Download Free Wordsworths Gardens And Flowers Book in PDF and EPUB Free Download. You can read online Wordsworths Gardens And Flowers and write the review.

- The first book to explore both Wordsworth's gardens and the poet's literary use of flowers - Includes rare botanical prints reproduced for the first time in several decades - Focuses on Wordsworth's gardens in the English Lake District and Leicestershire - Draws extensively on hitherto unpublished manuscripts and artworks - Reproduces illustrations from early editions of Wordsworth A book that debunks the popular myth that William Wordsworth was, first and foremost, a poet of daffodils, Wordsworth's Gardens and Flowers: The Spirit of Paradise provides a vivid account of Wordsworth as a gardening poet who not only wrote about gardens and flowers but also designed - and physically worked in - his gardens. Wordsworth's Gardens and Flowers: The Spirit of Paradise is a book of two halves. The first section focuses on the gardens that Wordsworth made at Grasmere and Rydal in the English Lake District, and also in Leicestershire, at Coleorton. The gardens are explored via his poetry and prose and the journals of his sister, Dorothy Wordsworth. In the second half of the book, the reader learns more of Wordsworth's use of flowers in his poetry, exploring the vital importance of British flowers and other 'unassuming things' to his work, as well as their wider cultural, religious and political meaning. Throughout, the engaging, accessible text is woven around illustrations that bring Wordsworth's gardens and flowers to life, including rare botanical prints, many reproduced here for the first time in several decades. Contents: Part One: The Gardens and their Maker Part Two: Flowers and the Poetry A Note on the Botanical Plates List of Illustrations Acknowledgements
Counterposing poems of the garden and the letters and journals of Wordsworth and his eloquent sister Dorothy, Carol Buchanan pictures the whole Wordsworth: poet, gardener, and devoted and long-suffering family man. Illuminating Buchanan's perspective on the gardens, and on the Lake District that shaped Wordsworth's sensibilities, are three never-before-published garden plans and more than one hundred photographs."--BOOK JACKET.
A delightful pocket-sized collection of William Wordsworth’s poetry on flowers. This volume brings Wordsworth’s vivid nature imagery to life, featuring much-loved poems such as ‘I Wandered Lonely as a Cloud’ or ‘Daffodils’. This beautiful collection of Wordsworth’s poetry is drawn together by a common theme of flowers and plant life. The poems give inspiring descriptions of nature and are intertwined with the poet’s thoughts and experiences of life, including his friendships, relationships and religious beliefs. Included in this volume are poems such as: - ‘To the Daisy’ - ‘To the Small Celadine’ - ‘To the Waterfall and the Eglantine’ - ‘The Oak and the Broom. A Pastoral’ - ‘Not Love, Not War, Nor the Tumultuous Swell’ - ‘Though the Bold Wings of Poesy Affect’ From the specialist poetry imprint, Ragged Hand, Read & Co. has proudly republished Wordsworth’s Poetry on Flowers in this beautiful small edition, perfect for on-the-go reading. Complete with an introductory excerpt from Thomas Carlyle’s 1881 Reminiscences, this volume is not to be missed by nature lovers or collectors of Wordsworth’s work.
From the RHS comes this compendium of poetry about gardens and garden plants, themes that have provided inspiration for poets since the dawn of time. The poems span many centuries and include the work of such great writers as Wordsworth, Spenser and Shakespeare.
In The Flower Hunter, Lucy Hunter takes us on an inspirational journey through a year in her garden and artist’s studio set among the mountains of North Wales. Lucy's evocative, gently humorous words accompany her glorious photographs and exquisite floral arrangements, as she encourages the reader to marvel at the intricate cycles of the natural world, develop their own innate creativity, and to look for beauty in the everyday. Her garden provides the raw materials and inspires Lucy's floral artistry—breathtaking naturalistic arrangements with all the painterly beauty and flourish of a Dutch still life. Simple projects accompany Lucy’s text, from drying garden flowers for an autumnal wreath to making your own journals and natural dyes to assembling lavish arrangements that showcase the voluptuous beauty of garden roses. Lucy believes that we all have a creative voice buried deep within. The Flower Hunter will encourage you to find your own creativity and help it to blossom.
Artists and writers have always been drawn to flowers, as sources of inspiration, for simple enjoyment, and flowers themselves have been the muses for many of our greatest and most memorable works of art. This volume brings together the best flower poetry and prose from a broad range of writers, from Shakespeare and Milton, to Reginald Farrer and Edward Augustus Bowles, to twentieth-century poets such as Marianne Moore and Theodore Roethke. Wild and garden flowers are here explored in all their moods and mysteries. The poems and extracts are illustrated with botanical art from the Royal Horticultural Society’s Lindley Library, acknowledged as the world’s finest horticultural library. Addison • Betjeman • Bowles • Bradley and Cooper • Burns • Burroughs • Capek • Carroll • Clare • Colette • Crabbe • Ellacombe • Farrer • Fish • Gerard • Gilbert • Hanmer • Hardy • Hopkins • Housman • Hudson • Hunt • Jekyll • Johnson • Lawrence • Longfellow • Marvell • Milton • Mitchell • Moore • Parkinson • Pitter • Plunkett • Ridler • Roethke • Rohde • Rossetti • Sackville West • Seward • Shakespeare • Silkin • Sitwell • Stevenson • Swinburne • Thomas • Williams • Williamson • Wither • Wordsworth
This book considers William Wordsworth’s use of iconography in his long poem The Excursion. Through the iconographical approach, the author steers a middle course between The Excursion’s two very different interpretive traditions, one focusing upon the poem’s philosophical abstraction, the other upon its touristic realism. Fresh readings are also offered of Wordsworth’s other major works, including The Prelude. Yen explores Wordsworth’s iconography in The Excursion by tracing allusions and correspondences in an abundance of post-1789 and earlier verbal and pictorial sources, as well as in Wordsworth’s prose and poetry. He analyses how the iconographical images in The Excursion contribute to, and impose limitations on, the overarching preoccupations of Wordsworth’s writings, particularly the themes of paradise lost and paradise regained in the post-revolutionary context. Shedding light on a vital aspect of Wordsworth’s poetic method, this study reveals the visual etymologies – together with the nuances and rhetorical capacities – of five categories of apparently ‘collateral’ images: envisioning, rooting, dwelling, flowing, and reflecting.
“A visual treat as well as a literary one…for gardeners and garden lovers, connoisseurs of botanical illustration, and those who seek a deeper understanding of the life and work of Emily Dickinson.” —The Wall Street Journal Emily Dickinson was a keen observer of the natural world, but less well known is the fact that she was also an avid gardener—sending fresh bouquets to friends, including pressed flowers in her letters, and studying botany at Amherst Academy and Mount Holyoke. At her family home, she tended both a small glass conservatory and a flower garden. In Emily Dickinson’s Gardening Life, award-winning author Marta McDowell explores Dickinson’s deep passion for plants and how it inspired and informed her writing. Tracing a year in the garden, the book reveals details few know about Dickinson and adds to our collective understanding of who she was as a person. By weaving together Dickinson’s poems, excerpts from letters, contemporary and historical photography, and botanical art, McDowell offers an enchanting new perspective on one of America’s most celebrated but enigmatic literary figures.
In 1925 Harold Ross hired Katharine Sergeant Angell as a manuscript reader for The New Yorker. Within months she became the magazine’s first fiction editor, discovering and championing the work of Vladimir Nabokov, John Updike, James Thurber, Marianne Moore, and her husband-to-be, E. B. White, among others. After years of cultivating fiction, White set her sights on a new genre: garden writing. On March 1, 1958, The New Yorker ran a column entitled “Onward and Upward in the Garden,” a critical review of garden catalogs, in which White extolled the writings of “seedmen and nurserymen,” those unsung authors who produced her “favorite reading matter.” Thirteen more columns followed, exploring the history and literature of gardens, flower arranging, herbalists, and developments in gardening. Two years after her death in 1977, E. B. White collected and published the series, with a fond introduction. The result is this sharp-eyed appreciation of the green world of growing things, of the aesthetic pleasures of gardens and garden writing, and of the dreams that gardens inspire.
“An enchanting and original account of Beatrix Potter's life and her love of plants and gardening.” —Judy Taylor, vice president of the Beatrix Potter Society There aren’t many books more beloved than The Tale of Peter Rabbit and even fewer authors as iconic as Beatrix Potter. More than 150 million copies of her books have sold worldwide and interest in her work and life remains high. And her characters—Peter Rabbit, Jemima Puddle Duck, and all the rest—exist in a charmed world filled with flowers and gardens. Beatrix Potter’s Gardening Life is the first book to explore the origins of Beatrix Potter’s love of gardening and plants and show how this passion came to be reflected in her work. The book begins with a gardener’s biography, highlighting the key moments and places throughout her life that helped define her, including her home Hill Top Farm in England's Lake District. Next, the reader follows Beatrix Potter through a year in her garden, with a season-by-season overview of what is blooming that truly brings her gardens alive. The book culminates in a traveler’s guide, with information on how and where to visit Potter’s gardens today.