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The third book in the New York Times bestselling American Royals series is here, and a meeting of monarchs will test everyone's loyalty to the crown…and their own hearts. Beatrice is queen, and for the American royal family, everything is about to change. Relationships will be tested. Princess Samantha is in love with Lord Marshall Davis—but the more serious they get, the more complicated things become. Is Sam destined to repeat her string of broken relationships…and this time will the broken heart be her own? Strangers will become friends. Beatrice is representing America at the greatest convocation of kings and queens in the world. When she meets a glamorous foreign princess, she gets drawn into the inner circle…but at what cost? And rivals will become allies. Nina and Daphne have spent years competing for Prince Jefferson. Now they have something in common: they both want to take down manipulative Lady Gabriella Madison. Can these enemies join forces, or will old rivalries stand in the way?
UX design has traditionally been deliverables-based. Wireframes, site maps, flow diagrams, content inventories, taxonomies, mockups helped define the practice in its infancy.Over time, however, this deliverables-heavy process has put UX designers in the deliverables business. Many are now measured and compensated for the depth and breadth of their deliverables instead of the quality and success of the experiences they design. Designers have become documentation subject matter experts, known for the quality of the documents they create instead of the end-state experiences being designed and developed.So what's to be done? This practical book provides a roadmap and set of practices and principles that will help you keep your focus on the the experience back, rather than the deliverables. Get a tactical understanding of how to successfully integrate Lean and UX/Design; Find new material on business modeling and outcomes to help teams work more strategically; Delve into the new chapter on experiment design and Take advantage of updated examples and case studies.
This book explores van Gogh's and Gauguin's concepts of spirituality in life and art, and the ways in which their ideas and the events of their personal lives shaped their creation of repertoires of meaningful symbolic motifs.
Employing the methodologies of the new art history as well as some tools provided by poststructuralism, historiography, and analytic philosophy, Poussin's Paintings offers a novel approach to the art of Poussin. David Carrier begins with a comprehensive analysis of Poussin's self-portraits, which provides the starting point for a critical discussion of the traditional strategies of Poussin scholarship and for an evaluation of the status of this artist. Carrier shows that Poussin can be properly understood only by seeing how his visual and political culture differs from ours. Carrier examines the traditional approaches of Poussin scholars, noting the limitations of their views and showing how they not only shape our image of the artist but also restrict out ability to properly grasp his concerns. Carrier also considers the important conceptual claims of connoisseurs and reveals how their work invokes an implicit theory of Poussin's development. Carrier then focuses on a group of paintings concerned with erotic themes, demonstrating the inadequacy of traditional accounts of these pictures. He extends his analysis to a discussion of Poussin's landscapes, which have a different and more important place in his development than the older accounts claim. Carrier places Poussin within the artistic and political culture of seventeenth-century Rome. He asserts that artists of the time were concerned with the problem of belatedness and that Poussin attempted to return to the tradition of the High Renaissance, reworking images from that tradition in response to his own visual culture. Carrier argues that Poussin's art is thus best understood as a response to that setting for baroque art, and he relates Poussin's work to the later tradition of French history painting.