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A complete textbook and reference book that summarises the main aspects of wood utilisation for the student and the timber producer. The book concentrates on native species, although common non indigenous woods are also covered.
Australian Forest Woods describes about 130 of the most significant Australian forest trees and their wood. The introductory sections introduce the reader to the uniqueness and usefulness of forest trees. The book examines the forest tree species and their wood with photographs, botanical descriptions and a summary of the characteristics of the wood. A section on wood identification includes fundamental information on tree growth and wood structure. With over 900 images, this is the most comprehensive guide ever written on Australian forest woods, both for the amateur and the professional wood enthusiast. Macrophotographs of the wood are shown in association with a physical description of wood characteristics, which will aid identification. This technique was developed by Jean-Claude Cerre, France, and his macrophotographs are included in the book.
Australian Rainforest Woods describes 141 of the most significant Australian rainforest trees and their wood. The introductory sections draw the reader into an understanding of the botanical, evolutionary, environmental, historical and international significance of this beautiful but finite Australian resource. The main section examines the species and their wood with photographs, botanical descriptions and a summary of the characteristics of the wood. A section on wood identification includes fundamental information on tree growth and wood structure, as well as images of the basic characteristics. With more than 900 colour images, this is the most comprehensive guide ever written on Australian rainforest woods, both for the amateur and the professional wood enthusiast. It is the first time that macrophotographs of the wood have been shown in association with a physical description of wood characteristics, which will aid identification. This technique was developed by Jean-Claude Cerre, France, and his macrophotographs are included in the book.
'A rich inner life is not just the preserve of the arts. The joys, fears and profound self-discoveries of creativity - through making or building anything that wasn't there before, any imaginative exploration or attempt to invent - I believe to be the birthright of every person on this earth. If you live your life with curiosity and intention - or would like to - this book is for you.' Charlotte Wood, from the Preface to The Luminous Solution In this essential, illuminating book, award-winning writer Charlotte Wood shares the insights she has gained over a career paying close attention to her own mind, to the world around her and to the way she and others work. Drawing on research and decades of observant conversation and immersive reading, Charlotte shares what artists can teach the rest of us about inspiration and hard work, how to pursue truth in art and life, and to find courage during the difficult times: facing down what we fear and keeping going when things seem hopeless.
"Women the world over are brought up to hope, even expect, to find the man of their dreams, marry and live happily ever after. When Stephanie Woods meets a sweet, sophisticated man who owns land and businesses, she embarks on an exhilarating romance with him. He seems compassionate, truthful and loving. He talks about the future with her. She falls in love. She also becomes increasingly beset by anxiety at the lavish three-act plays he offers her in the form of excuses for frequent cancellations and no-shows. She begins to wonder, who is this man? When she ends the relationship Stephanie switches back on her journalistic nous and uncovers a story of mind-boggling duplicity and manipulation. She also finds she is not alone; that the world is full of smart, sassy women who have suffered the attentions of liars, cheats, narcissists, fantasists and phonies, men with dangerously adept abilities to deceive. In this brilliantly acute and broad-ranging book, Wood, an award-winning writer and journalist, has written a riveting, important account of contemporary love, and the resilience of those who have witnessed its darkest sides." --Back cover.
The #1 International Bestseller from the Booker Prize-shortlisted author of Stone Yard Devotional “The Big Chill with a dash of Big Little Lies . . . Knife-sharp and deeply alive.” —The Guardian (London) “An insightful, poignant, and fiercely honest novel about female friendship and female aging.” —Sigrid Nunez, National Book Award–winning author of The Friend “Friendship, ambition, love, sexual politics and death: it’s all here in one sharp, funny, heartbreaking, and gorgeously written package. I loved it.” —Paula Hawkins, author of The Girl on the Train Three women in their seventies reunite for one last, life-changing weekend in the beach house of their late friend. Four older women have a lifelong friendship of the best kind: loving, practical, frank, and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they’ve remained close all these years, the grieving women gather at Sylvie’s old beach house—not for festivities this time, but to clean it out before it is sold. Can they survive together without her? Without Sylvie to maintain the group’s delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests, and too much wine collide in a storm that brings long-buried hurts to the surface—and threatens to sweep away their friendship for good. The Weekend explores growing old and growing up, and what happens when we’re forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.
Australian Rainforest Woods describes 141 of the most significant Australian rainforest trees and their wood. The introductory sections draw the reader into an understanding of the botanical, evolutionary, environmental, historical and international significance of this beautiful but finite Australian resource. The main section examines the species and their wood with photographs, botanical descriptions and a summary of the characteristics of the wood. A section on wood identification includes fundamental information on tree growth and wood structure, as well as images of the basic characteristics. With more than 900 colour images, this is the most comprehensive guide ever written on Australian rainforest woods, both for the amateur and the professional wood enthusiast. It is the first time that macrophotographs of the wood have been shown in association with a physical description of wood characteristics, which will aid identification. This technique was developed by Jean-Claude Cerre, France, and his macrophotographs are included in the book.
“A Handmaid’s Tale for the 21st century” (Prism Magazine), Wood’s dystopian tale about a group of young women held prisoner in the Australian desert is a prescient feminist fable for our times. As the Guardian writes, “contemporary feminism may have found its masterpiece of horror.” Drugged, dressed in old-fashioned rags, and fiending for a cigarette, Yolanda wakes up in a barren room. Verla, a young woman who seems vaguely familiar, sits nearby. Down a hallway echoing loudly with the voices of mysterious men, in a stark compound deep in the Australian outback, other captive women are just coming to. Starved, sedated, the girls can't be sure of anything—except the painful episodes in their pasts that link them. Drawing strength from the animal instincts they're forced to rely on, the women go from hunted to hunters, along the way becoming unforgettable and boldly original literary heroines that readers will both relate to and root for. The Natural Way of Things is a lucid and illusory fable and a brilliantly plotted novel of ideas that reminds us of mankind's own vast contradictions—the capacity for savagery, selfishness, resilience, and redemption all contained by a single, vulnerable body. Winner 2016 Stella Prize 2016 Prime Minister’s Literary Award in Fiction An Australian Indie Best Fiction Book & Overall Book of the Year Winner Finalist 2017 International Dublin Literary Award 2016 Voss Literary Prize 2016 Victorian Premier's Award 2016 The Miles Franklin Award
At 15 Anna Wood went to a party and took an ecstasy tablet. Three days later she was dead. A life destroyed. A family devastated. She was just fifteen. She was leaving school to start the job of her dreams. She was beautiful, she had a loving family and countless friends. Yet on 21 October 1995, Anna Wood took an ecstasy tablet at a dance party and died three days later. A life destroyed, a family devastated, a community in shock. Bronwyn Donaghy interviewed friends, family members and numerous professionals in order to write the story of the circumstances surrounding Annaᱠdeath and of her family's decision to try and turn tragedy into a positive force for good. It is a story of our times, a story with powerful resonances for Anna's generation and their parents, for counsellors, doctors and teachers, for anyone who values the sanctity of life. 'As a teenager I have taken all kinds of drugs, not really knowing what they were and why I did it. then I found this book. I vowed never to take drugs again but itᱠjust a shame it took the life of a beautiful, talented girl to make me realise how dangerous it was.' BC, aged 17, New South Wales 'I have never tried illicit drugs and although I was curious to do so ... the information provided in this book has scared me away from that forever.' LO, aged 16, Western Australia 'I've had Mum and Dad give me lectures about not taking drugs and stuff but it didn't really affect me until I read Anna's Story and realised what they do to ordinary people just like me.' AE, aged 15, Queensland
‘Your job is to go out there, grab the audience by the balls, and drag them up on stage with you!’ I was flabbergasted. This I understood. A language that I spoke – had spoken most of my life. It was the best acting note I ever got. John Wood grew up in working-class Melbourne; when he failed out of high school, an employment officer told him, ‘You have the mind of an artist and the body of a labourer.’ And so John continued to pursue his acting dreams in amateur theatre, sustaining himself by working jobs as a bricklayer, a railway clerk and even in the same abattoir as his father. When he won a scholarship to NIDA, in Sydney, it moved John into a new and at times baffling world, full of extraordinary characters. It was the start of a decades-long acting career, most famously on shows such as Rafferty’s Rules and Blue Heelers, where his charm made him beloved in households across the country. His popularity was such that he was nominated for a Gold Logie nine times in a row, finally culminating in a win in 2006. How I Clawed My Way to the Middle is a beguiling memoir from one of Australia’s most cherished actors on both stage and screen. Full of humility, warmth and humour, it tells of the ephemeral nature of theatre, the luminous personalities John encountered along the way, and the perilous reality of life as a professional actor in Australia.