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Everybody waits, but nobody likes to wait. Waiting feels like a waste of time, an unnecessary exercise in patience, or a foreboding sense that something bad is about to happen. More than we realize, we have grown accustomed to filling our desires instantaneously, and we have taught ourselves to miss out on one of the most rewarding exercises in all of life. The Bible has much to say about waiting. Commands, encouragements, examples, and promises for waiting saturate God's Word. To wait on God is to entrust ourselves to His perfect care, to apply faith in the midst of unchanging circumstances, to trust God's plan over time, and to eagerly anticipate future realities which are being perfectly prepared for us. The reward of waiting is immeasurable joy in God. He dispenses all good things to His children according to His infinite resources and His flawless timing. Waiting on God fuels our pilgrimage through this life, kindles our affections for eternal realities, bolsters our fight against sin, disarms our hearts' idols, and best of all, culminates in our being forever in the presence of our great, glorious, and gracious God.
Good things may come to those who wait, but trouble waits for no one… Cheating is a dealbreaker...or so Mandy has always thought. But when she catches her husband getting some “strange,” she realizes how hard it is to cut and run, or even file papers. She agrees to a month of counseling, which will give her time to grieve the loss of her marriage before she has to tell the world—and the kids. Then she meets Adam, who gives her a hunky, if mysterious, shoulder to cry on, and that thirty-day waiting period seems like an eternity. Adam has no problem confessing that he’s watched Mandy from his window for months as she runs by his house. If he told her why, though, she’d freak out for sure. He knows they’ve got a future together, if he can think of a way to explain his past. And he’s sure the rat-bastard who cheated on her is putting the moves on her again, but he won’t be the revenge guy. The month-long cooling off period she agreed to is lasting forever, and might just be indefinite, if trouble keeps getting in their way. CONTENT WARNING: Eccentric old lady pushing salt-of-the-earth advice, bossy big brother, kooky counselor, super-secretive hunk, and perfect justice served amidst adult situations and language.
DigiCat Publishing presents to you this special edition of "Ladies Won't Wait" by Peter Cheyney. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This study looks at the preservation process: newsreel, television, and color preservation; the often controversial issue of colorization; and commercial film archives. It provides detailed histories of the major players in the preservation battle including the International Museum of Photography at George Eastman House, the American Film Institute, the Museum of Modern Art, the UCLA Film and Television Archive, and the Library of Congress. This first historical overview of film preservation in the United States is also highly controversial in its exposure and criticism of the politicization of film preservation in recent years, and the rising bureaucracy which has often lost sight of preservation and restoration as the ultimate purpose of film archives.
The need for an ambitious and forward-looking Canadian international strategy has never been greater. The worldwide changes that jeopardize Canadian security and prosperity are profound, ranging from the globalization of commerce, crime, and political extremism to the impact of climate change on the economy and environment. The reaction from Canada’s policymakers, at least so far, has been underwhelming. In The World Won’t Wait, some of Canada’s brightest thinkers respond. Covering both classic foreign policy issues such as international security, human rights, and global institutions and emerging issues like internet governance, climate change, and sustainable development, their essays offer fresh and provocative responses to today’s challenges and opportunities. The proposals are striking and the contributors diverse: Toronto’s chief city planner makes the case that Canada needs a global urban agenda, while a prominent mining executive explains how to revitalize the country’s position as a world leader in the sector. Their essays are sure to spark the kind of debate that Canada requires if its international policy is to evolve into the twenty-first century.
This study looks at the preservation process: newsreel, television, and color preservation; the often controversial issue of colorization; and commercial film archives. It provides detailed histories of the major players in the preservation battle including the International Museum of Photography at George Eastman House, the American Film Institute, the Museum of Modern Art, the UCLA Film and Television Archive, and the Library of Congress. This first historical overview of film preservation in the United States is also highly controversial in its exposure and criticism of the politicization of film preservation in recent years, and the rising bureaucracy which has often lost sight of preservation and restoration as the ultimate purpose of film archives.
A brilliant exploration of the natural, medical, psychological, and political facets of fertility When Belle Boggs's "The Art of Waiting" was published in Orion in 2012, it went viral, leading to republication in Harper's Magazine, an interview on NPR's The Diane Rehm Show, and a spot at the intersection of "highbrow" and "brilliant" in New York magazine's "Approval Matrix." In that heartbreaking essay, Boggs eloquently recounts her realization that she might never be able to conceive. She searches the apparently fertile world around her--the emergence of thirteen-year cicadas, the birth of eaglets near her rural home, and an unusual gorilla pregnancy at a local zoo--for signs that she is not alone. Boggs also explores other aspects of fertility and infertility: the way longing for a child plays out in the classic Coen brothers film Raising Arizona; the depiction of childlessness in literature, from Macbeth to Who's Afraid of Virginia Woolf?; the financial and legal complications that accompany alternative means of family making; the private and public expressions of iconic writers grappling with motherhood and fertility. She reports, with great empathy, complex stories of couples who adopted domestically and from overseas, LGBT couples considering assisted reproduction and surrogacy, and women and men reflecting on childless or child-free lives. In The Art of Waiting, Boggs deftly distills her time of waiting into an expansive contemplation of fertility, choice, and the many possible roads to making a life and making a family.
Everyone worships. But Jesus tells us that God is seeking a particular kind of worshiper. In True Worshipers, a seasoned pastor and musician guides readers toward a more engaging, transformative, and biblically faithful understanding of the worship God is seeking. True worship is an activity rooted in the grace of the gospel that affects every area of our lives. And while worship is more than just singing, God’s people gathering in his presence to lift their voices in song is an activity that is biblically based, historically rooted, and potentially life-changing. Thoroughly based in Scripture and filled with practical guidance, this book connects Sunday worship to the rest of our lives—helping us live as true worshipers each and every day.