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"Published with a grant from the James H. W. Thompson Foundation"--T.p. verso.
The present volume contains twelve chapters authored by specialists of Asian, African and European manuscript cultures reflecting on the cohesion of written artefacts, particularly manuscripts. Assuming that ‘codicological units’ exist in every manuscript culture and that they are usually composed of discrete elements (such as clay tablets, papyrus sheets, bamboo slips, parchment bifolios, palm leaves), the issue of the cohesion of the constituents is a general one. The volume presents a series of case studies on devices and strategies adopted to achieve this cohesion by manuscript cultures distant in space (from China to West Africa) and time (from the third millennium bce to the present). This comparative view provides the frame for the understanding of a phenomenon that appears to be of essential importance for the study of the structure of written artefacts. Regardless of the way in which cohesion is realised, all strategies and devices that allow the constituents to be kept together are subsumed under the term ‘binding’. Thus, it is possible to highlight similarities, convergences, and unique physical and technical methods adopted by various manuscript cultures to face a common challenge.
A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.
Recent changes in Burma/Myanmar have been called the "Burmese democratic spring." While the international media have mainly focused on the economic opportunities offered by these changes and on the doings and sayings of Aung San Suu Kyi, the reality is far more complex. The country is desperately poor, divided by ethnic and religious rivalries and continues to suffer from some of the world's most intractable military conflicts while powerful elite factions oppose reform. Where, then, is the country heading? What are the key challenges it will face? Who are likely to be the key players in the unfolding events? With contributions on topics like the political situation, international relations, ethnic and religious rivalries, and the economy, long-time observers of the situation offer insights and analysis that address these issues.
Gives an account of Burma's pro-democracy movement and Aung San Suu Kyi's prominent leadership role
Buddhist temples in Southeast Asia are centers for the preservation of local artistic traditions. Chief among these are manuscripts, a vital source for our understanding of Buddhist ideas and practices in the region. They are also a beautiful art form, too little understood in the West. The British Library has one of the richest collections of Southeast Asian manuscripts, principally from Thailand and Burma, anywhere in the world. It includes finely painted copies of Buddhist scriptures, literary works, historical narratives, and works on traditional medicine, law, cosmology, and fortune-telling. Buddhism Illuminated includes over one hundred examples of Buddhist art from the Library’s collection, relating each manuscript to Theravada tradition and beliefs, and introducing the historical, artistic, and religious contexts of their production. It is the first book in English to showcase the beauty and variety of Buddhist manuscript art and reproduces many works that have never before been photographed.
While the image of modern Myanmar/Burma tends to be couched in human rights terms - and especially of a heroic Aung San Suu Kyi opposing and oppressive military regime - in reality there are several conflicts with ethnic and religious dimensions, as well as political and ideological differences between the opposition and the ruling military regime. This is not surprising in a country where 30% of the population and much of the land area are non-Burman, and where contradictory tendencies towards regional separatism versus unitary rule have divided the people since before independence. In what is probably the most comprehensive study of Burma's ethnic minorities to date, this volume discusses the historical formation of ethnic identity and its complexities in relation to British colonial rule as well as the modern state, the present situation of military rule, and its policy of "myanmarification." Changes of identity in exile due to religious conversion are analyzed and discussed. Finally the book deals with relevant and recent anthropological and sociological theoretical discussions on the ethnic identity, boundaries, and space of all the main ethnic groups in Burma.
When Techniques of Tablet Weaving was first published in 1982 it sold out almost immediately. Weavers, fiber artists, and collectors, hungry for the vast and carefully organized repository of information it contained, have spent years excitedly sharing dog-eared paperback editions and roughly photocopied excerpts of this one-of-a-kind volume. No commercially published book, before or since, has captured the amount and quality of information and research on the art of tablet weaving (also known as card weaving). Finally, long-deprived cardweaving enthusiasts can own their very own copy of Peter Collingwood's landmark book thanks to this high-quality 2015 reprint, complete with dozens of detailed photographs, pattern examples, and step-by-step instructions for each of the techniques presented. In addition to instructional information, Techniques of Tablet Weaving contains pages of historical context for a variety of weaving techniques with clear and helpful tips on reproducing them precisely, as well as modern variations on the classics.
A highly illustrated study into the art, craft and techniques of Burmese lacquerware from ancient times to the present. Beginning with the origins, the book covers process, technique, decoration, design, motifs, usage (secular, religious and ceremonial), craft centres in Burma and collections.