Download Free Words Without Songs Book in PDF and EPUB Free Download. You can read online Words Without Songs and write the review.

New York Times Bestseller An NPR Best Book of the Year Winner of the Chicago Tribune Literary Award Finalist for the Marfield Prize, National Award for Arts Writing "Reads the way Mr. Glass's compositions sound at their best: propulsive, with a surreptitious emotional undertow." —Corinna da Fonseca-Wollheim, New York Times Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet in Words Without Music, his critically acclaimed memoir, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. From his childhood in Baltimore to his student days in Chicago and at Juilliard, to his first journey to Paris and a life-changing trip to India, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his creative consciousness. Whether describing working as an unlicensed plumber in gritty 1970s New York or composing Satyagraha, Glass breaks across genres and re-creates, here in words, the thrill that results from artistic creation. Words Without Music ultimately affirms the power of music to change the world.
Songs without Words (Romances sans paroles) is the book in which, unabashedly, Paul Verlaine becomes himself and, in so doing, becomes the iconic poet of the French nineteenth century. A book of musical sequences, it seeks and finds exquisite purity of expression, best exemplified by Il pleure dans mon coeur, the most famous and most inimitable of all French lyric poems. And it is a book of intertwining narratives also, each of which entertains abasements and ecstasies, crises, crimes and expiations. These, in their separate ways, detail the shadowlands of artistic purity. Verlaine adores and defiles his child-bride, Mathilde. He takes to the road with Arthur Rimbaud, the love of his life, his muse, his captive and captor. Exhaustion is everywhere counterpoised with exaltation, squalor with splendor. And yet, in nearly every syllable, the dignity of Poetry and of human affections, proves inviolable.
These 48 pieces were composed over a period of two decades, beginning in 1832, and published in eight groups of six each. Many of these songs were dedicated to the women in Mendelssohn's life and reflect the sunniest qualities of his melodiousness, spontaneity and invention. Maurice Hinson has skillfully researched and edited these works back to their original form and provides a very informative introduction, which includes many detailed suggestions for a stylistic interpretation and performance, as well as biographical information on the composer's life.
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
We proudly add this collection of Mendelssohn songs to our highly respected Piano Masters Series. From his fifty songs in the complete set we have selected twelve of the most often taught and performed pieces, spanning all opus numbers in the set. This new collection offers a wide variety of writing styles to help introduce this composer to your students.
How much do we owe the people we love? Is it a sign of strength or weakness to walk away from someone in need? These questions lie at the heart of Ann Packer’s intimate and emotionally thrilling new novel, which has won its author comparisons with Jane Hamilton and Sue Miller. At the age of twenty-three Carrie Bell has spent her entire life in Wisconsin, with the same best friend and the same dependable, easygoing, high school sweetheart. Now to her dismay she has begun to find this life suffocating and is considering leaving it–and Mike–behind. But when Mike is paralyzed in a diving accident, leaving seems unforgivable and yet more necessary than ever. The Dive from Clausen’s Pier animates this dilemma–and Carrie’s startling response to it–with the narrative assurance, exacting realism, and moral complexity we expect from the very best fiction.
"An elegant anthology. The specialist will not miss the quiet sophistication with which the music has been selected and prepared. Some of it is printed here for the first time, and much of it has been edited anew." "Notes" This treasury of 47 vocal works edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley. Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angus Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man." Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes. "
Reprint of the ed. published between 1874-1877 by Breitkopf & Heartel, Leipzig under title: Feur Pianoforte allein.
The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.
Life’s experiences often take the form of music, poetry, novels, or prose. J. P. Polidoro—a New Hampshire novelist, songwriter, and poet—has compiled within, decades of verses that were intended to be inspiration for or lyrics for songs—reflections of life—and verses that by themselves stand alone. In Words Without Music, Polidoro takes the reader on a visionary lyrical ride of love, love lost, often with personal elegies/odes using nature’s beauty as metaphors of life’s experiences both euphoric and tragic. The thoughts penned within are poems and prose that are often autobiographical but universal in nature. His lyrical creations over decades paint a picture in one’s mind, without need of the artist’s brush or support from a melody. Polidoro purposely offers no table of contents so that the reader may open the book to any page and enjoy the compositions individually, or in total, at one’s leisure, much akin to an individual song. Readers may identify with his past and present emotions and his critical thinking of the day—especially in a world that is ever changing.