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The first book-length critical study of the contemporary British poet, Don Paterson Eight essays by leading literary critics and writers explore the social, historical and personal dimensions of Paterson's poetry and prose. Situating his work in dialogue with the classical, medieval, early modern, modernist and contemporary voices that inform it, the book considers Paterson as a figure actively negotiating his place within literary history and theory, as well as confronting that history with humour and directness.
Aphorisms have been described as 'the obscure hinterland between poetry and prose' (New Yorker) - short pithy statements that capture the essence of the human condition in all its shades. In this New and Selected, master of the form Don Paterson brings the best examples from his three previous volumes together with ingenious new material relevant to today's world. Moving and mischievous, canny and profound - these wide-ranging observations of no more than one or two lines demonstrate that the aphorism is the perfect form for our times. Consciousness is the turn the universe makes to hasten its own end. * Agnosticism is indulged only by those who have never suffered belief. * Poet: someone in the aphorism business for the money.
How much did making it new have to do with making it? For the four outsider poets considered here, the connection was everything. Both a social history of literary ambition in America in the 1950s and 1960s and a collective literary biography, this is an account of postwar poetry underground.
A very special mouse escapes from a lab to find his missing family in this charming story of survival, determination, and the power of friendship. What makes Isaiah so unique? First, his fur is as blue as the sky—which until recently was something he'd never seen, but had read all about. That's right: Isaiah can read and write. He can also talk to humans . . . if any of them are willing to listen! After a dramatic escape from a mysterious laboratory, Isaiah is separated from his "mischief" (which is the word for a mouse family) and has to survive in the dangerous outdoors, and hopefully find his missing family. But in a world of cruel cats, hungry owls, and terrified people, it's hard for a young, lone mouse to make it alone. When he meets an equally unusual and lonely human girl named Hailey, the two soon learn that true friendship can transcend all barriers.
A collection of poems written between 1950 and 1962 by the Pulitzer Prize-winning poet, including the complete texts of two earlier volumes, as well as a selection of previously uncollected works.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Winner of the 2020 Text Prize. A humorous and poignant middle-grade story about a young boy grappling with guilt after stealing from the local church.
Emma Paterson was a pioneer of trade unionism for women. In her short life, she set up a League dedicated to that cause, edited a newspaper to publicise it and travelled the UK working for it. Her spoken and written work addressed issues still with us today, from the gender pay gap to domestic labour, and those thankfully consigned to history, such as whether women should be able to vote or find clothes appropriate to industrial work. Emma Paterson, Trade Unionist and Feminist, In Her Own Words brings together the major works that comprise Emma Paterson’s written output, offering a unique insight into the struggles and concerns of women working in the workshops, factories, shops and homes of Britain’s Industrial Revolution. This book includes a long biographical chapter from the editor, a preface from Frances O’Grady, first woman general secretary of the Trades Union Congress, and then an annotated selection of Emma Paterson’s most important works, from her time as a young activist to her last days as an overworked editor and union leader. This book will appeal to scholars and students of the history of Britain, of its women workers, of industrial, labour and publishing history. It addresses broader questions of class and gender, the interconnections that exist between them and the silences that often accompany them.