles Times “...[S]uperlative and entertaining...Eisenberg is funny, grim, biting, and wise, but always with a light touch and always in the service of worlds that extend far beyond the page. A virtuoso at rendering the flickering gestures by which people simultaneously hide and reveal themselves, Eisenberg is an undisputed master of the short story.” — Publishers Weekly (starred review) “[Eisenberg] is always worth the wait...so instantly absorbing that it feels like an abduction...This book offers no palliatives to its characters or to its readers — no plan of action. But it is a compass.” — The New York Times “Eisenberg is a gorgeous writer...I thank my stars that there’s a writer in the increasingly imperiled world as smart and funny and blazingly moral and devastatingly sidelong as she is.” — New York Times Book Review “Every character is memorable, every situation seizes our attention, and not a single word is out of place...It’s my fervent hope...that someday we’ll have the opportunity to look back on the many more stories that Deborah Eisenberg has yet to write.” — Financial Times
There is one sure-fire way of improving your novel "fast." . . You may know the fundamentals of how to write fiction. You may be more than competent in plot, structure and characters. But if your dialogue is dull it will drag the whole story down. On the other hand, if your dialogue is crisp and full of tension it "immediately" grabs the reader. And if that reader is an agent or editor, sharp dialogue will give them instant assurance that you know what you're doing as a writer. Writing a bestseller or hot screenplay is no easy task, but dazzling dialogue is an absolute essential if you want to get there. The best part is, the skills of the dialogue craft are easy to understand and put into practice. #1 bestselling writing coach James Scott Bell has put together and expanded upon the dialogue lectures from his popular writing seminars. In "How to Write Dazzling Dialogue" you'll learn: What fictional dialogue is ... and isn't The 11 secrets of crafting memorable dialogue The 5 essential tasks of dialogue 5 ways to improve your dialogue ear 4 can't-miss methods to increase conflict and tension in any dialogue exchange The top 10 dialogue issues, and how to resolve them You'll also see dazzling dialogue in action with examples from hit novels and screenplays. Don't sabotage your chances of selling your work to readers or publishers because the dialogue is unexceptional. Dazzle them with what the characters say. "How to Write Dazzling Dialogue" will give you the tools to do it.
After two years of taking care of her heartbroken father, Evie needs a new start. Leaving the States and following her sister to Australia to work as the personal assistant of rugby star Xavier - The Beast - Stevens seems like the right kind of distraction.Tall, muscled and devilishly handsome, Xavier is the lov' em and leav' em kind of guy. He never forgets a girl's name because he never bothers to remember it in the first place.Evie soon realizes that being Xavier's assistant is a 24/7 job; the man seems unwilling to even set an alarm for himself.As she watches him move from one woman to the next, Evie is glad that her heart is safe from his attention. After all, she's a far cry from the size zero models he usually takes to his bed.But soon being around Xavier doesn't feel like a job, and seeing him walk around his apartment half naked all the time isn't helping either. Evie knows that giving in to her attraction will lead to heartbreak, but when Xavier starts treating her as more than just his assistant, resisting his charms seems like an impossible task.
Everyone knows Sam Krupnik. He's Anastasia's pesty but lovable younger brother. This is Sam's big chance to tell things exactly the way he sees them. He has his own ideas about haircuts, nursery school, getting shots, and not eating broccoli. Sam thinks a lot about being bigger and stronger, about secret codes and show-and-tell. Make way for your little brother, Anastasia. Here for the first time is Sam Krupnik's life story. What a life!