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Since 1977, Marino, a former Benedictine monk, has been studying the Shroud of Turin, believed by many to the burial cloth of Jesus. Breezy and entertaining, yet powerful in its scope, this text recounts strange, humorous, and, at times, mystical events surrounding Marino's research, and even includes a tragic-but-touching love story.
The keystone of Christianity is Jesus’s physical, bodily resurrection. Present-day scholars can be significantly challenged as they forage through voluminous documents on the resurrection of Jesus. The literature measures well over seven thousand sources in English-language books alone. This makes finding specific sources that are most relevant for specific scholarly purposes an arduous task. Even when a specific book is relevant, finding the parts of the book that are most relevant to the resurrection rather than other topics often requires additional effort. A Thematic Access-Oriented Bibliography of Jesus’s Resurrection addresses these challenges in several ways. First, the bibliography organizes more than seven thousand English sources into twelve main categories and then thirty-four subcategories, which are designed to help you find the most relevant literature quickly and efficiently. Embedded are pro and con arguments which support efficient access through brief annotations and then annotate the diversity and complexity of the field of religion by including sources that represent a diverse range of views: theistic (e.g., Christian, Jewish, Muslim, etc.), agnostic, and nontheistic. The objective of this bibliography is to provide convenient access to relevant sources from a variety of perspectives, allowing you to browse or find the one source accurately and with ease.
Originally published in 2002, this text recounts groundbreaking research on the controversial Shroud of Turin, believed by many to be the actual burial cloth of Jesus. It reveals yet another revelation of monumental proportions--irrefutable evidence of how the etheric image of Jesus got on the cloth and what it means to humankind. This evidence includes actual images from the quantum body, or what many call the "soul." 268 pp.
With an Edwardian twist on The Tempest, and surprising, earthy, and magical qualities, this irresistible novel is set on the remote, divided Scottish island of Kissack and Skilling, one half of which looks historically and geographically towards Catholic Ireland, the other toward the Protestant north and Scandinavia. In the spring of 1903 a ship explodes as it docks on the island, drowning many of the passengers and crew in the icy waters of Stolnsay harbor. Young, strawberry-blonde-haired Billie Paxton is among the only survivors. Clumsy, illiterate, and suddenly alone, Billie will not say why, before the explosion, she jumped from ship to shore, and so falls under the immediate suspicion of her fellow passenger, Murdo Hesketh, and his cousin and employer, Lord Hallowhulme, who owns the island—and has controversial plans for improving the lives of its inhabitants. Gloriously inventive and vividly atmospheric, Billie’s Kiss conjures up a way of life hurtling toward a brave new world in an enchanting novel that brings together murder and eugenics, progress, prejudice, and the loss of innocence.
This book reveals numerous questionable actions, errors and contradictions by both the Catholic Church and the C-14 labs that performed the test, before, during, and after the taking of the sample on April 21, 1988.
Anne Rice, creator of the Vampire Lestat, the Mayfair witches and the amazing worlds they inhabit, now gives us the first in a new series of novels linked together by the fledgling vampire David Talbot, who has set out to become a chronicler of his fellow Undead. The novel opens in present-day Paris in a crowded café, where David meets Pandora. She is two thousand years old, a Child of the Millennia, the first vampire ever made by the great Marius. David persuades her to tell the story of her life. Pandora begins, reluctantly at first and then with increasing passion, to recount her mesmerizing tale, which takes us through the ages, from Imperial Rome to eighteenth-century France to twentieth-century Paris and New Orleans. She carries us back to her mortal girlhood in the world of Caesar Augustus, a world chronicled by Ovid and Petronius. This is where Pandora meets and falls in love with the handsome, charismatic, lighthearted, still-mortal Marius. This is the Rome she is forced to flee in fear of assassination by conspirators plotting to take over the city. And we follow her to the exotic port of Antioch, where she is destined to be reunited with Marius, now immortal and haunted by his vampire nature, who will bestow on her the Dark Gift as they set out on the fraught and fantastic adventure of their two turbulent centuries together. Look for Anne Rice’s new book, Prince Lestat and the Realms of Atlantis, coming November 29, 2016.
Just in time for Charles Darwin's 200th birthday and the 150th anniversary of the publication of "On the Origin of Species," Meyer tells the story of his restless childhood, unrequited teenage love, and a passion for studying nature that was so great, Darwin would sacrifice everything to pursue it.
It is Paris, 1815. An extraordinarily shaped South African girl known as the Hottentot Venus, dressed only in feathers and beads, swings from a crystal chandelier in the duchess of Berry’s ballroom. Below her, the audience shouts insults and pornographic obscenities. Among these spectators is Napoleon’s physician and the most famous naturalist in Europe, the Baron George Cuvier, whose encounter with her will inspire a theory of race that will change European science forever. Evoking the grand tradition of such “monster” tales as Frankenstein and The Hunchback of Notre Dame, Barbara Chase Riboud, prize-winning author of the classic Sally Hemings, again gives voice to an “invisible” of history. In this powerful saga, Sarah Baartman, for more than 200 years known only as the mysterious lady in the glass cage, comes vividly and unforgettably to life.
The Shroud at the Court analyses, through various essays characterized by a multidisciplinary and diachronic perspective, the strict ties created between the Shroud and the Savoy court from the fifteenth to twentieth centuries. Presented as proof of the divine legitimacy of Savoy lineage, the Shroud (of which the Savoy dynasty came into possession in 1453, keeping it first in Chambéry and then from 1578 in Turin) was central to their propagandistic strategies. The court – its spaces, protagonists, and rituals – became the natural setting for a relationship reinforced over time through customs, ceremonies, and images intended to celebrate the excellence of the Savoy, both within their own state and in Europe’s “society of princes”. Contributors are Paola Caretta, Paolo Cornaglia, Paolo Cozzo, Davide De Franco, Bernard Dompnier, Laura Gaffuri, Pierangelo Gentile, Luisella Giachino, Andrea Merlotti, Frédéric Meyer, Andrea Nicolotti, Almudena Pérez de Tudela, Laurent Ripart, Alessandro Serra and Franca Varallo.
The Turin Shroud is the most important and studied relic in the world. Many papers on it have recently appeared in important scientific journals. Scientific studies on the relic until today have failed to provide conclusive answers about the identity of the enveloped man and the dynamics regarding the image formation impressed therein. This book not only addresses these issues in a scientific and objective manner but also leads the reader through new search paths. It summarizes the results in a simple manner for the reader to comprehend easily. Many books on the theme have been already published, but none of them contains such a large quantity of scientific news and reports. The most important of them is the following: The result of the 1988 radiocarbon dating is statistically wrong, and three new dating methods demonstrate that the Shroud has an age compatible with the epoch in which Jesus Christ lived in Palestine. A numismatic analysis performed on Byzantine gold coins confirms this result. This book is, therefore, very important with respect to the Turin Shroud.