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Japanese netsuke—miniature carvings—are profiled in this wonderful Japanese arts book. These tiny masterpieces of sculpture (mostly in ivory and wood), of lacquer, and of metalwork captivated collectors with the charm of their conception, the intricacy of their detail, and the sheer tactile pleasure of handling them. Basically they were utilitarian in purpose, serving as toggles or pendants to support medicine boxes, tobacco pouches, and similar articles suspended by a cord from the obi. Originally primitive in design, they soon became more and more sophisticated, and their makers turned increasingly to the legendry of Japan for their subject matter. It is with these masterpieces in miniature that author-collector Raymond Bushell deals in The Wonderful World of Netsuke picturing one hundred of them in color and offering a delightfully informative description of each. In so doing, he provides not only a visual treat but also an absorbing commentary on Japanese manners, customs, history, legends, and superstitions. Mr. Bushell, besides being an avid collector of netsuke, sword furnishings, and jade, is widely known for his adaptation from the Japanese of The Netsuke Handbook of Ueda Reikichi.
Netsuke have once again come to the fore in the popular imagination of the public. This book brings together one hundred of the beautiful and interesting netsuke from the extensive collection of the British Museum, each of which has its own special charm and story to tell.
Featuring dozens of Japanese netsuke masterpieces and extensive commentary, this Japanese art book is a treasured collector's item. Netsuke are superb miniature carvings, usually less than two inches high, that have been created by Japanese artists for over three hundred years. During that time, they have portrayed almost every aspect of life and culture in Japan. These tiny carvings were traditionally used to prevent the cord attached to a gentleman's medicine box or tobacco pouch from slipping through the belt of his kimono. Today they are highly collectible works of art. Netsuke: Japanese Life and Legend in Miniature presents over seventy full-page color photographs of netsuke in enchanting settings. The accompanying text gives technical details about the netsuke as well as interesting commentaries relating the pieces to Japanese life and legend. Information on the carvers has also been provided whenever possible.
Drawing on the Victoria and Albert Museum's fine collection, Japanese Netsuke examines these appealing, accessible, and often humorous works of art in the broadest possible context. In a text that is both comprehensive and entertaining, Julia Hutt traces the history of netsuke, showing how these highly collectible objects originated from belt hangings used by nomads along the Silk Road. The stunning color photographs reveal the full range of subjects portrayed--images of animals, birds, and sea creatures, portraits of dancers and demons, droll cameos of characters from everyday urban life, even a rare poetic evocation of landscape--and the high level of skill involved in their creation. The richness and diversity of the materials used, as well as the different sources of inspiration, are also discussed, providing an indispensable guide for collectors and all those interested in Japanese decorative arts.
Netsuke are small toggles or buckles carved from wood or ivory. The Japanese in the seventeenth century used them to fasten pouches to their kimono belt, since kimonos had no pockets. This lavishly illustrated book takes the reader on an exciting tour of one type of netsuke—those carved to look like the masks used by stage actors.
For collectors who have discovered the delights of such miniature Japanese art forms as theinroand thenetsuke, this authoritative and enlightening book offers a wealth of valuable information. That it also affords entry to a world of fascinating design and superb craftsmanship goes without saying. In addition to illustrating in color and discussing in detail 108 distinguished inro and their accompanyingnetsuke, as well as 18 related miniature objects, it presents highly informative essays on the making ofinro, on pearl shell inlays, and, in particular on the materials and techniques of lacquer art, the last of these with 62 color photos. It also furnishes an extensive list of lacquer artists' signatures with 386 photos. It is refreshing to have an author tell his readers not only what his book is but also what it is not. In his introduction Bushell says: "This book is addressed to the collector ofinro, netsuke,and other forms of miniature Japanese art, with emphasis on works in lacquer. Its purpose is specific and limited. It is not a comprehensive study of lacquer. It is not a historical survey, a technical analysis, a comparative examination, or a compendium of terms and definitions. In point of time it is limited to the Tokugawa, Meiji, Taisho, and early Showa periods. In point of craft it is limited to the later development of precise and sophisticated techniques, with their brilliant decorative effects." Bushell points out that he is not making an unnecessary emotional appeal in praise of lacquer. His objective is far more practical. This book is the product of his efforts to understand the structure underlying the beauty of lacquer art and to provide clear and simple explanations. Because other books on the subject had not satisfied him, he undertook his own basic research, and here he presents the information he acquired through painstaking study with master lacquer craftsmen and other authorities.
Contemporary Netsuke is an in-depth study of Japanese netsuke—miniature sculptures that are favorites of collectors and artists. In this unusual and engaging Japanese art book the author traces the historical background of netsuke and goes on to examine its current state, at the same time providing the background knowledge that every collector needs concerning authenticity, workmanship, and materials along with a wealth of information on subject matter, techniques, scholarly interest, and investement. Over 110 signatures and brief biographies of present-day netsuke and okimono carvers are included, and there are close-up studies of 27 leading artists. Contemporary Netsuke also includes nearly 200 illustrations, a photo essay showing the creation of a netsuke, and numerous sketches picturing legendary themes. A comprehensive list of dealers, a bibliography, and a glossary-index complete this authoritative, thorough and lively introduction to one of the oldest and newest of Japan's living arts.
With dozens of photos and illustrations, A Introduction to Netsuke is a readable and thorough guide to Japanese miniature art. Among the many Japanese fine arts, few have aroused greater admiration than the netsuke. This miniature piece of Japanese sculpture, approximately 1 1/2 inches in size, was designed (in the absence of pockets on kimonos) as an aid in suspending articles such as tobacco pouches from the sash of a kimono. It developed in ancient times as a utilitarian object, but became in the 16th century an artistic one as well, and flourished as such until 1926. No longer commonly worn, the netsuke is now a collectors' item, avidly sought throughout the world by those sensitive to its fine qualities. This book opens the miniature world of netsuke to those who have hitherto been unaware of its existence. In a delightfully lucid manner, the basics of the netsuke are presented-definition, origin, development, materials, statistics, and photographs. This book admirably fulfills its task of introducing the netsuke to the layman, irresistibly drawing him to new pleasures in aestheticism and culture.
Netsuke, the carved toggles used to fasten a small container to a kimono sash, made from ivory, wood, porcelain, and more, are among the most popular Asian antiques. Over 970 vivid images of netsuke are shown, representing Japanese life, customs, religion, professions, art, history, and legends. The netsukes are organized by subject, allowing readers to rapidly find those that interest them most. The succinct text introduces, defines, and describes the various types of netsukes and helps identify the subjects represented. Additionally, important evaluating tips are provided, along with a bibliography. This book is a must for anyone interested in Oriental art