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Poetry.Winner of the 2015 Cider Press Review Book Award. "The elegiac is a most tender and yet most rigorous accounting. Every detail of its fact and decorum must register upon flesh, upon the syllables of flesh. In WORK BY BLOODLIGHT, Bouwsma unfailingly discovers the higher registers and the keenest syllables. They beautifully prove to be a 'wingspan against snow.'"--Donald Revell
In a post-cyberpunk future, where global economic activity is carried out in a virtual-gaming realm, a new blood-transmitted virus has become a black-market staple due to its temporary rejuvenating effects, forcing infected “Eternals” into tightly knit underground communities where they must hack the V-net for basic food and shelter. In the first book of a series that “revitalizes the cyber-fiction genre with its vivid prose and believable characters” (Library Journal), Zakariah Davis and his wife Mia are among those infected with an alien virus that vastly prolongs life, and their blood has become a black-market staple due to its rejuvenating effects. Their teenage son Rix does not carry the Eternal virus, and Zakariah is consumed by the search for an “activated sample” with which to inoculate him. In book two, Mia is murdered in retribution and the family is overcome by grief. Zak goes on a quest to contact her spirit in the afterlife while Rix wants revenge at any cost. Niko, the teenage clone of Zak’s dead sister, has received the Eternal virus and been captured by “vampires” who drain her blood nightly for its rejuvenating effects. After Rix helps her to escape, she finds sanctuary at the bedside of her comatose progenitor, Phillip Davis, whose brain is being reconstructed in a clandestine neuroscience laboratory. Zak enlists the help of a famed lecturer on psychic research, Jackie Rose, and together they travel to the home of a Haitian shaman, Tono, a prophetic spiritual healer. Rix and Niko team up to find Mia’s murderer and finally confront her killer in the lair of the Beast who controls the V-net. In book three, the Eternals leader, Helena Sharp, begins to mysteriously degenerate, and the Eternal community is thrown into chaos. When Niko discovers that her gifted daughter, Sienna, carries the future heritage of humanity in her augmented DNA, Niko travels home to confront Phillip. However, he has fully integrated his persona with the Beast, and with the aid of a charismatic avatar, he embarks on a program of manipulation and control that will redefine the boundaries of death and consciousness.
Charissa is a 200-plus-year-old vampire living and working in Old Town, Chicago, only blocks away from the parish of one Father Christopher, a dutiful Catholic priest whose only real concern is the spiritual welfare of his community. That is until the two meet and are never the same again. A chance meeting brings the man of God and the mistress of the night into a strangely symbiotic relationship once she feeds upon him, something she initially tried hard to resist. Soon they are sensing each other's patterns in odd daydream interludes, building toward a newfound connection neither of them can deny. Before long, Charissa begins to experience Communion services conducted by Christopher as though she herself were drinking the blood the wine represents, and he sees sessions she conducts as a dominatrix, a way she's learned over the years to feed in a setting conducive to such. Their lives become more and more entangled as each grapple with the interruption this unwanted bonding has wrought. Moreover, Charissa's cannibalistic vampire origins come into the picture when her maker, a cannibal shaman of the Caribbean, throws out his own tangled web in an attempt to reconnect with her after over a century of silence between them. Though still struggling with the insanity their insertion into each other's lives has wrought, Christopher and Charissa find themselves, and her friend Ariyah and her beau Joe, in the middle of a cross-continental nightmare leading them into the still cannibal-infested islands of the West Indies. For more information about this and other A.F. Roberts title, visit his website here .
Ensuring the safety of blood for transfusion is a key prevention strategy in the fight against HIV/AIDS. These learning materials have been designed specifically for use in distance learning programmes in blood safety. The modules have been designed for staff responsible for donor recruitment, blood collection and the processing and issue of blood for transfusion. They are written in an interactive, practical style, with learning objectives, activities, self-assessment questions, progress checks and action plans Most of the training is designed to take place at the workplace in the context of the performance of daily work. This pack consists of a set of four spiral-bound modules and a Trainer's Guide, all supplied in a plastic wallet.
Chu Xiong, a tomb robbing expert had accidentally traveled to a bear in another world. People have their own convenience, bears have their convenience. A man was no ordinary man. A bear was naturally no ordinary bear. This is a bear, a story of cultivation...
In a post-cyberpunk future, where global economic activity is carried out in a virtual-gaming realm, a new blood-transmitted virus has become a black-market staple due to its temporary rejuvenating effects, forcing infected Eternals into tightly knit underground communities where they must hack the V-net for basic food and shelter. In the first book of a series that revitalizes the cyber-fiction genre with its vivid prose and believable characters (Library Journal), Zakariah Davis and his wife Mia are among those infected with an alien virus that vastly prolongs life, and their blood has become a black market staple due to its rejuvenating effects. Their teenage son Rix does not carry the Eternal virus, and Zakariah is consumed by the search for an activated sample with which to inoculate him.In book two, Mia is murdered in retribution and the family is overcome by grief. Zak goes on a quest to contact her spirit in the afterlife while Rix wants revenge at any cost. Niko, the teenage clone of Zak's dead sister, has received the Eternal virus and been captured by vampires who drain her blood nightly for its rejuvenating effects.After Rix helps her to escape, she finds sanctuary at the bedside of her comatose progenitor, Phillip Davis, whose brain is being reconstructed in a clandestine neuroscience laboratory. Zak enlists the help of a famed lecturer on psychic research, Jackie Rose, and together they travel to the home of a Haitian shaman, Tono, a prophetic spiritual healer. Rix and Niko team up to find Mia's murderer and finally confront her killer in the lair of the Beast.
Ensure you thoroughly understand the intricate details of providing effective care for adults as they age. Ebersole & Hess' Toward Healthy Aging, 10th Edition is the only comprehensive gerontological nursing text that effectively communicates how to provide holistic care, promote healthy lives, and address end-of-life issues and concerns. Grounded in the core competencies recommended by the AACN in collaboration with the Hartford Institute for Geriatric Nursing, the tenth edition has been extensively revised and updated with shorter, more streamlined chapters and pedagogical features to facilitate learning. It covers the areas of safety and ethical considerations, genetics, communication with the patient and caregiver, promoting health in persons with conditions commonly occurring in later-life world-wide addressing loss and palliative care and much more. Special sections provide an honest look at the universal experience of aging and the nurse's role in the reduction of health disparities and inequities as a member of the global community. Plus, it contains a variety of new learning features that focus on applying research and thinking critically in when providing care to aging adults across the care continuum.
In this book, we incorporate wisdom from Zoroastrianism on the angels of transformation and the Archangel of the Earth; from Ibn 'Arabi on the barzakh (the interface between manifestation and subtle reality), creative imagination, and the human-divine relationship; from Hazrat Inayat Khan, Pir Vilayat, and Pir Zia on contemporary Sufi teachings which state that every desire begins with a divine impulse and that the purpose of spirituality is awakening of divinity in life; as well as from realizations from the authors' meditations, inspirations, and spiritual dialogues which form the basis what they call the Gabrielite Work. Everyone has the potential to awaken to their existence in multiple realms of reality, and to contribute in a unique way from the fullness of their being to the never ending human-divine co-creative process.
WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.
Divided into six chapters, fifty-five artists talk about their material of choice. Does living in the digital age intensify our relationship with the material world? The success of One Artist, One Material, a regular feature section that has appeared in Frame magazine for over a decade, suggests that it does. An interview with a maker about his or her chosen material, it first appeared in Frame 65 (May/June 2007) and is still going strong. This book contains 55 of those interviews. Within the deceptively simple formula, dramatic, amusing, perplexing and humbling stories unfold. The subjects are enthusiastic about their chosen material to the point of monomania, spending long hours on eBay procuring vintage furniture (Michael Samuels), or behind a microscope arranging diatoms, which are invisible to the human eye (Klaus Kemp), or tracing huge yet transient patterns in sand or snow (Jim Denevan and Simon Beck, respectively). A material’s simplicity often bears no relation to the complexity it expresses in the hands of a creator. Magpie feathers are shaped into disturbing spatial deluges by Kate MccGwire; white balloons are used over and over again by Charles Pétillon to undermine our perceptions of everyday reality. Over One Artist, One Material’s lifetime, art and design have been steadily converging, with pop-up shops now often appearing to be art installations (and occasionally vice versa). Pressures on budgets and increasing awareness of sustainability issues have led designers to take a new look at materials, opting for recycling, making, and even growing their own. Handcrafted items have meanwhile found a new popularity and relevance. All of these material trends are prefigured in One Artist, One Material.