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This is a story about the feminine deities Xi Wang Mu and Guan Yin of China. It weaves together ancient detail in a modern form blending East and West.
"Whitefield-Madrano ... examines the relationship between appearance and science, social media, sex, friendship, language, and advertising to show how beauty actually affects us day to day. Through ... research and interviews with dozens of women across all walks of life, she reveals surprising findings, like that wearing makeup can actually relax you, that you can convince people you're better looking just by tweaking your personality, and the ways beauty can be a powerful tool of connection among women"--Amazon.com.
Guerilla street artist JR traveled to Sierra Leone, Liberia, Sudan, Kenya, Brazil, India, and Cambodia to seek out women struggling in their everyday lives and, in his words, "to take their stories around the world." Pasting mural-size portraits of his subjects into their own communities--on the sides of buildings, on trains, on bridges--he brings a haunting human presence to harsh environments of social conflict. His photographs of the vast outdoor "exhibitions" that he creates are iconic images celebrating the worth of the individual. A beautifully illustrated account of this remarkable project, Women Are Heroes introduces JR's thrilling imagery of the modern landscape filled with human faces, and also includes his original photographic portraits paired with interviews in which the women share their lives and dreams"--Publisher description
"Originally published in Russian as U voiny--ne zhenskoe lietiso by Mastatskaya Litaratura, Minsk, in 1985. Originally published in English as War's unwomanly face by Progress Publishers, Moscow, in 1988"--Title page verso.
The definitive guide to the female species. The 16 Faces of Women is the first book to unveil the hidden character which makes up modern woman. The book really gets below the surface of femininity and exposes just what it means to be a woman today - the positives and the negatives. From sex to love, family to career, relationships to appearances, this book candidly and honestly tells it all. Written by sociological experts on gender studies and based on extensive research, The 16 Faces of Women is an indispensible guide for any woman who wants to know which types of men she attracts, what other women think of her, and whether she is destined to be a home bird or a leader of men. This book is also a must-have purchase for any man who is in a relationship with a modern woman, or wants to be. Written in a direct, insightful, yet humorous style, The 16 Faces of Women is a unique book for both sexes. What do men love about 'Chameleon'? What sort of mother does 'Angelina' make? What makes 'Diva' such a seducer of men? Why is Lois Lane' destined to rule the world? And what gets 'Plate Spinner' in such a whirl?
From one of Time Magazine's 40 Most Influential Minds in Technology: women across the globe share stories of closing the tech industry’s gender gap. Women in technology are on the rise in both power and numbers, but we need to accelerate that momentum if we want to "lean in" and close the gender gap. The future of technology depends on women and men working together at their full potential. For that to happen, it is vital that women feel welcomed, rewarded, and respected in tech sectors. Hailed by Foreign Policy Magazine as a “Top 100 Global Thinker,” professor, researcher, and entrepreneur Vivek Wadhwa, alongside award-winning journalist Farai Chideya, collect anecdotes and essays from female tech leaders around the world, sharing how their experiences in innovative industries frame the future of entrepreneurship. With interviews and essays from hundreds of women in STEM fields, including Anousheh Ansari, the first female private sector space explorer; former Google[X] VP and current CTO of the USA, Megan Smith; Ory Okolloh of the Omidyar Network; CEO of Nanobiosym Dr. Anita Goel, MD, PhD,; and venture capitalist Heidi Roizen, Innovating Women offers perspectives on the challenges that women face, the strategies that they employ in the workplace, and how organizations can support the career advancement of women.
This book explores the connections between women's experiences of and contributions to sport as a profession, product and pastime. This collection brings together insights and experiences from academics, activists, players and practitioners to critically reflect upon contemporary women's sport.
Face veiling is relatively new in Indonesia. It is often stereotyped as a sign of extremism and the growing Arabisation of Indonesian Muslims. It is also perceived as a symbol that demonstrates a lack of female agency. However, increasing numbers of women are choosing to wear the cadar (the full face veil). This book provides an ethnographic study of these women: why they choose to wear the cadar, embody strict religious disciplinary practices and the consequences of that choice. The women in this book belong to two Islamic revivalist movements: various Salafi groups and the Tablīghī Jamāʿat. Indonesia has constantly witnessed transformations in the meanings and practices of Islam, and this book demonstrates that women are key actors in this process. Nisa demonstrates that contrary to stereotypes, the women in this study have an agency which is expressed through their chosen docility and obedience.
The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory—published together with author Linda Nochlin’s reflections three decades later. Many scholars have called Linda Nochlin’s seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art. With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew. In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.”