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The book presents a broad panoramic overview of church architecture in the Russian North between the fourteenth and nineteenth centuries. While it is inevitably overshadowed by the imperial splendour of the country’s capital cities, this unique phenomenon is regarded as the most distinctive national expression of traditional Russian artistic culture and at the same time as a significant part of humanity’s worldwide architectural heritage. The chief intention of the book is to present the regionally specific features of the wooden churches of the Russian North, which vary from area to area for local natural or historical reasons. This approach touches upon the very important questions of the typology and classification of the multiplicity of architectural forms. The "regional view" entails giving clear definitions of the ambiguous terms "architectural school" and "tradition", explaining the origins and shaping impulses for the different regional clusters of objects. Structurally the book presents a history of the development of wooden church architecture in the Russian North and then follows the key points of the mediaeval Russian expansion along the waterways from Novgorod into the North – he Svir’ River, Lake Onego, the town of Kargopol’ and the River Onega, the White Sea, the Rivers Dvina, Pinega and Mezen’ – those areas that still retain the most splendid pieces of Russian regional wooden church architecture. The study is based on field research and provides an up-to-date, multi-faceted view of Russian wooden architecture.
2024 Nautilus Book Awards Silver Winner in "Religion / Spirituality of Western Thought" CategoryWinner of the Living Now Book Award, Church of the Wild reminds us that once upon a time, humans lived in an intimate relationship with nature. Whether disillusioned by the dominant church or unfulfilled by traditional expressions of faith, many of us long for a deeper spirituality. Victoria Loorz certainly did. Coping with an unraveling vocation, identity, and planet, Loorz turned to the wanderings of spiritual leaders and the sanctuary of the natural world, eventually cofounding the Wild Church Network and Seminary of the Wild. With an ecospiritual lens on biblical narratives and a fresh look at a community larger than our own species, Church of the Wild uncovers the wild roots of faith and helps us deepen our commitment to a suffering earth by falling in love with it--and calling it church. Through mystical encounters with wild deer, whispers from a scrubby oak tree, wordless conversation with a cougar, and more, Loorz helps us connect to a love that literally holds the world together--a love that calls us into communion with all creatures.
The book presents a broad panoramic overview of church architecture in the Russian North between the fourteenth and nineteenth centuries. While it is inevitably overshadowed by the imperial splendour of the country’s capital cities, this unique phenomenon is regarded as the most distinctive national expression of traditional Russian artistic culture and at the same time as a significant part of humanity’s worldwide architectural heritage. The chief intention of the book is to present the regionally specific features of the wooden churches of the Russian North, which vary from area to area for local natural or historical reasons. This approach touches upon the very important questions of the typology and classification of the multiplicity of architectural forms. The "regional view" entails giving clear definitions of the ambiguous terms "architectural school" and "tradition", explaining the origins and shaping impulses for the different regional clusters of objects. Structurally the book presents a history of the development of wooden church architecture in the Russian North and then follows the key points of the mediaeval Russian expansion along the waterways from Novgorod into the North – he Svir’ River, Lake Onego, the town of Kargopol’ and the River Onega, the White Sea, the Rivers Dvina, Pinega and Mezen’ – those areas that still retain the most splendid pieces of Russian regional wooden church architecture. The study is based on field research and provides an up-to-date, multi-faceted view of Russian wooden architecture.
Throughout their shared history, Orthodox and Eastern Catholic Churches have lived through a very complex and sometimes tense relationship – not only theologically, but also politically. In most cases such relationships remain to this day; indeed, in some cases the tension has increased. In July 2019, scholars of both traditions gathered in Stuttgart, Germany, for an unprecedented conference devoted to exploring and overcoming the division between these churches. This book, the first in a two-volume set of the essays presented at the conference, explores historical and theological themes with the goal of healing memories and inspiring a direct dialogue between Orthodox and Eastern Catholic Churches. Like the conference, the volume brings together representatives of these Churches, as well as theologians from different geographical contexts where tensions are the greatest. The published essays represent the great achievements of the conference: willingness to engage in dialogue, general openness to new ideas, and opportunities to address difficult questions and heal inherited wounds.
This book will appeal to anyone interested in architectural photography in general as well as those intrigued by the early history of America and the elegant simplicity of the hand-crafted structures.
A celebration of the state's sacred places