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Gucumatz, divine Heart of Heaven, Father and Mother of all There Is, conceived the pristine forest as den for animals large and small, but He never pledged it as dwelling for men because, for humans, the jungle is hell itself. Nevertheless, instigated by greediness, men invade its enclosure and unfailingly stumble into a collective madness that binds them to its roots, preventing their escape before their time is due. Inhabiting the jungle men turn into beasts that despise kindness and relinquish all virtues as they submit to wickedness. How can integrity be preserved living in hell? For the jungle is Xibalbá, the dwelling of demons. What do men look for in Xibalbá that, to live there, they are willing to lose not only their lives, but also their souls? Absolution, perhaps, because regardless of their origin, removing the mask of greediness they wear over their feelings, they reveal to be fugitives of their own consciences that arrive in Xibalbá to atone remorse, or expiate guilt, and for that they come from different and distant localities.
The E.T. Chronicles grapples with the big questions such as Who are we? Where do we come from? Why are we here? through a careful reading of world mythology. The authors organize these ancient stories into a chronology that starts with in the beginning and ends with the advent of civilization in an effort to discover the true story of human origins. The book brings together myths from many cultures including the Sumerians, the Greeks, the Maya and the Aborigines of Australia. Current scientific discoveries are then placed side-by-side with these early worldviews. Among the topics covered are creation myths, gods and goddesses, heaven, the gods and their toys (space ships or chariots?), and the quest for immortality. Could it be that those ancient stories of the gods were more than the product of someone's fanciful imagination? Is it possible that the writers, chroniclers, and scribes of our distant past actually record an accurate view of our origin?
The Encyclopedia of Prehistory represents temporal dimension. Major traditions are an attempt to provide basic information also defined by a somewhat different set of on all archaeologically known cultures, sociocultural characteristics than are eth covering the entire globe and the entire nological cultures. Major traditions are prehistory of humankind. It is designed as defined based on common subsistence a tool to assist in doing comparative practices, sociopolitical organization, and research on the peoples of the past. Most material industries, but language, ideology, of the entries are written by the world's and kinship ties play little or no part in foremost experts on the particular areas their definition because they are virtually and time periods. unrecoverable from archaeological con The Encyclopedia is organized accord texts. In contrast, language, ideology, and ing to major traditions. A major tradition kinship ties are central to defining ethno is defined as a group of populations sharing logical cultures. similar subsistence practices, technology, There are three types of entries in the and forms of sociopolitical organization, Encyclopedia: the major tradition entry, which are spatially contiguous over a rela the regional subtradition entry, and the tively large area and which endure tempo site entry. Each contains different types of rally for a relatively long period. Minimal information, and each is intended to be areal coverage for a major tradition can used in a different way.
First published by Dent in 1952, revised in 1961.
This highly informative tour of a lost civilization discusses Mayan history and culture and focuses on seven sites that exemplify the Mayan tradition of using public places to record their history and belief system. Maps, drawings & photos.
A trans boy determined to prove his gender to his traditional Latinx family summons a ghost who refuses to leave in Aiden Thomas's New York Times-bestselling paranormal YA debut Cemetery Boys, described by Entertainment Weekly as "groundbreaking." Yadriel has summoned a ghost, and now he can't get rid of him. When his traditional Latinx family has problems accepting his true gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free. However, the ghost he summons is actually Julian Diaz, the school's resident bad boy, and Julian is not about to go quietly into death. He's determined to find out what happened and tie off some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave. Praise for Cemetery Boys: Longlisted for the National Book Award "The novel perfectly balances the vibrant, energetic Latinx culture while delving into heavy topics like LGBTQ+ acceptance, deportation, colonization, and racism within authoritative establishments." —TeenVogue.com "This stunning debut novel from Thomas is detailed, heart-rending, and immensely romantic. I was bawling by the end of it, but not from sadness: I just felt so incredibly happy that this queer Latinx adventure will get to be read by other kids. Cemetery Boys is necessary: for trans kids, for queer kids, for those in the Latinx community who need to see themselves on the page. Don’t miss this book." —Mark Oshiro, author of Anger is a Gift
The heavens and hells of the world’s religions and the “far, far away” legends cannot be seen or visited, but they remain an integral part of culture and history. This encyclopedia catalogs more than 800 imaginary and mythological lands from all over the world, including fairy realms, settings from Arthurian lore, and kingdoms found in fairy tales and political and philosophical works, including Sir Thomas More’s Utopia and Plato’s Atlantis. From al A’raf, the limbo of Islam, to Zulal, one of the many streams that run through Paradise, entries give the literary origin of each site, explain its cultural context, and describe its topical features, listing variations on names when applicable. Cross-referenced for ease of use, this compendium will prove useful to scholars, researchers or anyone wishing to tour the unseen landscapes of myth and legend.
Upon first consideration, sport and art seem to occupy separate, even opposing, realms--sport, associated with physical prowess, and art, with the highest reaches of the human mind. But because sport is such a powerful metaphor for so many human experiences, it has found its way into artistic traditions all over the world. Part One of this book provides a basic understanding of sport as symbol. Part Two gives attention to animals as adversaries and traces the origins of sporting art back to the hunt. Part Three considers humans competing against humans in combat sports, ball games, stick-and-ball games, and racquet sports, as well as in warfare. Part Four concentrates on contesting with oneself in races and sports of grace and beauty such as gymnastics, figure skating and ice dancing. The book concludes with a discussion of the athlete's relationships to society.