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Terror in Australia: Workers' Paradise Lost, by veteran journalist John Stapleton, is a beautifully written snapshot of a pivotal turning point in the history of the so-called Lucky Country. This book is a sidewinding missile into the heart of Australian hypocrisy. In 2015 there were well attended Reclaim Australia demonstrations in every major capital city, all protesting what the demonstrators saw as the growing Islamisation of Australia, along with countering anti-racism demonstrations. There were frequent violent clashes, hundreds of police were forced to form lines separating the demonstrators in Sydney and Melbourne, there were a significant number of arrests and injuries, and dozens of people were treated for the effects of capsicum spray. The terror alert was at its highest level ever, the country was engaged in an unpopular and discredited war in Iraq and Syria, and relations between the government and an increasingly radicalised Muslim minority had broken down. Despite the billions being spent on national security, authorities believed another terrorist attack was inevitable. A demoralised population, saddled with a history of grotesque overregulation, turned inwards, increasingly questioning the failed social creeds of the past. On the streets once vibrant entertainment districts were desolate, while closed and shuttered shops became a characteristic of many suburbs. An optimistic, freedom loving country with an irreverent, larrikin culture and a wildly optimistic view of its place in the world lost faith in its own story. Well documented, switching through multiple points of view, Terror in Australia: Workers' Paradise Lost is a sometimes frightening, sometimes intensely lyrical step inside a democracy in serious trouble.
Collecting seventy-nine oral histories from former public housing residents and staff, J. S. Fuerst's When Public Housing Was Paradise is a powerful testament to the fact that well-designed, well-managed low-rent housing has worked, as well as a demonstration of how it could be made to work again. J. S. Fuerst has been involved with public housing in Chicago for more than half a century. He retired from Loyola University, where he was a professor of social welfare policy. He was the editor of Public Housing in Europe and America. D. Bradford Hunt is an assistant professor of social science at Roosevelt University. John Hope Franklin is James B. Duke Professor Emeritus of History at Duke University. He has served as president of the Organization of American Historians, the American Historical Association, and many more.
New York Times Bestseller A New York Times Notable Book The #1 New York Times bestselling author of Seveneves, Anathem, Reamde, and Cryptonomicon returns with a wildly inventive and entertaining science fiction thriller—Paradise Lost by way of Philip K. Dick—that unfolds in the near future, in parallel worlds. In his youth, Richard “Dodge” Forthrast founded Corporation 9592, a gaming company that made him a multibillionaire. Now in his middle years, Dodge appreciates his comfortable, unencumbered life, managing his myriad business interests, and spending time with his beloved niece Zula and her young daughter, Sophia. One beautiful autumn day, while he undergoes a routine medical procedure, something goes irrevocably wrong. Dodge is pronounced brain dead and put on life support, leaving his stunned family and close friends with difficult decisions. Long ago, when a much younger Dodge drew up his will, he directed that his body be given to a cryonics company now owned by enigmatic tech entrepreneur Elmo Shepherd. Legally bound to follow the directive despite their misgivings, Dodge’s family has his brain scanned and its data structures uploaded and stored in the cloud, until it can eventually be revived. In the coming years, technology allows Dodge’s brain to be turned back on. It is an achievement that is nothing less than the disruption of death itself. An eternal afterlife—the Bitworld—is created, in which humans continue to exist as digital souls. But this brave new immortal world is not the Utopia it might first seem . . . Fall, or Dodge in Hell is pure, unadulterated fun: a grand drama of analog and digital, man and machine, angels and demons, gods and followers, the finite and the eternal. In this exhilarating epic, Neal Stephenson raises profound existential questions and touches on the revolutionary breakthroughs that are transforming our future. Combining the technological, philosophical, and spiritual in one grand myth, he delivers a mind-blowing speculative literary saga for the modern age.
This handbook provides an overview of the research on the changing nature of work and workers by marshalling interdisciplinary research to summarize the empirical evidence and provide documentation of what has actually changed. Connections are explored between the changing nature of work and macro-level trends in technological change, income inequality, global labor markets, labor unions, organizational forms, and skill polarization, among others. This edited volume also reviews evidence for changes in workers, including generational change (or lack thereof), that has accumulated across domains. Based on documented changes in work and worker behavior, the handbook derives implications for a range of management functions, such as selection, performance management, leadership, workplace ethics, and employee well-being. This evaluation of the extent of changes and their impact gives guidance on what best practices should be put in place to harness these developments to achieve success.
This bibliographical guide contains 10,000 references to the economic and social history of 30 European countries during the period 1700-1939. More than 3000 periodicals have been consulted to obtain references, as well as books, edited collections and conference proceedings. The information is listed in categories such as industry, agriculture, finance, migration, labour conditions, urban communities and organizations. Full publication details are included, so that references may be located easily.
Hideout in the Apocalypse is about surveillance and the crushing of Australia’s larrikin culture. In the last three years the Australian government has prosecuted the greatest assault on freedom of speech in the nation’s history. The government knew from international research that when it introduced the panopticon, universal surveillance, into Australia it would have a devastating impact on the culture. When people know they are being watched, they behave differently. Dissent is stifled, conformity becomes the norm. This is the so-called chilling effect. Hideout in the Apocalypse, in the great tradition of The Lucky Country, takes Australia’s temperature half a century on from Donald Horne’s classic cautionary tale. Now the future has arrived. Forced by a plethora of new laws targeting journalists to use novelistic techniques, in his latest book veteran news reporter John Stapleton confirms the old adage, truth is stranger than fiction. Hideout in the Apocalypse takes up the adventures of retired news reporter Old Alex, first encountered in the book’s predecessor Terror in Australia: Workers’ Paradise Lost. But as befits the times, this book is more fantastical, intimate and politically acerbic in its portrait of his beloved country. Alex believes believes he has been under abusive levels of government surveillance since writing a book called Terror in Australia, and as a natural empath can hear the thoughts of the surveillance teams on his track, the so-called Watchers on the Watch. Alex also believes he is a cluster soul sent with others of his kind to help save the Earth from an impending apocalypse, and has the capacity to channel some of history's greatest writers. Australia might have the worst anti-freedom of speech laws in the Western world, but how can you sue a character like that? Stapleton's essential theme: a place which should have been safe from an impending apocalypse, the quagmire of religious wars enveloping the Middle East, is not safe at all. Ideas are contagious, and the Australian government is afraid of them. Australia is a democracy in name only.The war on terror has become a war on the people's right to know, justifying a massive expansion of state power. Alex’s swirling head, lifelong fascination with sociology, literature and journalism, and his deep distress over the fate of the Great Southern Land, makes him the perfect character to tell a story which urgently needs to be told.