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A descriptive and photographic guide to identifying 440 native and introduced plants that are found in woodlands in the Southern Tablelands of NSW and ACT
"Surely such a familiar landmark and its flora need no introduction. But leaf through the book (or better yet, get Brown and Choukas-Bradley to take you on a tour) and you realize that while the rest of the world has been looking at Sugarloaf through a telescope, this intrepid pair has been using a magnifying glass.... Their record of these trees and wildflowers] has become one of the most complete guides to local upland flora available, and they hope it will be used not just in other natural areas but in back yards where people want to raise native plants themselves."--Washington Post "In between a field guide and a botanical manual, Choukas-Bradley and Brown have created a must-have... to tote into the woods of Sugarloaf Mountain. The authors have included every flowering plant they observed during ten years of extensive hiking and exploration on Sugarloaf. This guide would be useful to any naturalist, serious or casual, venturing into the wilds of the Northeastern United States and adjacent Canada."--E-Streams "This book contains an easy-to-use, non-technical botanical key for flowering plants--herbaceous and woody alike.... The author describes each plant and its individual parts, all related species, and details on the plant's growth habit, its natural range and habitat, its bloom time, and where it can be found on Sugarloaf Mt."--Solidago: The Newsletter of the Finger Lakes Native Plant Society A thorough yet user-friendly companion to the authors' popular paperback Sugarloaf: The Mountain's History, Geology, and Natural Lore, this volume is an exquisitely illustrated guide to 350 eastern woodland wildflowers and trees found onsite at Sugarloaf Mountain, Maryland. It includes a botanical key and an illustrated glossary of common and scientific names, and is packed with nearly 400 elaborately and artistically detailed pen-and-ink drawings to make plant identification simple and fun. Melanie Choukas-Bradley is the author of City of Trees: The Complete Field Guide to the Trees of Washington, D.C. and a longtime contributor to the Washington Post. She teaches field botany for the USDA Graduate School. Tina Thieme Brown has worked as a landscape artist and environmentalist for twenty-five years. She teaches art at the U.S. Botanic Garden, is an artist on the Countryside Artisans Studio Tour, and creates art inspired by the Sugarloaf Mountain countryside in her 1790s log cabin studio. Choukas-Bradley and Brown lead Sugarloaf Mountain field trips for the Audubon Naturalist Society of the Central Atlantic States and other organizations. Published in association with the Center for American Places
'A meticulously researched, important and beautiful volume that goes well beyond the scope of its title to describe the hitherto neglected subject of woodland flora and place it in a broad ecological and historical context.' - Stehan Buczacki Observing the plants of the forest floor – the flowers, ferns, sedges and grasses – can be a vital way of understanding our relationship with British woodland. They tell us stories about its history and past management, and can be a visible sign of progress when we get conservation right. For centuries, woodland plants have also been part of our lives in practical ways as food and medicines, and they have influenced our culture through poetry, perfume and pub signs. In this insightful and original account, Keith Kirby explores how woodland plants in Great Britain have come to be where they are, coped with living in the shade of their bigger relatives, and responded to threats in the form of storms, fires, floods, the attentions of grazing herbivores and the effects of the changing seasons. Along the way, the reader is introduced to the work of important botanists who have walked the woods in the past, collecting information on where plants occur and why. In-depth profiles of some of our most important and popular ground flora species provide extra detail and insight. Beautifully illustrated, Woodland Flowers is a must for anyone who appreciates and wants to learn more about British woodland and its plants.
Professor John Harper, in his recent Population Biology of Plants (1977), made a comment and asked a question which effectively states the theme of this book. Noting that 'one of the consequences of the development of the theory of vegetational climax has been to guide the observer's mind forwards', i. e. that 'vegetation is interpreted asa stage on the way to something', he commented that 'it might be more healthy and scientifically more sound to look more often backwards and search for the explanation of the present in the past, to explain systems in relation to their history rather than their goal'. He went on to contrast the 'disaster theory' of plant succession, which holds that communities are a response to the effects of past disasters, with the 'climax theory', that they are stages in the approach to a climax state, and then asked 'do we account most completely for the characteristics of a population by a knowledge of its history or of its destiny?' Had this question been put to R. S. Adamson, E. J. Salisbury, A. G. Tansley or A. S. Watt, who are amongst the giants of the first forty years of woodland ecology in Britain, their answer would surely have been that understanding lies in a knowledge of destiny. Whilst not unaware of the historical facts of British woodlands, they were preoccupied with ideas of natural succession and climax, and tended to interpret their observations in these terms.
“A Way to Garden prods us toward that ineffable place where we feel we belong; it’s a guide to living both in and out of the garden.” —The New York Times Book Review For Margaret Roach, gardening is more than a hobby, it’s a calling. Her unique approach, which she calls “horticultural how-to and woo-woo,” is a blend of vital information you need to memorize and intuitive steps you must simply feel and surrender to. In A Way to Garden, Roach imparts decades of garden wisdom on seasonal gardening, ornamental plants, vegetable gardening, design, gardening for wildlife, organic practices, and much more. She also challenges gardeners to think beyond their garden borders and to consider the ways gardening can enrich the world. Brimming with beautiful photographs of Roach’s own garden, A Way to Garden is practical, inspiring, and a must-have for every passionate gardener.
From the creator of "one of the most exciting and innovative gardens in Britain today" With their moss-covered stones, towering trees, and pockets of quiet shade, woodlands have a romantic power unlike anything else. Whether your garden is currently open and sunny, or on the small side, you can capture that sylvan atmosphere with carefully chosen trees and shade-loving plants. In Designing and Planting the Woodland Garden, Keith Wiley explains how to combine plants in natural, self-supporting colonies. His hand-picked selection of unexpected collectables—shrubs, perennials, bulbs, ferns, and grasses—mingle with garden favorites to create fabulous effects in all seasons.
Professor John Harper, in his recent Population Biology of Plants (1977), made a comment and asked a question which effectively states the theme of this book. Noting that 'one of the consequences of the development of the theory of vegetational climax has been to guide the observer's mind forwards', i. e. that 'vegetation is interpreted as a stage on the way to something' , he commented that 'it might be more healthy and scientifically more sound to look more often backwards and search for the explanation of the present in the past, to explain systems in relation to their history rather than their goal'. He went on to contrast the 'disaster theory' of plant succession, which holds that communities are a response to the effects of past disasters, with the 'climax theory', that they are stages in the approach to a climax state, and then asked 'do we account most completely for the characteristics of a population by a knowledge of its history or of its destiny?' Had this question been put to R. S. Adamson, E. J. Salisbury, A. G. Tansley or A. S. Watt, who are amongst the giants of the first forty years of woodland ecology in Britain, their answer would surely have been that understanding lies in a knowledge of destiny. Whilst not unaware of the historical facts of British woodlands, they were preoccupied with ideas of natural succession and climax, and tended to interpret their observations in these terms.
Packed with stunning color photographs, The Woodland Year is an intimate month-by-month journey through Ben Law’s yearly cycle of work, his naturally attuned lifestyle, and his deep understanding of his woods. The Woodland Year provides a fascinating insight into every aspect of sustainable woodland management, including the cycles of nature, seasonal tasks, wild food gathering, wine making, mouthwatering and useful recipes, coppice crafts, round-pole timber-frame eco-building (pioneered by Ben), nature conservation, species diversity, tree profiles, and the use of horses for woodland work. This is a profound book that is both practical and poetic. It describes a way of life that is economically and ecologically viable and sets a new standard for managing our woods in a low-impact, sustainable way. As such, it holds some of the fundamental keys to how we can achieve a lower-carbon society.