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There's no time for Wonder Woman to fully comprehend the fallout from last issue's shocking turn of events as her family gathers to prepare for an assault on Olympus.
Writer Greg Rucka weaves together the threads of “The Lies,” “Year One,” “The Truth,” and “Godwatch”—every story in WONDER WOMAN since the start of the DC Universe Rebirth era—in this extra-sized anniversary issue!
The entire run of writer Brian Azzarello (100 BULLETS) and artist Cliff Chiang's (PAPER GIRLS) bold new imagining of one of comics' most iconic characters is now collected in its entirety in his giant-size omnibus edition! Raised as a daughter by the Queen of the Amazons, the warrior princess called Diana is different from the rest of her countrywomen. They've all heard the legend of how she was formed from clay to give the childless queen the daughter she dreamed of--and they treat her like an outsider and outcast because of it. But Diana is different than everyone else, just not for the reasons everyone thinks. It's because she's the daughter of Zeus. With a new cadre of brothers and sisters as allies and enemies, Wonder Woman's world is rocked to its core when her eldest brother, the First Born, was freed from his slumber. Her newfound family is in ruins and her friends scattered, she must turn to Orion and the New Gods of New Genesis to save herself, her newborn brother Zeke and his mother Zola from the First Born's wrath. Collects Wonder Woman #0-35, 23.1 and a story from Secret Origins #6
The Gods walk among us. To them, our lives are playthings. Only one woman would dare to protect humanity from the wrath of such strange and powerful forces. But is she one of us--or one of them? WONDER WOMAN begins anew under the creative team of Brian Azzarello and Cliff Chiang!
After the status-shattering events of Wonder Woman: Rise of the Olympian, Diana finds herself fighting for her life against the man destined by the gods to take her place - Achilles, the Warkiller. Zeus has made Achilles ruler of the Amazons, and Diana finds herself in battle against the people she loves most! How will she fare when those same people brand her an outcast?
Brian Azzarello and Cliff Chiang's critically acclaimed Wonder Woman reintroduces the New Gods! Wonder Woman's world is shocked to its core when her eldest brother, the First Born, is freed from his slumber. Now, with her family in ruins and her friends scattered, she must turn to Orion and the New Gods of New Genesis to save herself and Zola's newborn from the First Born's wrath! Collects WONDER WOMAN #19-23.
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Fifty years after the Equal Pay Act, why are women still living in a man's world? Debora L. Spar never thought of herself as a feminist. Raised after the tumult of the 1960s, she presumed the gender war was over. As one of the youngest female professors to be tenured at Harvard Business School and a mother of three, she swore to young women that they could have it all. "We thought we could just glide into the new era of equality, with babies, board seats, and husbands in tow," she writes. "We were wrong." Now she is the president of Barnard College, arguably the most important all-women's college in the United States. And in Wonder Women: Sex, Power, and the Quest for Perfection—a fresh, wise, original book— she asks why, a half century after the publication of Betty Friedan's The Feminine Mystique, do women still feel stuck. In this groundbreaking and compulsively readable book, Spar explores how American women's lives have—and have not—changed over the past fifty years. Armed with reams of new research, she details how women struggled for power and instead got stuck in an endless quest for perfection. The challenges confronting women are more complex than ever, and they are challenges that come inherently and inevitably from being female. Spar is acutely aware that it's time to change course. Both deeply personal and statistically rich, Wonder Women is Spar's story and the story of our culture. It is cultural history at its best, and a road map for the future.
It's a special super-sized 50th issue! Wonder Woman continues her quest to save Zeke and Olympus, but is she prepared for what she might find? Long-buried secrets suddenly brought to light will call into question everything she thought she knew about those she loves and trusts the most.
William Marston was an unusual man—a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic that he used to express two of his greatest passions: feminism and women in bondage. Comics expert Noah Berlatsky takes us on a wild ride through the Wonder Woman comics of the 1940s, vividly illustrating how Marston’s many quirks and contradictions, along with the odd disproportionate composition created by illustrator Harry Peter, produced a comic that was radically ahead of its time in terms of its bold presentation of female power and sexuality. Himself a committed polyamorist, Marston created a universe that was friendly to queer sexualities and lifestyles, from kink to lesbianism to cross-dressing. Written with a deep affection for the fantastically pulpy elements of the early Wonder Womancomics, from invisible jets to giant multi-lunged space kangaroos, the book also reveals how the comic addressed serious, even taboo issues like rape and incest. Wonder Woman: Bondage and Feminism in the Marston/Peter Comics 1941-1948 reveals how illustrator and writer came together to create a unique, visionary work of art, filled with bizarre ambition, revolutionary fervor, and love, far different from the action hero symbol of the feminist movement many of us recall from television.