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From the Middle Ages, tapestries with figurative or other ornament were used by royalty and aristocrats to furnish their palaces and houses. While often observed as two dimensional art, they are three dimensional structures requiring specialist skill to maintain and conserve them. Since the vast majority of tapestries are on open display in historic interiors they pose particular conservation and interpretation challenges.00This publication aims to help conservators carry out assessments in order to arrive at appropriate options for treatment by focussing on: the techniques of tapestry manufacture; agents of deterioration, and current practice of methods of cleaning, methods of support and repair.
Jean Pierre Larochette is a renowned top-level artist, making this opportunity to learn from him a treasure for all levels of weavers.
Discusses the basic equipment, materials, and techniques of tapestry weaving and provides step-by-step guidance on weaving a variety of tapestries
Tapestries were among the most prestigious of art forms, created for the mightiest in the land and valued for centuries. Despite its illustrious history, tapestry weaving is actually a simple technique that requires little equipment or expenditure, and can be done anywhere. Written by a prominent tapestry weaver, this lavishly illustrated book gently leads you through the whole process with detailed diagrams and exciting work by contemporary weavers. It will be useful to the absolute beginner, but experienced weavers will also find new ideas and techniques to tempt and inspire them. The book includes a step-by-step guide to setting up a small frame loom and starting to weave; basic and more advanced techniques, and how to create shapes and textures; advice on taking your work into the third dimension, whether bas relief or fully sculptural; information on the qualities of different materials and how they can be used to create the effects you want; and design ideas for tapestry and how to follow supplied designs. This will be an essential source book for experienced and novice weavers, and is beautifully illustrated with 190 colour illustrations and diagrams.
If you believe there are no coincidences in life and we are on a destined path, then this book will attest to that perception. The story of Luz is where this journey begins. It is a powerful example of strength, of will to push through one’s fears, and of raw determination to survive. The lessons and examples of having the courage not only to survive but to ultimately thrive through some of life’s hardships eventually became the threads of knowledge that were passed on to Marianna. Marianna enters her life’s story only to be abandoned by her mother at the age of three months, her mother who was too young and unwilling to do “what it takes” to care for the children she brought into the world. Whether by “destiny” or by “coincidence,” this child is left with Luz, who had also survived her own tragedy of being left and abandoned after her parents had been killed. Luz would become a grounding force and guiding light in Marianna’s life. Marianna spends a lifetime behind the facade of pretending, showing people she was happy and willing to do most anything to show the world how well-adjusted she was. Marianna’s journey to discover she was accepted and good enough unfolds in a way that she is able to gain insight into life—her life—thus passing along her own threads of knowledge to her children and generations to come for more of the tapestry to be woven.
Projects: Sun sampler -- Peruvian birds -- Cat and fishes -- Simple landscape -- Cover design -- Tulip -- The parrot gets the last word -- Little owl -- Sleeping dog -- Sleeping cat -- Bird.
An unprecedented study that reveals tapestry's role as a modernist medium and a model for the movement's discourse on both sides of the Atlantic in the decades following World War II
Once ideas and images come to mind, the next step in weaving your tapestry--interpreting these into effective compositions--may be challenging. Learn here, in ways that relate specifically to tapestry art, the design basics you need to make your best work. Renowned master weaver Scanlin offers 60 step-by-step "explorations" that lead you from understanding design concepts in your head to using them on your loom. Be inspired to explore "weavable" ways to manage line, shape, color, texture, emphasis, balance, rhythm, and more for results that bring your tapestries to a new level. In Part 1, dive into the fundamentals of design. Parts 2 and 3 hold explorations--exercises with a tapestry twist. Part 4 teaches ways to turn designs into cartoons. A resource treasure trove offers ideas for finishing tapestries (essential to the design's completeness), helpful templates, glossaries, and other core information to carry forward on your creative path.
Tapestry: A Woven Narrative initially focuses on European tapestry and features significant historical images derived from extensive international tapestry collections. The book addresses the developing status of historical factory houses, the differing roles of tapestry artists and manufacturers, discusses how these roles have changed over time and looks in further detail at the socio-historical context of the featured works. The book also looks in detail at the current tapestry scene, beginning in earnest with the textile work of Henry Moore 20 years ago. Now, established artists across the globe, significantly in North America, Australia and New Zealand, have begun appropriating the medium to present their work and ideas in a previously unexplored fashion, creating a fascinating juxtaposition between the socio-cultural documentation of many historical works and the more abstract, modern and personal themes often dealt with in tapestries today. The book includes works from notable modern artists such as Annika Ekdahl, Chuck Close, Fred Tomaselli, Grayson Perry, Francesca Lowe, Jaime Gili, Henry Moore, KB Kitaj and Kara Walker. Tapestry: A Woven Narrative also discusses the practical aspects of tapestry production, taking in both historical methods and those employed by the few specialist tapestry houses flourishing in the world.