Download Free Wordsworths Excursion Book in PDF and EPUB Free Download. You can read online Wordsworths Excursion and write the review.

First published in 1814, “The Excursion” is the second and only completed part of Wordsworth's three-part work “The Recluse”. It is a long poem that revolves around three central figures: the Solitary, who has lived through the horrors and hopes of the French Revolution; the Pastor, to whom a third of the poem is dedicated; and the Wanderer. “The Excursion” enjoyed popularity in the nineteenth century and is highly recommended for fans and collectors of Wordsworth's fantastic work. Included in this edition is an introductory excerpt from “Reminiscences” (1881) by Thomas Carlyle. William Wordsworth (1770–1850) was an English Romantic poet famous for helping to usher in the Romantic Age in English literature with the publication of “Lyrical Ballads” (1798), which he co-wrote with Samuel Taylor Coleridge. His best known work is perhaps “The Prelude”, a semi-autobiographical poem from his early years which was changed and expanded many times throughout his life. He was poet laureate of Britain between 1843 until his death in 1850. Other notable works by this author include: “The Tables Turned”, “The Thorn”, and “Lines Composed A Few Miles above Tintern Abbey”.
This book considers William Wordsworth’s use of iconography in his long poem The Excursion. Through the iconographical approach, the author steers a middle course between The Excursion’s two very different interpretive traditions, one focusing upon the poem’s philosophical abstraction, the other upon its touristic realism. Fresh readings are also offered of Wordsworth’s other major works, including The Prelude. Yen explores Wordsworth’s iconography in The Excursion by tracing allusions and correspondences in an abundance of post-1789 and earlier verbal and pictorial sources, as well as in Wordsworth’s prose and poetry. He analyses how the iconographical images in The Excursion contribute to, and impose limitations on, the overarching preoccupations of Wordsworth’s writings, particularly the themes of paradise lost and paradise regained in the post-revolutionary context. Shedding light on a vital aspect of Wordsworth’s poetic method, this study reveals the visual etymologies – together with the nuances and rhetorical capacities – of five categories of apparently ‘collateral’ images: envisioning, rooting, dwelling, flowing, and reflecting.
William Wordsworth (7 April 1770 - 23 April 1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798). The Excursion: Being a portion of The Recluse, a poem is a long poem by Romantic poet William Wordsworth and was first published in 1814[1] (see 1814 in poetry). It was intended to be the second part of The Recluse, an unfinished larger work that was also meant to include The Prelude, Wordsworth's other long poem, which was eventually published posthumously. The exact dates of its composition are unknown, but the first manuscript is generally dated as either September 1806 or December 1809
This book redefines the place of the Wordsworthian imagination in a cultural moment often classified as the transition from “Romantic” to “Victorian.” Taking The Excursion and a constellation of related texts as a framework, the book suggests that the staggering critical neglect of Wordsworth's major project is correlated with the persistent inability of literary historians to chart that transition. To understand this elusive phase of literary and cultural history, the author proposes, we need to understand Wordsworth's role in it. The book reevaluates the significance of The Excursion, both in Wordsworth's corpus and in the contexts of the French Revolution and the post-Napoleonic industrial/imperial order leading up to the Reform Bill of 1832. Through a series of theoretically informed readings of The Excursion alongside other Wordsworthian texts, the author reveals Wordsworth's ongoing vital engagement with questions of imagination and ideology, questions that persist, in ever-shifting forms, through the continuities and discontinuities of historical “context.” Foregrounding problems of rhetorical interpretation as The Excursion's central concern, this study focuses on the implications of these problems for the text's promotion of a social vision. It examines various figural systems—family narratives, property, education, and imperialism—and shows how diverse critical strategies of assimilating poetic text to doctrine meet with a resistant “blankness” at the heart of the figural production of meaning in the poem. This blankness is suggestive of the gap between Wordsworth's poetry and its simple appropriation by cultural or political analysis. Paradoxically it also suggests that an understanding of the dynamics of poetic figuration is crucially relevant to any study of Wordsworth's social and political theory.
"I am convinced that there are three things to rejoice at in this Age--The Excursion Your Pictures, and Hazlitt's depth of Taste."--John Keats to Benjamin Robert Haydon"I have been reading Wordsworth's Excursion with many tears and prayers too. To me he is not only poet, but preacher and prophet of God's new and divine philosophy--a man raised up as a light in a dark time."--Charles KingsleyThe Excursion by William Wordsworth is a dramatic poem that advances largely through debate among the four main speakers: the Poet, the Wanderer, the Solitary, and the Pastor; the action of the poem seems to take place over five days. It was Wordsworth's second long poem, his public attempt at a "Great Poem," and his only work of any length to be read by most of his contemporaries. While The Prelude has found more favor with today's readers, The Excursion appealed to the Victorians, who embraced it, considering this influential work a source of spiritual strength in an uncertain world. This Cornell Wordsworth volume presents the first scholarly edition of The Excursion in half a century--and the first true scholarly edition of the original 1814 text. All manuscripts produced under the author's supervision are separately and completely transcribed in this edition. An introduction, a manuscript history, lists of printed verbal and nonverbal variants, extensive editors' notes, and selected photographs also chronicle the poem's full evolution. In short, this edition makes it possible, for the first time, to follow the complete compositional history of Wordsworth's epic.
A literary-historical account of English poetry from Anglo-Saxon writings to the present.