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Film World brings together key interviews with cinema's leading directors. The directors chosen represent many of the most influential film-makers of the last 50 years. All have been selected because of their cinematic vision, because they have a particular way of seeing the world and of filming it. All have created a body of work which is both hugely popular and critically acclaimed. This truly global range of directors hails from Australia, Britain, China and Hong Kong, Denmark, Finland, France, Germany, India, Iran, Ireland, Italy, Japan, Korea, North America, Poland, and Russia. Together, these illuminating interviews reveal how these visionary directors create images which speak to audiences the world over. The interviews are with: Bernardo Bertolucci, John Boorman, Robert Bresson, Jane Campion, John Cassavetes, David Cronenberg, Atom Egoyan, Federico Fellini, Jean-Luc Godard, Peter Greenaway, Werner Herzog, Hou Hsiao-hsien, Wong Kar-wei, Aki Kaurismaki, Abbas Kiarostami, Krzysztof Kieslowski, Takeshi Kitano, Im Kwon-taek, Mike Leigh, Manoel de Oliveira, Satyajit Ray, Martin Scorsese, Andrei Tarkovsky, Lars von Trier, Zhang Yimou
In World Directors and Their Films, Bert Cardullo offers readable analyses of some of the most important films and the artists who produced them. Beyond simple biographical capsules and plot summaries, these readings demonstrate with clarity and elegance how international moviemakers use the resources of the medium to pursue complex, significant human goals. Including essays on filmmakers from China, Japan, India, Argentina, Brazil, Mexico, Iran, Senegal, and Chad, this book is an engaging collection of enlightening and helpful essays that will appeal as much to the general reader as it will to scholars of international cinema.
A fun introduction to 52 of the greatest film directors, from Almodovar to Ozu, Fellini to Tarantino, and many more. A striking, design-led reference book. A-Z Great Film Directors features Andy Tuohy's portraits of 52 directors significant for their contribution to cinema including kings of world cinema Wong Kar-Wai and Akira Kurosawa, arthouse pioneers Fritz Lang and David Lynch as well as the often under-appreciated female directors Kathryn Bigelow and Jane Campion. With text by film journalist Matt Glasby, each director's entry will also have a summary of the essential things you need to know about them, why they're important, a list of their must-see films, and a surprising fact or two about them, as well as images of their key films throughout. So whether you're already a film aficionado, or looking for a helpful cheat to pass convincingly as an arthouse fan, you'll love this guide to international directors, past and present.
“A must have for any film nut.”—Details Peter Bogdanovich, award-winning director, screenwriter, actor and critic, interviews 16 legendary directors over a 15-year period. Their richly illuminating conversations combine to make this a riveting chronicle of Hollywood and picture making. Join him in conversations with: Robert Aldrich • George Cukor • Allan Dwan • Howard Hanks • Alfred Hitchcock • Chuck Jones • Fritz Lang • Joseph H. Lewis • Sidney Lumet • Leo McCarey • Otto Preminger • Don Siegel • Josef von Sternberg • Frank Tashlin • Edgar G. Ulmer • Raoul Walsh NOTE: This edition does not include photographs. Praise for Who the Devil Made It “Illuminating . . . These were (and sometimes are: a few yet breathe) men rooted in history as much as in Hollywood. Their collected memories make the past look fearfully rich beside a present that is poverty-stricken in everything except money.”—The New Yorker “Bogdanovich is one of America’s finest writers on the cinema. . . . Thank goodness [his] Who the Devil Made It has come along to remind us that films and writing about film were, at one time, focused on the work and not strictly on the bottom line.”—The Boston Globe “A treasure trove on the craft of directing.”—Newsday “Monumental . . . The directors’ reminiscences about technique, working methods, sources of ideas, and relationships with actors and studios are thoroughly entertaining.”—Publishers Weekly “A fine achievement that helps illuminate the art and craft of some remarkable directors . . . There are plenty of revealing anecdotes.”—Kirkus Reviews
This title provides an incisive analysis of popular American filmmaker, Richard Linklater.
Perhaps the best-known Spanish filmmaker to international audiences, Pedro Almodóvar gained the widespread attention of English-speaking critics and fans with the Oscar-nominated Women on the Verge of a Nervous Breakdown and the celebrated dark comedy Tie Me Up! Tie Me Down!. Marvin D'Lugo offers a concise, informed, and insightful commentary on a preeminent force in modern cinema. D'Lugo follows Almodóvar's career chronologically, tracing the director's works and their increasing complexity in terms of theme and the Spanish film tradition. Drawing on a wide range of critical sources, D'Lugo explores Almodóvar's use of melodrama and Hollywood genre film, his self-invention as a filmmaker, and his on-screen sexual politics. D'Lugo also discusses what he calls "geocultural positioning," that is, Almodóvar's paradoxical ability to use his marginal positions—in terms of his class, geographical origin, and identity—to develop an expressive language that is emotionally recognizable by audiences worldwide. Two fascinating interviews with the director round out the volume. An exciting consideration of an arthouse giant, Pedro Almodóvar mixes original interpretations into an analysis sure to reward film students and specialists alike.
The year 2003 marked the fiftieth anniversary of James Watson's and Francis Crick's discovery of the structure of DNA, which began a revolution in the biological sciences and radically altered the way humans view life and themselves. In this poetic account Erwin Fleissner, an eminent cancer researcher and teacher, offers a personal and professional reflection on the most significant developments in molecular genetics and cell biology over the past fifty years. Vital Harmonies is a sweeping look at these crucial scientific advances and an insider's perspective on what scientists have actually learned from them. Contrasting the humanistic side of scientific research with more deterministic or "mechanical" explanations of life processes, Fleissner discusses everything from natural selection to the tradition of rational inquiry stemming from the Enlightenment. He goes on to describe the structures of macromolecules and their "organizing" principles as well as cancer genes, stem cells, and the Human Genome Project. He also explores neuronal cells and the emergence of consciousness and how biological evolution is the foundation of our personal reality as well as our global responsibility. Fleissner asserts that scientific investigations cannot negate our essential "humanness" nor should the public fear them. Taking an optimistic perspective, he argues that a deeper knowledge of ourselves as biological entities will provide us, ultimately, with greater health, serenity, and self-knowledge. Vital Harmonies gives readers, whatever their background, an engaging analysis of some of the most important questions facing humanity today.
A comprehensive guide to all the movie directors you should know before it is too late.