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Workers Culture in Imperial Germany represents the first alternative approach to the study of workers' culture in Imperial Germany. It is also the first comprehensive historical analysis of the emergence of Germany's modern leisure industry. The central concern of the book is the emergence of a distinct workers' culture which provided a disparate and heterogeneous working class with a focus of identity in an alien and hostile society. Lynn Abrams focuses on the leisure activities enjoyed by workers in the major cities of Bochum and Dusseldorf. She provides a comprehensive coverage of a whole range of popular amusements and recreations on offer including festivals, pubs, Tingel-Tangels, dance halls, clubs and cinema. The book is also a major contribution to the social history of working-class life in the nineteenth century, contributing to the debate over the role of a working class culture in Imperial Germany.
Workers Culture in Imperial Germany represents the first alternative approach to the study of workers' culture in Imperial Germany. It is also the first comprehensive historical analysis of the emergence of Germany's modern leisure industry. The central concern of the book is the emergence of a distinct workers' culture which provided a disparate and heterogeneous working class with a focus of identity in an alien and hostile society. Lynn Abrams focuses on the leisure activities enjoyed by workers in the major cities of Bochum and Dusseldorf. She provides a comprehensive coverage of a whole range of popular amusements and recreations on offer including festivals, pubs, Tingel-Tangels, dance halls, clubs and cinema. The book is also a major contribution to the social history of working-class life in the nineteenth century, contributing to the debate over the role of a working class culture in Imperial Germany.
It has often ben suggested that artists and writers in Germany's imperial era shunned social engagement, preferring instead apolitical introspection. However, as Matthew Jefferies reveals, whether one looks at the painters, poets and architects who helped to create an official imperial identity after 1871; the cultural critics and reformers of the later 19th century; or the new generation of cultural producers that emerged in the years around 1900, the social, political and cultural were never far apart. In this attractively illustrated book, Jefferies provides a lively introduction to the principal movements in German high culture between 1871 and 1918, in the context of imperial society and politics. He not only demonstrates that Germany's 'Imperial culture' was every bit as fascinating as the much better known 'Weimar culture' of the 1920s, but argues that much of what came later has origins in the imperial period. Filling a significant gap in the current historiography, this study will appeal to all those with an interest in the rich and diverse culture of Imperial Germany.
This book examines the history of the Freie Volksbuhne (Free People's Theatre), Berlin, from 1890-1914, in the light of the cultural theory and practice of German Social Democracy in Imperial Germany. The clash between German Social Democracy - the party, intellectuals and workers - and the German Imperial State was played out in the Freie Volksbahne (Free People's Theatre) founded by intellectuals to energize working class political awareness of drama with a political and social cutting edge. It fell foul of state censorship, lost its bite, yet prospered. The book looks in detail at the various programmes guiding the Volksbuhne's work and at the reception of the plays by the largely working-class audience, to offer a detailed study of the interactions between cultural and political history in Imperial Germany.
This is a study of the intense, complex, and escalating debate over sexuality and sexual morality that roiled politics in Germany between 1880 and 1914. That debate was grounded in the rapid evolution and growing complexity of German society - the multiplication of cultural groupings, professional associations, and social movements; the emergence of new social groups, social milieus, and professions; the rapid development of the media and commercial entertainments; and so on. All parties involved understood it to be a debate over the most fundamental question of modern political life: how to secure both national power and individual freedom in the context of rapid social and cultural change.
First Published in 2004. In this major textbook, leading international scholars provide clear, concise summaries of many of the most important controversies and developments in German history from 1870-1945. Twelve contributors, distinguished for their detailed and original work, summarize the nature of the controversies, explain the various interpretations, and offer their own conclusions and arguments. Each essay is new and has been specially commissioned for this book. Modern Germany Reconsidered represents essential reading for second- and third-year undergraduates on a range of Modern Germany courses. The book has been designed and written exclusively for students, to function as a major course text, or as a set of supplementary readings to support other texts. Modern Germany Reconsidered follows the chronological development of the whole range of modern German history, whilst highlighting themes of special interest: the role of women, economics, German liberalism, the Holocaust.
The following study exacmines the social, cultural and political history of Catholic workers in the city of Cologne and its environs from 1885 to 1912. Specifically, it treats the methods employed by the Catholic Church to isolate its working class members from Marxist Social Democracy by enclosing them within a clerically constructed and controlled social-cultural miliue, explores the beliefs and behaviors inculcated in this confessional envrironment, and explains the causes of the Social Democratic Party's (SPD) conquest of Cologne in the 1912 Reichstag election.
At the turn of the century, German popular entertainment was a realm of unprecedented opportunity for Jewish performers. This study explores the terms of their engagement and pays homage to the many ways in which German Jews were instrumental in the birth of an incomparably rich world of popular culture. It traces the kaleidoscope of challenges, opportunities and paradoxes Jewish men and women faced in their interactions with predominantly gentile audiences. Modern Germany was a society riddled by conflicts and contradictory impulses, continuously torn between desires to reject, control and celebrate individual and collective difference. This book demonstrates that an analysis of popular entertainment can be one of the most innovative ways to trace this complicated negotiation throughout a period of great social and political turmoil.
When it was originally published in 1982, this book presented pioneering new research into the everyday life of the German working class in the crucial decades between the accession of Kaiser Wilhelm II and the Nazi seizure of power. The authors document working-class attitudes to bourgeois convention, authority and the law in the German Empire and the Weimar Republic. The book includes studies of industrial sabotage, pilfering at work, working-class drinking habits, illegitimate motherhood and the violence of adolescent ‘cliques’ in pre-Hitlerian Berlin.