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Today, body and language are prominent themes throughout philosophy. Each is strange enough on its own: this book asks what sense we might make of them together.
A groundbreaking work of ethnography, urban studies, and theology, Mark Gornik's Word Made Global explores the recent development of African Christianity in New York City. Drawing especially on ten years of intensive research into three very different African immigrant churches, Gornik sheds light on the pastoral, spiritual, and missional dynamics of this exciting global, transnational Christian movement.
What happens when persons living in the womb are declared to be legal non-persons? What is transgenderism? And why are so many countries changing the meaning of words such as Female, Husband and Mother? The Flesh Made Word makes visible the invisible thread which connects a redefinition of legal marriage to transgenderism to abortion. In doing so it shows that when the physically impossible is made legally possible the effect is that the physically possible is made legally impossible. By examining the relationships between body, mind, language and law, we can come to see that behind the curtain of language our body has been ushered off the legal stage. For legal purposes we no longer have a sex. From here on in we have only a gender.
A beautifully packaged full-color collection of literary tattoos and short personal essays, The Word Made Flesh is an intimate but anonymous confessional book, in the vein of thought-provoking anthologies like PostSecret and Not Quite What I Was Planning. Gorgeous photographs and candid commentary are collected by authors Eva Talmadge—whose short story “The Cranes” was cited as Notable Nonrequired Reading of 2008 in Dave Eggers’ Best American Nonrequired Reading 2009—and Justin Taylor, author of Everything Here Is the Best Thing Ever, and editor of the acclaimed short fiction anthology, The Apocalypse Reader.
A beautifully packaged full-color collection of literary tattoos and short personal essays, The Word Made Flesh is an intimate but anonymous confessional book, in the vein of thought-provoking anthologies like PostSecret and Not Quite What I Was Planning. Gorgeous photographs and candid commentary are collected by authors Eva Talmadge—whose short story “The Cranes” was cited as Notable Nonrequired Reading of 2008 in Dave Eggers’ Best American Nonrequired Reading 2009—and Justin Taylor, author of Everything Here Is the Best Thing Ever, and editor of the acclaimed short fiction anthology, The Apocalypse Reader.
"There was very fine, an elegant pain, hardly a pain at all, like the swift and fleeting burn of a drop of hot candle wax...Then the blood welled up and began to distort the pure, stark edges of my delicately wrought wound. "The chaos in my head spun itself into a silk of silence. I had distilled myself to the immediacy of hand, blade, blood, flesh." There are an estimated two to three million "cutters" in America, but experts warn that, as with anorexia, this could be just the tip of the iceberg of those affected by this little-known disorder. Cutting has only just begun to enter public consciousness as a dangerous affliction that tends to take hold of adolescent girls and can last, hidden and untreated, well into adulthood. Caroline Kettlewell is an intelligent woman with a promising career and a family. She is also a former cutter, and the first person to tell her own story about living with and overcoming the disorder. She grew up on the campus of a boys' boarding school where her father taught. As she entered adolescence, the combination of a family where frank discussion was avoided and life in what seemed like a fishbowl, where she and her sister were practically the only girls the students ever saw, became unbearable for Caroline. She discovered that the only way to find relief from overpowering feelings of self-consciousness, discomfort, and alienation was to physically hurt herself. She began cutting her arms and legs in the seventh grade, and continued into her twenties. Why would a rational person resort to such extreme measures? How did she recognize and overcome her problem? In a memoir startling for its honesty, humor, and poignancy, Caroline Kettlewell offers a clear-eyed account of her own struggle to survive this debilitating affliction.
On bookshelves around the world, surrounded by ordinary books bound in paper and leather, rest other volumes of a distinctly strange and grisly sort: those bound in human skin. Would you know one if you held it in your hand? In Dark Archives, Megan Rosenbloom seeks out the historic and scientific truths behind anthropodermic bibliopegy—the practice of binding books in this most intimate covering. Dozens of such books live on in the world’s most famous libraries and museums. Dark Archives exhumes their origins and brings to life the doctors, murderers, and indigents whose lives are sewn together in this disquieting collection. Along the way, Rosenbloom tells the story of how her team of scientists, curators, and librarians test rumored anthropodermic books, untangling the myths around their creation and reckoning with the ethics of their custodianship. A librarian and journalist, Rosenbloom is a member of The Order of the Good Death and a cofounder of their Death Salon, a community that encourages conversations, scholarship, and art about mortality and mourning. In Dark Archives—captivating and macabre in all the right ways—she has crafted a narrative that is equal parts detective work, academic intrigue, history, and medical curiosity: a book as rare and thrilling as its subject.
Intercarnations is an outstanding collection of provocative, elegantly written essays—many available in print for the first time—by renowned theologian Catherine Keller. Affirmations of body, flesh, and matter pervade current theology and inevitably echo with the doctrine of the incarnation. Yet, in practice, materialism remains contested ground—between Marxist and capitalist, reductive and postmodern iterations. Current theological explorations of our material ecologies cannot elude the tug or drag of the doctrine of “the incarnation.” But what if we were to redistribute, rather than repress, that singular body? Might we free it—along with the bodies in which it is boundlessly entangled—from a troubling history of Christian exceptionalism? In these immensely significant, highly original essays, theologian Catherine Keller proposes to liberate the notion of the divine made flesh from the exclusivity of orthodox Christian theology’s Jesus of Nazareth. Throughout eleven scintillating essays, she attends to bodies diversely religious, irreligious, social, animal, female, queer, cosmopolitan, and cosmic, highlighting the intermittencies and interdependencies of intra-world relations. According to Keller, when God is cast on the waters of a polydoxical indeterminacy, s/he/it returns manifold. For the many for whom theos has become impossible, Intercarnations exercises new theological possibilities through the diffraction of contextually diverse multiplicities. A groundbreaking work that pulls together a wide range of intersecting topics and methodologies, Intercarnations enriches and challenges current theological thinking. The essays reach back into feminist, process, and postcolonial discourses, and further back into messianic and mystical potentialities. They reach out into Asian as well as inter-Abrahamic comparison and forward toward a political theology of the Earth, queerly entangling climate catastrophe in materializations resistant to every economic, social, and anthropic exceptionalism. According to Keller, Intercarnations offers itself as a transient trope for the mattering of our entangled difference, meaning to stir up practices of a better planetarity. In Intercarnations, with Catherine Keller as their erudite guide, readers gain access to new worlds of theological possibility and perception.
Volume 7 (2013): The Mystical Text (Black Clouds Course Through Me Unending . . . )Editors: Nicola Masciandaro & Eugene ThackerContributors: Cinzia Arruzza, Daniel Colucciello Barber, Ron Broglio, Aaron Dunlap, Kevin Hart, Karmen MacKendrick, Beatrice Marovich, Timothy Morton, Joshua Ramey, Christopher Roman, Daniel Whistler.
James Kirkland, a retired pastor, lives with his wife Lyn in Lancaster, Pennsylvania, where they minister together through Starfish Ministries, a work they founded in 2002. One outreach of that ministry is two radio shows which have aired weekly for 28 years, and on which the host has become known as "Pastor Jim." The couple also ministers to victims of relationship betrayal through seminars, and their first book, "Healing For the Broken Hearted,"This book is written to provide God's children with an understandable, practical guide to Scripture which is designed for daily use. Each day's devotional is presented in a simple, one-page format, but is packed with useful and sound Bible truth. Expect a blessing as you read each day's entry....it certainly has been a blessing for me to be able to provide this resource to you!