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Want to write like an elf, but not learn a language? Then this book is for you! Welcome to General Use Tengwar, a mode Tolkien developed for using his Elven letters to write English. He used it to write the text on the title page of The Lord of the Rings, Christmas greetings to friends, and even secret messages to his fans. This isn't just a book telling you what each symbol stands for; it teaches you to form them correctly and to be able to read what you've written. Furthermore, you'll be learning tengwar not as though it is a code, but like a real-world writing system. The text even describes how to format documents. Whether you're putting a powerful Elvish inscription on your magnificent sword or writing secret notes in class, this book will show you the way!
Enchanted with Elvish? This is Neo-Sindarin, the language as it has flourished on the Internet using Tolkien's creation as a roadmap. This book functions as a friendly introduction to the Neo-Sindarin community. Included is the most current information available to fans. Within explore Neo-Sindarin academics, learn simple linguistic concepts, practice useful phrases while studying grammar, and look at the world through Elven eyes: from how they count on their fingers to how they organize the cosmos. Govano ven! (Join us!)
A serious linguistic analysis of Tolkien's Sindarin language. Includes the grammar, morphology, and history of the language.
Want to write like a Dwarf, but not learn a language? Then this book is for you! Welcome to Angerthas Erebor, a version of the Elven runic script Cirth that J. R. R. Tolkien developed for writing English. This is the script he used on the title page of The Lord of the Rings, a Christmas greeting to his friend, and his reproduction of pages from the book of Mazarbul. This book takes you beyond the brief description in the back of The Lord of the Rings, using texts that Tolkien wrote in Cirth to get a more complete picture of the runes as the Dwarves used them. Many of these texts weren't published until after his death. Today we're able to draw on more research and data than ever before! This isn't just a book telling you what each symbol stands for; it teaches you to form them correctly and to be able to read what you've written. Furthermore, you'll be learning Cirth not as though it is a code, but like a real-world writing system. You'll even learn how to format documents. Whether you're putting a powerful Dwarvish spell on your battle axe or passing a nerdy note to your best friend, this book will show you the way!
This is a comprehensive resource of Sindarin, bringing together every attested word from a large number of sources into both Sindarin-English and English-Sindarin formats. This dictionary also includes well marked reconstructions.
The Writing of Middle Earth will introduce you to the fascinating Hobbit and dwarfish runes and to the mysterious Tengwar script of the elves of JRR Tolkien's Middle Earth. You will learn how to decipher inscriptions on Thror's Map, Durin's Door and the One Ring and how to write your own name in Elvish letters. The history, construction, and usage of these characters will be described as well as how to use these scripts and fonts on your computer. There is also a quiz to challenge you.
Here is the book Merlin could have given a young Arthur . . . if only it had existed. Out of the millions of Harry Potter fans worldwide, there are tens of thousands who want to really do the magical things J.K. Rowling writes about. But would-be wizards must rely on information passed down from wizard elders. Is there a Hogwarts anywhere in the real world? A real Albus Dumbledore? Where is the book these aspiring wizards need? Luckily for all those fans, Oberon Zell-Ravenheart, today’s foremost genuine wizard, has written the essential handbook. What’s more, he has gathered some of the greatest names in Wicca—including Ellen Evert Hopman, Raymond Buckland, Raven Grimassi, Patricia Telesco, Jesse Wolf Hardin, Morning Glory Zell-Ravenheart, and many more into a modern-day “Grey Council” to publish for the first time everything an aspiring wizard needs to know. Lurking within the pages of Grimoire for the Apperntice Wizard are: Biographies of famous wizards of history and legend Detailed descriptions of magickal tools and regalia (with full instructions for making them) Rites and rituals for special occasions A bestiary of mythical creatures The Laws of Magick Myths and stories of gods and heroes Lore and legends of the stars and constellations Instruction for performing amazing illusions, special effects, and many other wonders of the magical multiverse Praise forGrimoire for the Apprentice Wizard “I can’t think of a better, more qualified person to write a Handbook for Apprentice Wizards. Oberon is a Wizard.” —Raymond Bucklland, author of Buckland’s Complete Book of Witchcraft “Oberon is not only extremely learned in the magickal arts but he communicates that knowledge with wit and charm.” —Fiona Horne, author of Witch: A Magickal Journey and star of Mad, Mad, Mad House
Demystify and appreciate the pleasures of poetry Sometimes it seems like there are as many definitions of poetry as there are poems. Coleridge defined poetry as “the best words in the best order.” St. Augustine called it “the Devil’s wine.” For Shelley, poetry was “the record of the best and happiest moments of the happiest and best minds.” But no matter how you define it, poetry has exercised a hold upon the hearts and minds of people for more than five millennia. That’s because for the attentive reader, poetry has the power to send chills shooting down the spine and lightning bolts flashing in the brain — to throw open the doors of perception and hone our sensibilities to a scalpel’s edge. Poetry For Dummies is a great guide to reading and writing poems, not only for beginners, but for anyone interested in verse. From Homer to Basho, Chaucer to Rumi, Shelley to Ginsberg, it introduces you to poetry’s greatest practitioners. It arms you with the tools you need to understand and appreciate poetry in all its forms, and to explore your own talent as a poet. Discover how to: Understand poetic language and forms Interpret poems Get a handle on poetry through the ages Find poetry readings near you Write your own poems Shop your work around to publishers Don’t know the difference between an iamb and a trochee? Worry not, this friendly guide demystifies the jargon, and it covers a lot more ground besides, including: Understanding subject, tone, narrative; and poetic language Mastering the three steps to interpretation Facing the challenges of older poetry Exploring 5,000 years of verse, from Mesopotamia to the global village Writing open-form poetry Working with traditional forms of verse Writing exercises for aspiring poets Getting published From Sappho to Clark Coolidge, and just about everyone in between, Poetry For Dummies puts you in touch with the greats of modern and ancient poetry. Need guidance on composing a ghazal, a tanka, a sestina, or a psalm? This is the book for you.
This is an edition of J. R. R. Tolkien's charts and notes from circa 1931 dealing with the earliest version of the script of the conceptual type he would later call "Fëanorian Tengwar" and eventually include in "The Lord of the Rings." It contains 40 documents in which Tolkien's examples of the scripts are reproduced in facsimile. The documents include different versions of his explanation of the use of the script for representing English, both phonetically and also according to English spelling. These have charts of the theoretical values of the sounds represented by the letters, and various English words and texts written in the scripts. There are also various specimen texts written by Tolkien exemplifying some conceptual changes in the assignment of phonetic values to particular letters and a great variety of different styles of writing, ranging from formal "book-hand" to rapidly written cursive. Most of these examples are in English, but there are also texts in Latin, Old English and Old High German. Transcriptions of the examples and editorial commentary on the dating and historical background are provided by the editor, Arden R. Smith. This is issue number 20 of the journal "Parma Eldalamberon."