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"A World of Darkness clan/tribe/Tradition book in one! Includes complete details on the vampire Caitiff, the Garou Ronin and the mage Hollow Ones. For players and Storytellers."--Back cover.
Running Away Doesn't Always Remove the Problem “It's only those who do nothing that make no mistakes, I suppose.” - Joseph Conrad, An Outcast of the Islands This second novel of Conrad details the undoing of Peter Willems, a disreputable, immoral man who, on the run from a scandal in Makassar, finds refuge in a hidden native village, only to betray his benefactors over lust for the tribal chief's daughter.
Though vampires have their intrigues, werewolves have their wars, mages have their realities, wraiths have their passions and changelings seek to return to their homeland, there are supernatural powers at work in the world that concern all of these beings. Indeed, there are people and forces in the world of Darkness that endanger all those who exist. Learn the secrets, alliances, enemies and plans of these shadowy beings in a series of world of Darkness books that can be integrated into all of the storyteller games. Learn the secrets the Rom in the World of Darkness.
After using frightening powers to save lives and survive a war, Order mage Beltur is forced on the run.
Pëtr Filippovich Iakubovich represents the many young people whose opposition to the Russian state turned to extremism during the late nineteenth and early twentieth centuries. His conviction and banishment to forced labor and settlement in Siberia was an experience shared by many. But, unlike most, Iakubovich detailed his experiences in a thrilling and insightful roman à clef. Like the better-known accounts by Dostoevskii and Chekhov, Iakubovich’s novel paints a picture of his fellow criminal inmates that is both objective and insightful. “In the World of the Outcasts” proved especially popular, appearing first in serial form between 1895 and 1898, and then as a book which ran through three editions prior to 1917. Along with other exposés of official malfeasance and corruption, it helped to focus popular resentment against the Romanovs. The book reappeared in 1964, in one of the last breaths of fresh air before Khrushchëv was supplanted by Brezhnev’s neo-Stalinism. Laying bare the facts of Russia’s penal system like Dostoevskii’s “Notes from a Dead House” before it, and Solzhenitsyn’s “One Day in the Life of Ivan Denisovich” after it, Iakubovich’s “In the World of the Outcasts” is both a valuable historical document and a compelling work of literary fiction. This translation marks the first appearance of Iakubovich’s masterpiece in English.
Jamey Barlowe has been crippled since childhood, the result of being born on the Moon. He lives his life in a wheelchair, only truly free when he is in the water. But then Jamey's father sends him, along with five other kids, back to the Moon to escape a political coup d'etat that has occurred overnight in the United States. Moreover, one of the other five refugees is more than she appears. Their destination is the mining colony, Apollo. Jamey will have to learn a whole new way to live, one that entails walking for the first time in his life. It won't be easy and it won't be safe. But Jamey is determined to make it as a member of Lunar Search and Rescue, also known as the Rangers. This job is always risky, but could be even more dangerous if the new U.S. president makes good on her threat to launch a military invasion. Soon Jamey is front and center in a political and military struggle stretching from the Earth to the Moon. From the Hardcover edition.
Uncovering the truth could cost them their lives. Since entering the Safe Lands, Mason has focused on two things: finding a way to free his village from captivity, and finding a cure for the disease that ravages many within the walls of the Safe Lands. After immune-suppressive drugs go missing in the clinic, Mason discovers his coworker, Ciddah, may know more about the Safe Lands than imagined … and may have an agenda of her own. At the same time, Mason’s brother Levi is focused on a way to free the remaining Glenrock captives, while Mason’s younger brother Omar decides to take the rebellion against the Sale Lands into his own hands as a vigilante. Soon all three brothers are being watched closely—and when Mason stumbles onto a shocking secret about the Safe Lands meds, his investigation just might get those closest to him liberated.
Breaking with the exoticizing cast of public discourse and conventional research, Urban Outcasts takes the reader inside the black ghetto of Chicago and the deindustrializing banlieue of Paris to discover that urban marginality is not everywhere the same. Drawing on a wealth of original field, survey and historical data, Loïc Wacquant shows that the involution of America's urban core after the 1960s is due not to the emergence of an 'underclass', but to the joint withdrawal of market and state fostered by public policies of racial separation and urban abandonment. In European cities, by contrast, the spread of districts of 'exclusion' does not herald the formation of ghettos. It stems from the decomposition of working-class territories under the press of mass unemployment, the casualization of work and the ethnic mixing of populations hitherto segregated, spawning urban formations akin to 'anti-ghettos'. Comparing the US 'Black Belt' with the French 'Red Belt' demonstrates that state structures and policies play a decisive role in the articulation of class, race and place on both sides of the Atlantic. It also reveals the crystallization of a new regime of marginality fuelled by the fragmentation of wage labour, the retrenchment of the social state and the concentration of dispossessed categories in stigmatized areas bereft of a collective idiom of identity and claims-making. These defamed districts are not just the residual 'sinkholes' of a bygone economic era, but also the incubators of the precarious proletariat emerging under neoliberal capitalism. Urban Outcasts sheds new light on the explosive mix of mounting misery, stupendous affluence and festering street violence resurging in the big cities of the First World. By specifying the different causal paths and experiential forms assumed by relegation in the American and the French metropolis, this book offers indispensable tools for rethinking urban marginality and for reinvigorating the public debate over social inequality and citizenship at century's dawn.
The only ones who can fix a broken world are those who have been broken by that world. A shadowy threat has emerged in a realm populated by serious wizards, pious elves, passionate humans, and hedonistic morphs. Several outcasts have been brought together-by fate or by design?-for what they believe to be an epic struggle against that shadowy threat. Yet if they are expecting a straightforward quest to slay some Dark Lord and bring peace to the world, the outcasts are disabused of that notion when a wise voice warns them, "It's not that kind of story." But what kind of story is it? Are these broken beings on an epic quest, or is someone guiding their mission under the aegis of a tired and traditional story? And is this "someone" benevolent or sinister? As the outcasts seek to mend their broken pasts, navigate the perils of love, and perhaps save the known world, we are left to wonder how much of the story is a lie and how much truth has been baked in to make the meal palatable. While "The Outcasts" pays homage to traditional fantasy archetypes, it also seeks to undermine most of them. In a story laced with ancient and medieval scenery, you will find yourself dizzy with the plot twists of this exciting debut fantasy novel. Book I, "The Lies of Autumn" introduces the half-Wizard Marcus and his dear friend Quintus, who find themselves unexpectedly in the company of enslaved Elf siblings Griffin and Gwendolyn, the disgraced Human soldier Octavia, and a Morph named Alexia who possesses abilities which have not been seen in 1,000 years or more. These disparate creatures must navigate love and jealousy, friendship and selfishness, as well as the unspeakable tragedies which haunt each one of their pasts in a quest to save an indifferent world. As Octavia notes, "It sounds like one of those epic tales of old, but it sure doesn't feel like one." Expect fantasy with a twist, as well as equal helpings of romance and action.