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A collection of original essays from leading academics on the media during and after World War 2. The chapters in this volume address both contemporary and post-war uses of World War 2 - with contributions from television, journalism, cinema, popular music, radio and popular memory studies.
This series of studies illuminates the nature of the Nazi system and its impact on Germany and the world.
The riveting, gritty and inspiring story of the Japanese-American "GO FOR BROKE" unit that rescued--against all odds--a trapped American battalion, and went on to become the most decorated unit of its size in World War II.
For all readers, especially those whose only of World War II may be from textbooks or films, Ernie's War offers a revealing, poignant look at the actual experiences of the average foot soldier swept into the tumult of battle. 9 black-and-white photographs.
A compilation of items (most are multiple leaves) comprised of essays, articles, and addresses about American participation in World War II. Some are issued by or reprinted by the America First Committee, a non-interventionist group, founded by Yale Law student Robert D. Stuart [R. Douglas Stuart, Jr.] in 1940. The organization disbanded Dec. 11, 1941 after the Pearl Harbor attack on Dec. 7, 1941.
A collection of 11 articles published in The Unz review between 2016 and 2022, most of them in the American Pravda series.
For Americans World War II was "a good war," a war that was worth fighting. Even as the conflict was underway, a myriad of both fictional and nonfictional books began to appear examining one or another of the raging battles. These essays examine some of the best literature and popular culture of World War II. Many of the studies focus on women, several are about children, and all concern themselves with the ways that the war changed lives. While many of the contributors concern themselves with the United States, there are essays about Great Britain, Canada, France, Germany, Poland, Russia, and Japan.
No issue in modern history has been more intensively studied, or subject to wider interpretation, than the origins of the Second World War. A conflict involving three - arguably four - major aggressor Powers, operating simultaneously but largely separately on two continents, inevitably raises complex theories and debates. Each participating power has its own history, and each one must take account of various influences upon the behaviour of its soldiers and statesmen. His wide-ranging collection of original essays, each by an international expert in their field, covers all aspects of the subject and highlights the controversy that continues to characterise current thinking on the origins of the war. Going beyond the usual Eurocentric approach, Part I examines the roles of all seven of the Great Powers (including Japan and the USA), as well as the parts played by several of the lesser Powers, such as Czechoslovakia, Poland and China. Part II contains chapters which explore key themes that cannot be fully understood within the context of any single country. These themes include the role of ideology, propaganda, intelligence, armaments, economics, diplomacy, the neutral states, peace movements, and the social science approach to war. Written in clear, jargon-free prose, together these essays provide a comprehensive single-volume text for students and teachers, and are essential reading for all with an interest in the debates surrounding the causes of World War Two.
Since the Second World War, depictions of Royal Air Force operations in film and television drama have become so numerous that they make up a genre worthy of scholarly attention. In this illuminating study, S. P. MacKenzie explores the different ways in which the men of RAF Bomber Command have been represented in dramatic form on the big and small screen from the war years to the present day. Bomber Boys on Screen is the first in-depth study of how and why the screen-drama image of those who flew, those who directed them, and those who provided support for RAF bomber operations has changed over time, sometimes in contested circumstances. Until now dramas that focus on Bomber Command have tended to be mentioned only in passing or studied in isolation, despite the prevalence of surveys of both the British war film genre and of aviation cinema. In Bomber Boys on Screen MacKenzie examines the development, presentation, and reception of significant dramas on a decade-by-decade basis. Titles from the beginning of the war (The Lion Has Wings, 1939) to the start of new century (Bomber's Moon, 2014) are situated in the context of technical possibilities and limitations, evolving social and cultural norms in the United Kingdom and elsewhere, and the development of moral and utilitarian controversies surrounding the wartime bomber offensive directed against Nazi Germany. While the focus is on feature films and television plays, reference is also made to documentaries, memorials, veterans' organizations, book titles, war comics, and other representations of the war fought by Bomber Command.
A valuable book and the first significant scholarship on Mexican Americans in World War II. Up to 750,000 Mexican American men served in World War II, earning more Medals of Honor and other decorations in proportion to their numbers than any other ethnic group.